Peter Pasetti

The Time Machine is purchased from an antiques store by a physician from Berlin. Much of the script plays out in one room in the Berlin villa of Dr. Erasmus Beilowski. He and his well-educated friends have an intelligent discussion about the world and the future, with a view to the Time Machine. What to use it for?

Five musicians form in pre-war Berlin a dance band, which is largely successful thanks to the singer Marion. When love rivalries break out among the musicians and the Second World War begins, they are scattered in all directions. After the war, a coincidence brings them together again.

No overview available.

An engineer, a musician, and a salesman are heading off on summer vacation in an old VW and a rented caravan. The confirmed bachelors want to enjoy their freedom. But the musician falls in love with a hotel telephone operator, and the engineer with a merchant's daughter. This leads to turmoil, with lots of fun and music!

A classical who-dunnit-detective-story in an unusual setting: In the retirement-home for aging stage-artists "Ewige Rampe", an overly engaged doctor discovers what seems to be a murder by poison. The victim is the only inhabitant of the home who was not on stage, but a reporter of a gossip magazine. The two investigating police inspectors soon find out that the deceased lady blackmailed most of the inhabitants with little secrets she found out in her time as a reporter - nasty, but harmless things like a little shoplifting, alcoholism, a corrected date of birth, a success one never had... but are these little old secrets reason enough to kill someone? Or is there someone with a more important dark spot in the past? And

The story centers on Jonny, who is stranded in the fictional South American republic of Nebrador after being discovered as a stowaway en route to inherit a ranch elsewhere; due to his striking resemblance to Governor Oronta, he is coerced into impersonating the leader to shield him from assassination attempts amid a brewing revolution.

No overview available.

No overview available.

The son of an Argentine chemist travels to Vienna, to solve the murder of his father. Step by step, he realizes that his father was internationally entangled in secret service machinations and chemical weapon sales, and ends up in mortal danger himself. Meanwhile, he also realizes that there is no connection between his father's murderess and those dubious activities. Her motive for killing him goes back much futher, to a court hearing during the Third Reich...

Three men plot to assassinate the dictator of their country, but their plan fails and one of them is captured and imprisoned. Even after considerable torture and interrogation, the revolutionary maintains his silence as to the names of his accomplices. Soon he is killed, though no one seems to know who is responsible for his death. Four years later another regime has been established, and a former inmate of the dead revolutionary finds himself in a position of power. He now intends to find out who was responsible for the man's death. After this German tale first took the form of a radio play and then a stage production, character actor Peter Carsten decided to produce this film version.

A sculptor, an enemy of modern art, sets an example. He sculpts a statue of Venus in the style of the Greek antiquity and buries it in a forest. When it's dug up in 1930, it's considered to be a 2 000 year old, antique statue.

A journalist preparing a story on extremist youth falls in love with a young radical who fears being killed by his companions when he is unable to commit a political assassination.

No overview available.

Das Kriminalmuseum was a German television series. It ran from 1963 to 1970 on ZDF and was one of its first programs. Each episode began with a tracking shot through an unspecified crime museum, stopping at one of the displays, whose story was then told. Each episode was between 60 and 75 minutes long and featured different actors as the criminal commissioner. The best known was Erik Ode, who in 1969 moved to Der Kommissar, appearing in 97 episodes. The theme music of the series was written by German composer Martin Böttcher, who also composed the complete scores for five episodes.

Das Kriminalmuseum was a German television series. It ran from 1963 to 1970 on ZDF and was one of its first programs. Each episode began with a tracking shot through an unspecified crime museum, stopping at one of the displays, whose story was then told. Each episode was between 60 and 75 minutes long and featured different actors as the criminal commissioner. The best known was Erik Ode, who in 1969 moved to Der Kommissar, appearing in 97 episodes. The theme music of the series was written by German composer Martin Böttcher, who also composed the complete scores for five episodes.

Das Kriminalmuseum was a German television series. It ran from 1963 to 1970 on ZDF and was one of its first programs. Each episode began with a tracking shot through an unspecified crime museum, stopping at one of the displays, whose story was then told. Each episode was between 60 and 75 minutes long and featured different actors as the criminal commissioner. The best known was Erik Ode, who in 1969 moved to Der Kommissar, appearing in 97 episodes. The theme music of the series was written by German composer Martin Böttcher, who also composed the complete scores for five episodes.