Lis Løwert

The poet is tired of spring and can't write anything. Meanwhile, Lillemor thinks that spring should be used to get a lot done. Soon, a conflict is brewing. The poet wants to buy a small car, and even though he has no financial sense, he goes ahead and does so without Lillemor's knowledge. She gets angry and wants nothing to do with the car, and this is about to have serious consequences, but thanks to the wise Lillemor, happiness prevails over common sense.

The young advertising executive Hans and his young wife Grete, who is a dentist, have a considerable annual income between them – and they pay dearly for this to the tax authorities. They calculate that they can save a considerable amount of money by getting divorced. Their friend and lawyer Georg, after much hesitation, agrees to help them with the divorce. However, their "marriage" continues, but it is not long before they each discover that temptation lurks just around the corner—and it is difficult to resist...

The poet and Lillemor have become parents, but poetry and washing the diapers are two subjects which are hard to unite under the same roof. The two just married couples, the barber Anton and Vera plus the baker and Lise, are having some difficulties with their marriages but that doesn't scare off the butcher, who's got the hots for the midwife.

When a young woman falls in love with a gown in a shop window it leads to adventure and romance exceeding even her own vivid imagination.

Old Corfitz and his young wife are plagued by all the visitors who fill their house to wish them luck. But the worst thing for Corfitz is the uncertainty: Is he the father of the child? TV version of Ludvig Holberg's comedy from 1723.

A husband is tempted to stray, gives in, and then struggles with himself and his conscience. The children are weighed in the balance, and in the end they are what make him stay in the marriage, even though he must then forsake the woman who for a time sweetened his life outside the confines of home.

Tove (Bodil Kjer) is a modest and ordinary girl dreaming of winning the competition to become the next big movie star. She applies with a photo of her more beautiful sister Grete (Gerda Neumann). The competition, however, is already rigged.

It's all about an anonymous little gray book originating from sexually advanced Paris. The book doesn't look like much, but shouldn't be judged by its cover. Wherever this book goes, something will happen. And for sure, this book goes around.

The middle-aged manufacturer Jens Steen is on his way to his summer house on the West Coast to relax. All alone. Meanwhile, 20-year-old Else Petersen is on the hook - and she is looking forward to a holiday with everything paid for. With classic womanizing, she gets in with Jens Steen, who becomes obsessed with her beauty and youth. But when the local Jutland bicycle mechanic turns up the charm, things start to get heated. And before long, Jens Steen has a scandal on his hands, which he can only do one thing to avoid. In 1944, Bodil Ipsen herself directed one of the few film noir dramas in Danish film history. Obsession is an excellent film about the extremes of emotion and the unbearable lightness of life.

When waiter Thomas Hansen has put aside 10-øre on 10-øre to become a hotel owner, you can clearly see that the spirit has changed. It is not enough, by the way. Therefore, Thomas borrows the missing 10,000 kr. from a guest, rentier Birkehøj, who remarks that he can always get those shillings back when Thomas has become a millionaire. But, for the record, Thomas writes him a receipt on the back of a sandwich note. Then Thomas starts building his hotel - and then Birkehøj dies. Thomas' entire fortune is eaten up by smart money men, and he ends up as a farmhand. He only gets a job again when a maid is laid off. Thomas becomes a housekeeper, and in his new job he encounters justice. A hotel owner Ravn from Ringkøbing shows up as a guest in the house.

The stout Axel Høegh is a forester on the Troldborg estate in South Zealand, where he lives with his daughter Anne, who runs the house, and his son Mogens, who serves as a forester candidate under his father, and who is engaged to a young girl, Ulla Kryger, who is employed at a Copenhagen advertising agency.

Poeten and Lillemor are making their living on his writing, but the general interest in modern poetry is low and their income very small. A creditor is dogging them, when a sudden bequest gives them some breathing-space. They buy an old house in a small village, where living is cheaper than in Copenhagen. The villagers are distrustful towards the newcomers. After a while the baker, the butcher and the grocer won't give Poeten and Lillemor credit anymore. Also the old creditor is back dogging them. Should Poeten renounce his high poetical standards and write simple verses for popular music, to get money?

The series follows the residents of an apartment building on Copenhagen's Christianshavn, as they go about their daily lives and challenges. There is Olsen, a mover with an old fashion view of the world, Clausen who runs the local pet shop, Egon the career focused assistant, their wives who work hard to keep their spouses lives together, the young couple Tue and Rikke who recently moved in, the hard working caretaker Meyer, who never puts in to much effort, and of course Emma, the innkeeper of Rottehullet, where all the important decisions are made while running up the bar tab. The series was produced by Nordisk Film for Danmarks Radio TV station between the years 1970-77. The series' first director was Ebbe Langberg, then Erik Balling and Tom Hedegaard respectively. The series was conceived by an author team of well-known Danish authors such Leif Panduro, Benny Andersen, and Lise Nørgaard.

Matador is a Danish TV series produced and shown between 1978 and 1982. It is set in the fictional Danish town of Korsbæk between 1929 and 1947. It follows the lives of a range of characters from across the social spectrum, focusing specifically on the rivalry between the families of two businessmen: The banker Hans Christian Varnæs, an established local worthy, and social climber Mads Skjern, who arrives in town as the series opens. The name Matador was taken from the localised edition of the boardgame Monopoly, also the series' tentative English title. In addition, in contemporary Danish a "matador" is often used to describe a business tycoon, in the series referring to the character of Mads Skjern and his craftiness as a self-made entrepreneur. Directed by famed Danish film maker Erik Balling, Matador was the idea of author Lise Nørgaard who wrote the bulk of the episodes alongside Karen Smith, Jens Louis Petersen and Paul Hammerich. The series is one of the most well-known and popular examples of Danish television and represents the peak of longtime development of Danish TV drama by the public service channel Danmarks Radio. The series has become part of the modern self-understanding of Danes, partly because of its successful mix of melodrama and a distinct warm Danish humour in the depiction of characters, which were portrayed by a wide range of the most popular Danish actors at the time; but also not least because of its accurate portrayal of a turbulent Denmark from around the start of the Great Depression and through Nazi Germany's occupation of Denmark in World War II.