Edin Hasanović

Go behind the scenes of Edward Berger’s WWI epic and see how the cast and crew crafted its amazing authenticity — from the sets to the SFX prosthetics.

Kevin is new in youth prison. Due to over-occupancy he has to share a cell with Tommy, Andy and Marc. A partnership of convenience in a system where only the strong prevail and which is dominated by violence and latent aggression. Oppression and beatings are a daily occurence. It is hard for Kevin to establish himself. Especially Marc and Andy are after him. He's afraid of not sticking it out. Only Tommy gives him an amicable advice: In this system, you're either a victim or a culprit. If he doesn't want to be a loser anymore, he has to start fighting... A piece of advice that will trigger most dire consequences

Three friends, a cabin in the woods and an invisible bear. Erik is suicidal out of conviction. His friends Alex and Ben take him to a cabin in the woods to get him back on his feet. When an old hunting rifle turns up, events take an unexpected turn. A movie about friendship, trust and schnitzel rolls.

In a project with the concept of open-prison, Benjamin is given the unique chance of a new beginning. As one of seven juvenile offenders he should adopt social skills and experience security in a family-like community. But when he meets his house-mother Eva, he is shocked. She was one of his victims, but cannot recognize him because he was hidden by a mask. His brutal assault on her was never resolved. Ben does his best not to attract attention. But Eva's suspicion is aroused.

Pia and Jan have just fallen in love and arranged to meet Pia's friends for a game night. Jan meets Pia's friends for the first time and is under pressure to make the perfect first impression. When Pia's ex-boyfriend shows up and even Jan's buddy's tips can't save anything, everything is at stake: the relationship, the friendship, and the definition of truth.

No overview available.

A divorce lawyer and a couples therapist, both completely different, must, as witnesses, save their best friends' wedding at all costs.

At his son Konstantin's parents' evening, Philipp Gressmann meets Dolores Sturm - reluctantly, as he emphasizes several times. The woman is completely out of his league. Gressmann, very rich, lives in the posh West End, Dolores in a high-rise estate in the middle of a social hotspot in the city. He is horrified that their sons are supposed to be friends and that his ex-wife even approves of this. On leaving school, Dolores follows in his footsteps in order to escape two very shady characters, Taci and Ali. A turbulent journey through the night begins, in which these very different worlds meet. Gressmann experiences things he would never have dreamed of and has experiences he would rather have done without. His world, so finely ordered, begins to show considerable cracks. To his own surprise, Dr. Gressmann, who is otherwise so detached and coolly calculating, suddenly shows emotion.

Carl’s life runs like clockwork: every day, he goes door-to-door delivering books to a handful of loyal customers. He knows their preferences and takes pride in selecting the perfect story for each of them. But his well-ordered life is turned upside down by a cheerful nine-year-old girl, Schascha, who decides to join him on his daily book round. Schascha’s unique outlook on life helps Carl to come out of his shell and realise that his customers are so much more than just that to him. But when Carl unexpectedly loses his job, this vibrant community starts to fall apart - and it will take the power of books and all Schascha’s determination to bring them back together again.

The events in Sarajevo in June 1914 are the backdrop for a thriller directed by Andreas Prochaska and written by Martin Ambrosch, focusing on the examining magistrate Dr. Leo Pfeffer (Florian Teichtmeister) investigating the assassination of Archduke Franz Ferdinand. Trying to do his job in a time of lawlessness and violence, intrigues and betrayal, Leo struggles to maintain his integrity and save his love, Marija, and her father, prominent Serbian merchant. But the events of Sarajevo have set into motion an inescapable course of events that will escalate to become … the Great War.

Young 19-year-old Hajo wrestles with caring for his 6-month-old son and finding both work and his role of being a father.

A night-time chase. The dealers in their off-road vehicle are sweating bullets, because Diller and Kessel have them in their sights. A routine operation for the well-rehearsed duo, long-time friends who have always had each other's backs. And at the moment, Kessel is in dire need of Diller's support: his daughter suffers from severe epilepsy, her treatment is expensive and his marriage is in danger of falling apart. But Kessel knows he can rely on Diller and he loves his wife. So he is sure that everything will be fine. And suddenly an opportunity arises to help fate along: With a bag full of drugs, which Kessel discovers in the car of the fugitive dealers. Kessel hesitates only briefly and then lets them go. But instead of solving his problems, this bag plunges him into new, far greater conflicts - and takes his partner Diller and his family with him.

Joko & Klaas celebrate Christmas

No overview available.

No overview available.

No overview available.

Murder, Venice, relationships...it's a delicious concoction in the hands of crime novelist Donna Leon. Venice provides the backdrop for the lush film versions of the bestselling novels, which features the indelible Commissario Guido Brunetti, canal boat rides instead of car chases, fine cuisine and crime investigations in one of Europe’s most beautiful locations.

A recurring LIVE prime-time show featuring two stars (celebs) who must beat each other at various mini-games, such as; mind games, sports and tactile games. The winner gets 100000 Euros after roughly 4 hours.

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.