Lisa Kreuzer

German journalist Philip Winter has a case of writer’s block when trying to write an article about the United States. He decides to return to Germany, and while trying to book a flight, encounters a German woman and her nine year old daughter Alice doing the same. The three become friends (almost out of necessity) and while the mother asks Winter to mind Alice temporarily, it quickly becomes apparent that Alice will be his responsibility for longer than he expected.

A fleeting encounter in a train station draws a withdrawn young man into a shadowy world of desire and danger. As obsession deepens, innocence destroyed, and an irreversible transformation begins.

Six days in the life of Wilhelm: a detached man without qualities. He wants to write, so his mother gives him a ticket to Bonn, telling him to live. On the train he meets an older man, an athlete in the 1936 Olympics, and his mute teen companion, Mignon. She's an acrobat in market squares for spare change.

Itinerant projection-equipment repairman Bruno Winter and depressed hitchhiker Robert Lander - a doctor who has just been through a break-up with his wife and a half-hearted suicide attempt - travel along the Western side of the East-German border in a repair truck, visiting worn-out movie theaters, learning to communicate across their differences.

In 2043, Frank and Xaver have only one big problem with their jobs at a patent office, their boss Dr. Kneitz who's mission it is to make their life miserable. But then an unique opportunity presents itself when an inventor shows up to patent a time machine and they come up with a plan to travel back in time to stop the conceiving of their boss. Accidently Ronny, a night watchman, happens to be in the room with them when they use the time machine and so, in part unwillingly, the 3 of them travel to the year 1988 in Gran Canaria and they only have a couple of days to stop every interaction with potential fathers for the mother to be.

Tom Ripley, an American who deals in forged art, is slighted at an auction in Hamburg by picture framer Jonathan Zimmerman. When Ripley is asked by gangster Raoul Minot to kill a rival, he suggests Zimmerman, and the two, exploiting Zimmerman's terminal illness, coerce him into being a hitman.

Actors Rüdiger Vogler, Hanns Zischler and Lisa Kreuzer reflect on their work in front of the Robby Müller’s camera for Wim Wender’s seminal road movie KINGS OF THE ROAD (Im Lauf der Zeit, 1976).

Bavaria, Germany, 1950s. The sudden return of the young Kathrin to the small village where she was born stirs up the feelings of guilt and personal ghosts of its inhabitants, haunted by dark memories related to a multiple murder that happened two years earlier at the Tannöd farm, a hideous crime that remains unsolved.

A bearded director named EVA, a fictive Rainer Werner Fassbinder, lives in a large house with his cast and crew as he films Dumas' Lady of the Camellias. His accountant informs him he has many unpaid bills and little cash on hand. EVA throws a fit and fires him. He then proceeds to play one person off against another, dismiss with cruelty his recent lover Ali, sleep openly with his leading lady Gudrun, and make a direct and public play for his leading man, Walter. He's mercurial, dictatorial, and manic. Will he finish the film, having drawn great performances from his actors through his manipulations, or will his antics set events in motion that spin out of his control?

A London radio DJ receives news of his brother's suicide and travels west to Bristol to find out more.

In her teens, Mme. Zachanassian had to flee her home town in disgrace. Now she's old and rich and the town is facing bankruptcy. But she returns with news that she wants to help - as long as the townsfolk kill someone for her.

The police psychologist Jo is supposed to help catch the sex offender Molesch. Since the hotel is fully booked, she stays with her old college friend Vera and her husband Bruno. It turns out that Vera and Jo used to be in love with the same man. The two women's musings are interrupted when Molesch suddenly appears in the garden.

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Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

Tatort is a long-running German/Austrian/Swiss crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

The Black Forest Clinic is a German language medical drama television series that was produced by and filmed in West Germany. The series was produced between 1984 and 1988 with the original airing being from October 2, 1985 to March 25, 1989 on West Germany's ZDF television channel. The series' storyline follows the inner workings of a small fictional hospital in the Black Forest region of Germany as well as the lives of the Brinkmann family of doctors who work at the hospital. Shortly after broadcasting had begun in 1985, The Black Forest Clinic became a highly popular television event, reaching audiences of over 20 million viewers. 25 years since its debut, it is still highly regarded in Germany. The series had been re-broadcast several times since 1985 and has spawned two television films released 20 years after its initial airing.