Anne Létourneau

A film about a pair of sisters, whose parents are divorcing after their father leaves their mother for a younger woman, and who plot together to try to repair their fractured family.

The lives of the average Quebecois Plouffe family during the final years of the depression and through World War II.

An anonymous phone call puts Commissioner Schneider's entire career and personal life in question. While his couple suffers from his impossible schedules, he finds himself running after a provocative murderer who announces his crimes over the phone. Very quickly, a doubt comes over him: could the culprit be closer to him than he thought?

A repentant gambler, Simon is a senior inspector in the banditry repression brigade headed by his friend Pierre Tramoni. Pierre is brilliant and wants to go far. Simon has no ambition and only one passion: gambling. For several months, Simon has been trying to catch the Djian brothers, young and dangerous bank robbers, in the act. He fails but discovers, through an informer, strange links between Pierre and the Djians, during his investigation which leads him back to the gambling halls. When the Djians finally fall, the treachery of Commissioner Tramoni is revealed.

Ovide Plouffe has married Rita. She still tries to attract other men even after their marriage. Unhappy Ovide feels for Marie - a young French woman he had met. But his catholic background and surrounding can't let him love another woman or divorce from his wife. So Ovide finishes with Marie and plans a trip with Rita hoping for reconciliation. At the last instant he announces to Rita that he can't make the trip. She goes alone. The plane explodes, and Ovide is suspected and arrested for this horrible crime.

A television host tries to react to the process of alienation that the public is subjected to from variety shows.

A psychotic man and an obsessed police officer make life unbearable for an unlucky actor by making him the scapegoat for a string of kidnappings.

A delightfully classic French comedy of high sophistication and light hearted wit, that in the end suffers for it. This is immensely watchable simply for the presence of Maria De Medeiros, the central two of the film are captivating. What spoils it is the stereotypical and under developed second characters and an overly wistful outlook. But I defy any man watching this film not to fall madly for Aimee and everyone will cherish the scenes between Aimee and Maurice.

A novelist finds herself in an auction where two statuettes are up for sale: "The Mozambique Dancers". According to the legend, the one who owns both statues becomes infinitely rich but the one who owns only one of the two pieces is cursed forever...

Despite being busy with his profession of soldiery, Brantome manages to find much more time for amorous dalliances with the ladies of the 16th-century French court than for battles. Unfortunately for him, his true love, Victoire, is beyond his reach most of the time. He more than compensates for this in the arms of others.

A Sentimental Capitalism is a tragicomic tale on the extension of economic logic to art and love. The film chronicles the apprenticeship of Fernande Bouvier, a naive country girl, who, traveling from Paris to New York in 1929, from avant-garde Bohemia to the narrow circles of high finance, will loose a few illusions.

A family that does not conform to the social norms of a small village must suffer the intolerance of the other villagers when the mentally-challenged son falls in love with the schoolteacher.

It all begins when Lucien Lachenay (André Dussollier), famous builder of the moving sidewalk for the 1900 Universal Exhibition, saves the life of the beautiful Alice Avellano (Kristin Scott Thomas), whom her husband, who has gone mad, was trying to strangle. Lucien Lachenay is himself threatened by a group of anarchists who have instructed a young worker, Alphonse (Benno Fürmann), to suppress him. Alphonse messes up the job, but Lucien, impressed by his inexhaustible energy and thirst for knowledge, agrees to be his mentor instead of handing him over to the police. In the years that follow, Lucien, Alphonse, Alice and the young and attractive Laure (Isabelle Carré) will face the game of rivalry, betrayal and reconciliation.

"The king, the squirrel and the grass snake" is a two‑part French historical drama set in 17th‑century Paris, following the intense rivalry between Nicolas Fouquet, the brilliant and flamboyant Superintendent of Finances, and Jean‑Baptiste Colbert, the calculating administrator determined to bring him down. As Fouquet rises in power, wealth, and prestige—building the magnificent château of Vaux‑le‑Vicomte and securing Mazarin’s favor—his influence begins to alarm the young Louis XIV. Colbert seizes the opportunity to undermine his rival, weaving a political trap that will reshape the future of the kingdom. Through court intrigues, shifting alliances, and the growing authority of the Sun King, the film portrays the fall of a man who shone too brightly and the birth of absolute monarchy in France.

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