Acting
Mar 15, 1936
Essen, Germany
Elisabeth Volkmann
Acting
Biography
The trained singer and occasional sex film actress (“Hausfrauen-Report”, 1971) became a joker and comedian who liked to show herself in suspenders and bodices. She completed her training at the Folkwangschule in Essen, where she received her first role in the theater. She later moved to Munich, and she has also appeared on stage in Berlin and Hamburg, among other places, playing Shakespeare and other classics. She became known above all as Jolanthe von Scheußlich through the cult series "Klimbim", in which she stood in front of the camera together with Ingrid Steeger. Volkmann starred in numerous other TV series, including "Die rote Meile" (1999) and "Schloss Pompon Rouge" (1991). With director Rainer Werner Fassbinder she filmed, among other things, "The Longing of Veronika Voss" (1982). Volkmann had her last great success as a voice actress: she was the German voice of Marge Simpson and her twin sisters Patty and Selma in the animated series "The Simpsons
Feature Films (66)
In Munich 1955, German film star Veronika Voss becomes a drug addict at the mercy of corrupt Dr. Marianne Katz, who keeps her supplied with morphine. After meeting sports writer Robert Krohn, Veronika begins to dream of a return to stardom. As the couple's relationship escalates in intensity, Veronika begins seriously planning her return to the screen -- only to realize how debilitated she has become through her drug habit.
Veronika Voss
Germany in the autumn of 1957: Lola, a seductive cabaret singer-prostitute exults in her power as a temptress of men, but she wants out—she wants money, property, and love. Pitting a corrupt building contractor against the new straight-arrow building commissioner, Lola launches an outrageous plan to elevate herself in a world where everything, and everyone, is for sale. Shot in childlike candy colors, Fassbinder’s homage to Josef von Sternberg’s classic The Blue Angel stands as a satiric tribute to capitalism.
Lola
Since childhood Peter Schlönzke dreams of a career as a TV presenter. His great role model is Heinz Wäscher, who is always looking for talented young entertainers for his popular show. Peters mother announces her shy boy for an audition, which, although mercilessly goes wrong, but brings him a job as a cable helper. He meets the popular entertainer from the unlikely side: as a bus scrapper who despises his audience. When Peter stumbles into the limelight by chance, he has a unique chance - as successor to scrubber.
Kein Pardon
Geierwally, who earned her name through a bitter fight with a bird of prey, refuses to marry Vinzenz, the heir apparent assigned to her by her father, and lives a secluded life in a mountain hut. Her love for Bärenjosef seems hopeless, especially since he knows nothing of Wally's love. She becomes increasingly isolated, becomes the laughing stock of the village, and misunderstandings arise because Bärenjosef's sister Afra is mistakenly regarded as his “girlfriend.” Wally then decides that she would rather have Josef dead than not at all...
Geierwally
Everything you want to know about the secret erotic desires of Germans can be experienced here in documentary images and hard-hitting interviews that leave nothing to be desired in terms of unsparing openness. The film should serve as a warning to parents and a deterrent to daughters, because once registered means a lifetime burned market! And you can buy a lot from the earnings - but no happiness!
Babystrich im Sperrbezirk
Vittorio pretends to be gay so he can chaperone a rich man's daughter on vacation in Germany. Unfortunately his driver really is gay and Vittorio has a problem.
Love Bavarian Style
East Germans abduct a U.S. coed (Linda Blair) and throw her in a women's prison run by a brutal inmate (Sylvia Kristel).
Red Heat
“The Antman” is a lovingly-made but sluggish monster-movie parody, done with German-speaking actors on a sparse soundstage standing in for 1950s Mexico. Promising concept is bolstered by colorful performances by Gotz Otto and Lars Rudolph, and the filmmakers have fun with pic’s look, right down to tacky lighting worthy of Roger Corman. But Marc Meyer’s script isn’t fast or funny enough to keep pace with energetic visuals. The first in a projected series of B-movie homages grouped as “Planet B,” the producers might want to call in Joe Dante to supervise the rest, as “Antman” seems unlikely to crawl very far beyond its native borders
The Antman
120 schoolgirls live in a Catholic boarding school for girls together with nuns, who teach them, but secular teachers are also employed here. Behind the conservative façade of decency, discipline and order, there are unsuspected sexual abysses.
Sex Life in a Convent
Workers of a journey company state about guys and females who pass their vacation time just by sexual enjoyment, which is shown overly thorough and commented on.
The Resort Girls
Homeless Alfred would like to spend his life on Mallorca. A destination far away. But one day he meets the policeman Erwin.
Scrounged Meals
At a girls boarding school, a beautiful blonde orphan is possessed by an evil demon.
The Devil's Female
Television & Series (62)
Das Kriminalmuseum was a German television series. It ran from 1963 to 1970 on ZDF and was one of its first programs. Each episode began with a tracking shot through an unspecified crime museum, stopping at one of the displays, whose story was then told. Each episode was between 60 and 75 minutes long and featured different actors as the criminal commissioner. The best known was Erik Ode, who in 1969 moved to Der Kommissar, appearing in 97 episodes. The theme music of the series was written by German composer Martin Böttcher, who also composed the complete scores for five episodes.
