Directing
Jan 24, 1955
Paris, France
Olivier Assayas
Directing
Biography
Olivier Assayas (French: [ɔlivje asajas]; born 25 January 1955) is a French film director, screenwriter and film critic. Assayas is known for his eclectic filmography, consisting of slow-burning period pieces, psychological thrillers, neo-noirs, and comedies. He has directed French, Spanish, and English-language films with international casts. The son of filmmaker Jacques Rémy, Assayas began his career as a critic for Cahiers du Cinéma. There he wrote about world cinema and its film auteurs, who later influenced his work. Assayas made several short films, and made his feature debut with Disorder in 1986. He continued directing feature films, with Cold Water (1994) considered a breakthrough film in his career. It was his first film to screen at the Cannes Film Festival in the Un Certain Regard section. His followup film, Irma Vep (1996), also screened at Cannes, while Sentimental Destinies (2000), Demonlover (2002), and Clean (2004) all officially competed for the Palme d'Or. In 2006, he contributed a short film to the anthology film Paris, je t'aime (2006). Assayas gained acclaim for his dramas Summer Hours (2008), Clouds of Sils Maria (2014), and Personal Shopper (2016); the latter won him the Cannes Film Festival Award for Best Director. He also directed the comedy Non-Fiction (2018) and the spy thriller Wasp Network (2019). Description above from the Wikipedia article Olivier Assayas, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Feature Films (28)
Guided by Liv Ullmann and with commentaries from a number of prominent filmmakers for whom Bergman is and remains an important influence - such as Woody Allen, Olivier Assayas, Bernardo Bertolucci, Arnaud Desplechin, John Sayles, Martin Scorsese and Lars von Trier, the film provides a vivid portrait of the artist who in each new project found a challenge for himself and for the people he worked with - both actors and colleagues behind the camera.
… But Film Is My Mistress
Founded by Richard Linklater in 1985 as a screening series dedicated to bringing experimental and art cinema to the city of Austin, Texas, the Austin Film Society has grown into a cornerstone of the city's creative community - while remaining true to its edgy, eclectic roots.
Art-House America: Austin Film Society
In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”
Room 999
Throughout the 19th century, imaginative and visionary artists and inventors brought about the advent of a new look, absolutely modern and truly cinematographic, long before the revolutionary invention of the Lumière brothers and the arrival of December 28, 1895, the historic day on which the first cinema performance took place.
The Cinematograph: Birth of an Art
Television & Series (2)
Quotidien (nicknamed "The French Show with the Good Lighting" abroad) is a French daily infotainment television program broadcast in the early evening on TMC since September 12, 2016. The show is hosted by Yann Barthès and produced by Bangumi. It consists of segments and reports produced by the team of commentators and journalists surrounding Yann Barthès and features daily guests including newsmakers, intellectuals, politicians, and French and international celebrities.
