Yûko Itô

Natsumi which has been moved to a deceased mother's family in Izu, to change schools to the same high school as the cousin, driven into lacrosse. But one day, you know the father and his secret.

Naomi Shimizu is a young career woman working for Enrico Dandolo, an Italian fashion house. That is until one day the company declares bankruptcy. Accustomed to living in luxury she tries to make a run for it with the last remaining company asset, a red Alpha Romeo sports car.

The fifth 'Gotoshi' film.

A fun getaway turns into a journey to Hell for some teenage girls visiting an isolated house to rehearse and perform a play for their private movie club. Taking the trip with an adult chaperone, the girls learn a previous club member supposedly went missing in the house, and another insane! Shortly after they arrive, a mysterious videotape is found with footage of a violent killer wearing a Japanese “deigan” mask. Is this footage real or fake? Soon, their food and equipment disappears and one of the girls is haunted by ghostly visions of the masked demon. Someone or something is in the house, and gruesome death awaits those who cannot escape!

Working long hours in the emergency room, nurse Kana Aoshima befriends musician and frequent hospital patient Shogo Amami. Shogo's therapy visits for his muteness and blindness happen to frequently coincide with Kana's shift, which enables the nurse to get to know the handsome artist well enough to start falling in love with him. Fate intercedes, however, when Shogo is killed after being hit by a car - a development that utterly crushes Kana's will to live. Shogo's spirit is transported to heaven, where it is given the chance to return to Earth to assist Kana through her grieving and to renew her sense of faith in the world - with the only caveat being he cannot reveal his identity to Kana.

Police coroner Kuraishi Yoshio (Masaaki Uchino) and the crime lab team attempt to solve a serial murder case with a killer who seems to kill indiscriminately.

The bittersweet events in the lives of people in Hakodate, a regional city connected by a streetcar network. A laid-off man and his younger sister go up a mountain to see the first sunrise of the year. Meanwhile, Haruo has inherited his family's gas business, but things aren't going well in his new endeavor and he becomes increasingly frustrated.

Under Anchor Headquarters is strictly off limits to all outsiders to protect the confidentiality of their activities. However, one day at lunchtime, Chigusa allowed the agents to "deliver", and this iron rule collapsed. Each of them was excited about the first event and asked for what they liked. However, the Chinese restaurant that received a sudden large order took a lot of time to cook, and there is no sign that it will arrive even after the lunch break. With so much hunger and impatience, the agents gradually get angry. Meanwhile, the news of a large-scale cyber attack arrived at the Kasumigaseki Central Information Management Center. (Director's cut of episode 35 of the Cellphone Investigator 7 TV show).

Yusuke (Kirato Wakayama) is in the 6th grade of elementary school. He has lived in the city all of his life and his father Keita (Kazuya Takahashi) recommends to Yusuke that spend his winter vacation at his grandparents' home. His grandparents live in a mountain village. There, Yusuke has a hard time adapting to the area, customs and the people. He longs to go back home. Soon, Yusuke learns the true meaning of the pre meal phrase "Itadaki-masu" ("thank you for the meal").

Tadaomy works as a loan shark. He hires Tukasa to work for him. One day, Tadaomy’s debtor, Okabayashi, asks to borrow two million yen more. Tadaomy trusts Okabayashi who has payed back sincerely, but Okabayashi suddenly disappears.

No overview available.

A man’s body is found in the suburbs of Tokyo. The dead man was hit by a car and his head beaten by the reckless driver after the accident. The dead man had a wife named Noriko. She likes fancy things and she has a lover named Tsukada. It's also learned that the dead man was insured for 300 million yen. The media and the public look at Noriko and her boyfriend Tsukada with suspicion, but they have perfect alibis. Then, Detective Hibiki, who is in charge of the case, and Private Detective Kono become involved in a series of mysterious murder cases.

No overview available.

Shinigami-kun, alias grim reaper #413, is a rookie who pronounces the death of those scheduled to die and brings souls to the nether world. He would appear with the signature phrase “Congratulations! I’m here to call on you” although it is hard to say how this can be a happy occasion, and watch over the dying. To a grim reaper, persuading people attempting to commit suicide and preventing unforeseen deaths is also an important task. But because #413 is new to this grim reaper work, he has a tendency to lean towards humans in his judgments, break the rules of the nether world and get reprimanded by his superior.

Yukiko Makabe works at the #3 Special Investigation Team of the Metropolitan Police Department. She has excellent negotiation skills. Yukiko then attempts to negotiate with a hijacker on a bus, but something unexpected happens and her mission fails. Yukiko takes full responsibility and takes a transfer to a special interrogation team "Kintori". Her boss is Katsutoshi Kajiyama and Yukiko has had a difficult working relationship with him in the past. Her other coworkers include Susumu Hishimoto, Zenjiro Nakata and Haruo Koishikawa.

Dr. Shindo seems cold, but is a competent surgeon. He is also an ER doctor capable of accurate decisions and treatment, who always tries to see things from the patient’s side. Although once retired from his profession, he one day discovers someone in need of help, who he treats and rushes to the Kohoku Medical University Emergency Center. This incident encourages him to once again work as an ER doctor. Confrontation erupts between female doctor Tamaki, and Shindo, now a just-arrived ER doctor. While this human drama depicts the relationships among doctors and nurses, it appeals emotionally to viewers on the subject of life.