Alessandro Tiberi

A film in four episodes, each one describing a special love story in today’s Italy.

In Milan, Matteo is an underemployed physicist, giving the occasional lecture at a university while working at a PR firm where he knows he'll be fired. Without his really trying, two women are attracted to him, a blond and a brunette. The blond is Angelica; they meet smoking on the office rooftop. To his surprise, she has clout in the company and soon has him flying off (with her) to make presentations. The brunette is Beatrice, a new flatmate, hoping for a teaching job in the national service. Angelica dangles a posting with her in Barcelona; Beatrice is simply Beatrice. Will Matteo figure out what he wants - and decide before opportunity passes him by?

Italy, 1980s. Three thugs stumble upon a remote, out-of-place hotel: a refuge at the edge of the world. But this isn't just their story. Because at the Bellevue Hotel, other guests exist, breathing or crying behind a door with worn numbers, gestures of love or desperation, whispered voices or screams. In the intertwining of each of these stories, walls dissolve and doors open, revealing the thread that binds the destinies of all the guests.

A partisan at 16, a trade unionist defending female workers, the first female minister, chair of the commission of inquiry into the P2 Masonic lodge. Tina Anselmi's life was the story of our democracy.

Four tales unfold in the Eternal City: While vacationing in Rome, architect John encounters a young man whose romantic woes remind him of a painful incident from his own youth; retired opera director Jerry discovers a mortician with an amazing voice, and he seizes the opportunity to rejuvenate his own flagging career; a young couple have separate romantic interludes; a spotlight shines on an ordinary man.

Six high school friends in their 40s who haven't seen each other in nearly 20 years rekindle their younger selves after a court cancels their diploma, forcing them to repeat the final high school exam.

Seven thirty-something friends organise a post-grad trip they were never able to take after school. They find new adventures on a Greek island, and show that true maturity is never really achieved.

A director and his crew attempt to make the transition from the small to the big screen.

A movie about Domenico Modugno, famous singer.

Sole, a university student bored of her daily routine, meets graffiti artists Pierpaolo and Alex, and her life changes until she falls in love with one of them.

Kids from a huge apartment complex in Rome form a secret society to unite their forces and get back at the nasty adults who 'oppress' them, playing pranks on them to expose their weaknesses.

Stuck in a dead-end career and on a string of terrible dates, the life of 30-something Maddalena is a total mess until one day, she meets an unlikely imaginary friend who comes to her in the form of real-life porn star Valentina Nappi. Her mission? To teach Maddalena everything she needs to know about life, sex, and love.

Set in Bologna, it is a noir from the deep and tense tones. Protagonist is Giorgia Cantini, a private investigator forty years, apparently sullen, rebellious and instinctive.

Boris is an Italian television series created by Luca Manzi and Carlo Mazzotta, initially produced from 2007 to 2010, with a revival season premiered in 2022. The show brings to the stage the behind the scenes of a television set where a troupe is shooting Gli occhi del cuore 2 (The eyes of the heart 2), a satirical portrait of the many fictions airing on the Italian TV networks.

No overview available.

Three couples on very different duties -- 2 cops, 2 dispatch officers and 2 criminals -- are stuck together in their narrow workspace, be it a police car, a radio station or a container. As the wait prolongs, their personal stories unfold in comic dialogues and unusual bonds form.

A Late Show with a strong identity that bears the name of Alessandro Cattelan: surprising interviews, monologues, music and guests who face all the challenges, even the most unlikely, but without ever taking themselves seriously.