Rosemarie Fendel

Paul Winkelmann is the CEO of a successful business in Hamburg that he took over after the death of his father eight years ago. But he is still strongly dominated by his 78 year old mother who cares for him as a child, and who cannot understand why he took an apartment on his own after all these years. The real "problem" starts when Paul gets to know psychologist Margarethe Tietze whose relationship to her parents is also not so easy after all.

Joe Müller, a single father, is electrified: in front of him stands an outraged woman who insults him badly. Still, he falls in love. As it turns out: not exactly the right one. Tessa, who is in the hospital with her son, is upset because her counterpart does not apologize for the accident caused by his daughter. But then she also finds Joe more than just nice. When Joe finds out that the magical Tessa is the new, ambitious CEO of the architectural firm "Planfactory", who has given him notice without even knowing him, he plans a revenge campaign.

No overview available.

No overview available.

Germany, 1945: The 25-year-old Ellen is active in the resistance movement against the Nazis. When she meets Robert, a charismatic English secret agent, the two begin to have an affair. Ellen is ordered to spy on the German naval officer Hans. He is scheduled to serve as Chief Officer aboard the submarine U 864, which has been given a secret mission. Against her will, Ellen falls for Hans. Although he is engaged to another woman, Hans is strongly attracted to her as well. Eventually, Ellen succeeds in delivering critical information the submarines precise route to Japan. The English had suspected that Hitler planned to deliver his ominous wonder weapon to the weakened Japanese. The U 864 leaves its port. Because the war has been going badly for the Germans, the mood onboard is grim.

A well-off couple adopt a 16-year-old boy from an orphanage in West Berlin, but their attempts to help him assimilate into his new surroundings fail. The repressive tolerance of the well-educated adoptive parents is just too much for the mischievous young boy.

Returning from his imprisonment in Russia during the First World War, Franz Ferdinand Trotta, a young KuK officer, discovers how much the defeat has transformed Vienna and his people. He is stunned by the new order of things. Having lost his entire fortune and his wife, who is having a sapphic relationship with a Hungarian artist, he tries to regain his place in a world that appears devastated.

A married couple of artists move to a utopian town known for its absolute freedom, but behind the surface perversion and violence are spreading.

The advertising editor Hannes spends the Christmas holiday every year with his family in Münster. He has his new girlfriend, Inge, in a hotel waiting.

What is a moral person to do in a time of savage immorality? That question tormented Dietrich Bonhoeffer, a German clergyman of great distinction who actively opposed Hitler and the Nazis. His convictions cost him his life. The Nazis hanged him on April 9, 1945, less than a month before the end of the war. Bonhoeffer's last years, his participation in the German resistance and his moral struggle are dramatized in this film. More than just a biographical portrait, Bonhoeffer: Agent of Grace sheds light on the little-known efforts of the German resistance. It brings to a wide audience the heroic rebellion of Bonhoeffer, a highly regarded Lutheran minister who could have kept his peace and saved his life on several occasions but instead paid the ultimate price for his beliefs.

Journalist Elias investigates the background to a suicide in a village in East Westphalia. Günther Sperl, son of the local butcher, has taken his own life after years of humiliation and despair. His oversensitive talent was not appreciated in the stuffy provincial atmosphere. Elias, who shares his fear of deviating from the "normal", feels a strong inner closeness to him and delves deeper and deeper into the outsider's past. During his research, he himself experiences the coldness and narrow-mindedness of the villagers.

Richard Mertens, a successful magazine editor with a cold, empty marriage to Lucy, seeks excitement through an affair with younger colleague Eva. Yet his need for status traps him in superficiality, undermining genuine connection. A legal battle with old friend Ferrow, won through perjury, reveals Mertens’s moral emptiness, shattering his relationship with Eva. Alone, he finds solace only in listening to bartender Brigitte.

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

Das Kriminalmuseum was a German television series. It ran from 1963 to 1970 on ZDF and was one of its first programs. Each episode began with a tracking shot through an unspecified crime museum, stopping at one of the displays, whose story was then told. Each episode was between 60 and 75 minutes long and featured different actors as the criminal commissioner. The best known was Erik Ode, who in 1969 moved to Der Kommissar, appearing in 97 episodes. The theme music of the series was written by German composer Martin Böttcher, who also composed the complete scores for five episodes.

Das Kriminalmuseum was a German television series. It ran from 1963 to 1970 on ZDF and was one of its first programs. Each episode began with a tracking shot through an unspecified crime museum, stopping at one of the displays, whose story was then told. Each episode was between 60 and 75 minutes long and featured different actors as the criminal commissioner. The best known was Erik Ode, who in 1969 moved to Der Kommissar, appearing in 97 episodes. The theme music of the series was written by German composer Martin Böttcher, who also composed the complete scores for five episodes.

Das Kriminalmuseum was a German television series. It ran from 1963 to 1970 on ZDF and was one of its first programs. Each episode began with a tracking shot through an unspecified crime museum, stopping at one of the displays, whose story was then told. Each episode was between 60 and 75 minutes long and featured different actors as the criminal commissioner. The best known was Erik Ode, who in 1969 moved to Der Kommissar, appearing in 97 episodes. The theme music of the series was written by German composer Martin Böttcher, who also composed the complete scores for five episodes.