
Acting
Mar 26, 1924
Hakodate, Hokkaido, Japan
Hideko Takamine
Acting
Biography
Hideko Takamine (高峰 秀子, Takamine Hideko, March 27, 1924 – December 28, 2010) was a Japanese actress who began as a child actress and maintained her fame in a career that spanned 50 years. She is particularly known for her collaborations with directors Mikio Naruse and Keisuke Kinoshita, with Twenty-Four Eyes (1954) and Floating Clouds (1955) being among her most noted films. Takamine was born in Hakodate, Hokkaidō, in 1924. At the age of four, following the death of her mother, she was placed in the care of her aunt in Tokyo. Her first role was in the Shochiku studio's 1929 film Mother (Haha), which brought her tremendous popularity as a child actor. She toured as a singer to entertain Japanese troops and, after the war, sang for American occupation troops in Tokyo. In 1950, she left Shintoho and became a freelance actress. She was especially favoured as leading actress by Naruse, appearing in 17 of his films between 1941 and 1966, which are considered "some of her finest performances." She married writer-director Zenzo Matsuyama in 1955, but continued her acting career, stating that she wanted to "create a new style of wife who has a job". After retiring as an actress in 1979, she published her autobiography and several essay collections. She died of lung cancer on 28 December 2010 at the age of 86.
Feature Films (126)

Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. She describes life's vicious cycle: acting cheerful around drunks, dressing and living well to convey confidence, needing money for these expenses and for her demanding mother and brother, and knowing she's growing older.
When a Woman Ascends the Stairs

Two detectives begin a stakeout based on the slim chance of catching a murderer whom they suspect will try to reunite with an old flame.
Stakeout

From 1928 to 1946, the lives of 12 young people and their school teacher in a poor Japanese village are profoundly affected by historical events and personal circumstances.
Twenty-Four Eyes

A poor rickshaw driver finds himself helping a young woman and her son after the woman's husband dies suddenly.
The Rickshaw Man

Otsuta is running the geisha house Tsuta in Tokyo. Her business is heavily in debt. Her daughter Katsuyo doesn't see any future in her mother's trade in the late days of geisha. But Otsuta will not give up. This film portrays the day time life of geisha when not entertaining customers.
Flowing

Young widow Ine is suffering under the harsh treatment of her mother in law. As a former Geisha, Ine had struggled to be accepted into the well-established Rokujo family from the beginning. With the support of Jiro, a young man Ine's late husband had saved from homelessness as a young boy, Ine tries to keep the family's heritage of silk processing alive. Their close relationship soon causes gossip among the villagers and threaten Ine's position in the family even further ...
Rokujō yukiyama tsumugi

Setsuko is in an unhappy marriage to Mimura, an unemployed, alcoholic engineer. She had always been in love with Hiroshi but both failed to propose when Hiroshi left for France a few years ago. But now he's back and Mariko tries to reunite them, although she too is secretly in love with Hiroshi.
The Munekata Sisters

Sanae is left a widow after her prestigious husband dies, but holds the proceeds of a million yen insurance policy. Being childless, her former in-laws have no objection to her return to her own family.
Daughters, Wives and a Mother

A married Japanese forester during WWII is sent to Indochina to manage forests. He meets a young Japanese typist and promises to leave his wife. He doesn't and after the war, she turns up and the affair resumes.
Floating Clouds

A rural village elder plans an event on the return of a farmer's daughter from the city, unaware that she has become a Westernized burlesque artist.
Carmen Comes Home
Television & Series (1)

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