Paul Dahlke

Thomas Mann's witty and intimate story of a irresistible scoundrel.

Based on an actual murder case in Frankfurt after the war, the film tells the story of the murder of Rosemarie, a prostitute, and how she ended up strangled in her apartment.

A clearly confused girl is found wandering around Stuttgart and can't be understood, because she's speaking in a foreign language. The police take her to some doctors, who eventually believe they're dealing with a Tibetan. Doctor von Aldenhoff takes the stranger in and begins to educate her according to western European standards. In her new home, the girl, Luscha, gets to know Robert Lorm, a rather well-travelled man, and falls in love with him. Eventually, she decides quite unilaterally that they're going to build a new home and life together. A plaster of paris mask of the girl's face is made for the doctors to keep as a remembrance of Luscha. But as soon as the mold is removed from her face, she suddenly seems to become an entirely different woman.

The third form of a boarding school and the students of a neighboring school do not get along. Each side dreams up the craziest pranks to defeat the other. And when one day the high school students go as far as stealing the Gymnasium students’ essays and even burning them, daily school life really gets out of hand.

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Sylvia has succeeded in making her son Robert a minister in the French Republic. His old servent, Gabriel, interrupts the young man during an "erotic" conference with the singer Betty. She's there, because her politically inappropriate songs is about to get her banned from the stage, which the minister would like to prevent. A fight breaks out between Robert and Gabriel and Sylvia, his mother, has to confess to Robert, that Gabriel is actually his father. When the minister once again misbehaves, this time at a ball, his servant and father Gabriel decides that the time has come to slap his son in everyone's presence. Robert is forced to resign and a journalist from the People's Front suggests Gabriel for the post of minister. - The film was classified after the end of the german third empire as a reservation film.

The multi-millionaire Eduard Schlüter takes part under the name Schulze in a raffle of his own Schlüter works and wins a stay at the Grand Hotel. Disguised as a poor swallower, he would like to study the reactions of the hotel staff and guests. As an assistant, he takes his reliable servant Johann with him. Once there, he makes friends and also has cause for annoyance when his daughter and the housekeeper arrive.

A scientist invents a serum that keeps a dog's head alive after its body dies. When the scientist dies of a heart attack, his crazed assistant cuts off his head and, using the serum, keeps the doctor's head alive and forces it to help him on an experiment to give his hunchbacked nurse assistant a new body.

Kummerow, a village in North East Germany, around 1900: Mean-spirited miller Düker wants to drive cowherd Krischan out of the village. Being popular with the local children, Krischan can rely on the help of schoolboys Martin and Johannes and their friends, who try to prevent the miller's plans by playing pranks on him.

A grieving husband tries to uncover the truth behind his wife's suicide, leading him to discover a tragic tale of infidelity and redemption.

A lonely German clerk captures two American flyers and keeps them as prisoners in his basement long after WWII has ended.

No overview available.

Das Kriminalmuseum was a German television series. It ran from 1963 to 1970 on ZDF and was one of its first programs. Each episode began with a tracking shot through an unspecified crime museum, stopping at one of the displays, whose story was then told. Each episode was between 60 and 75 minutes long and featured different actors as the criminal commissioner. The best known was Erik Ode, who in 1969 moved to Der Kommissar, appearing in 97 episodes. The theme music of the series was written by German composer Martin Böttcher, who also composed the complete scores for five episodes.

Das Kriminalmuseum was a German television series. It ran from 1963 to 1970 on ZDF and was one of its first programs. Each episode began with a tracking shot through an unspecified crime museum, stopping at one of the displays, whose story was then told. Each episode was between 60 and 75 minutes long and featured different actors as the criminal commissioner. The best known was Erik Ode, who in 1969 moved to Der Kommissar, appearing in 97 episodes. The theme music of the series was written by German composer Martin Böttcher, who also composed the complete scores for five episodes.

Das Kriminalmuseum was a German television series. It ran from 1963 to 1970 on ZDF and was one of its first programs. Each episode began with a tracking shot through an unspecified crime museum, stopping at one of the displays, whose story was then told. Each episode was between 60 and 75 minutes long and featured different actors as the criminal commissioner. The best known was Erik Ode, who in 1969 moved to Der Kommissar, appearing in 97 episodes. The theme music of the series was written by German composer Martin Böttcher, who also composed the complete scores for five episodes.