Kseniya Kutepova

In the courtyard of a convent run by Mother Ekaterina, a dozen people are trying to build a new life. Young novitiate Olga is a simple soul, honest and loving. When a troublemaker enters the community, Olga trusts him immediately, and things get complicated.

Plucked from an orphanage as a literal love slave, the now adult Natalija (a luminous Kseniya Kutepova) serves her ape-like husband by tending his prized cow—whose milk they sell to customers on passing trains. When hubby suddenly drops dead, however, Natalija’s narrow life of cows and rails finally starts opening up. Dumping his body at the local hospital, dropping by church to say a few prayers and trading in the cow for a pet goat, she slowly eliminates all trace of his former hold on her, searching out a new life in the freedom that emerges.

The beginning of the 2000s. New realities, instant adaptation to the proposed circumstances, enchanting careers, unexpected unknown professions... All this could have happened only at the turn of the century, when the Soviet system instantly went out of fashion, replaced by the lightning invasion of the Western world in a grotesque parody. The main character of the film is an inconspicuous girl Nadezhda Strakhova. Nadezhda, oddly enough, is married. Her husband, Vitalik, a provincial, married a childless Nadezhda for the sake of a Moscow residence permit and a typical "Khrushchev" on the outskirts of Moscow. Nadezhda works two jobs to support her small family: in the mornings in the district library and in the evenings in the theater wardrobe. One day her life changes dramatically.

In Russia, an introverted father and his teenage daughter live on the road in a van that contains their entire life, including the equipment for a travelling cinema: the source of their meager income. Povolotsky builds on the undeniable art of the long take, on both the scale of the imposing landscapes and the tight interior of their cramped vehicle. The nameless father and daughter rove around the extremities of their vast country, from south to north. On its margins, the pulse of independent drifters who endure and resist.

Black comedy about the routine of a large corporation, producing chocolate bars. The claustrophobic office space and its dwellers are part of a funny and grotesque picture. The main character, young man from the marketing department, tries to find his stolen car with the help of militia and head of a local gang. He confronts a chaotic life of a small provincial town outside his office, trying to guess its laws. As a result, he fails to fulfill the task of his American boss, and finds his Ford painted and rebuilt as a street-racer's car. Of course, his personal life also changes...

Alexey Kromov, a former Russian army colonel, is stuck in Paris with a huge sum of money which belong to the former Russian government.

A new version of Marshak's fairy tale about a mouse who didn't want to go to bed.

Liza works at night, a taxi ride for her is a moment of much-desired peace. The driver Sasha inspires confidence, he knows the approach to the most demanding client. There are many unexpected turns in the lights of the big city, behind each of which lies a terrible threat. And perhaps the main danger is closer than it seems.

This film is a very short story about a former rescue worker returning from Tokyo – a man who is quite successful in his everyday life, and who, after hearing about another earthquake in Japan, dropped everything and went there to help. He is flying back home in an almost empty plane. Indeed, many regular flights have been canceled, and the ones that are still operated do not sell out. He is flying back with a very elderly Japanese man he had just saved – the man is now all alone in the world, his family had died. And the two men somehow clicked. Perhaps because our main character is also lonely. Also flying with them on the plane are those who are no longer here.Those who did not survive the disaster. Together with the characters, their past moves through space – their memories, their world. The world that is no less, but perhaps even more important for them than the reality.

The main character was a standout high school student and graduated university at the highest level. When he reached his 30-s he has found himself a failure: his wife left him for a successful boxer, he got fired from a misearable job, and a morgage that he had to keep up paying off for years ahead. At the most desperate moment the character finds out that that his cunning classmate (Danila Kozlovsky) has become a prosperous businessman and announced a competition for high school students with the prize fund of over a million or rubbles. The main character looks a lot younger than he is, he even gets asked if he is of age when buying alcholol. He gets rid of his beard, fakes his DOB in ID and decides to take a chance in the competition assured that expirience can take over youth.

A famous French filmmaker is hired by a major Hollywood producer to make a documentary on the state of post-Cold War Russia. The filmmaker, though, subverts the project by stubbornly remaining in France and casting himself as the title character of Dostoyevsky's "The Idiot," offering up a series of typically Godardian musings on art, politics, the nature of images and the future of cinema.

A story about a young fox Ludwig XIV Larsen and his friendship with a handsome chicken Tutta Karlson. Based on Jan-Olof Ekholm book.

At the center of the story are two couples of young people with relationship difficulties. Poliamor Georgiy does not know how to explain to his new beloved Alice that she will never be his only one. The marriage of another couple - chef Sergey and accountant Elena - is bursting at the seams: after the pandemic, Sergey's business collapsed, he fell into a deep depression and wants - literally - nothing. Georgiy proposes a plan to his wife Elena: together they open a bar called AMORE MORE, where they will hold parties for couples. Sergey will return to work, Alisa will be able to reconsider her attitude towards polyamory. But the plan collapses - real feelings interfere in the matter.

In the Chertanovo area, known for periodic invasions and attractions, the Prince of Darkness himself suddenly appears. He has grandiose plans, but to implement them, he needs the help of his son, a supermarket cashier, who has a lot of questions for his father from hell. The all-powerful Prince of Darkness will have to build relationships with earthly relatives in order to carry out his plans and teach humanity a lesson.

Igor is the director of the Moscow men's club. His 18-year-old son Petya despises such a business and openly criticizes the values and lifestyle of his parent. However, he is returning from London for an inevitable visit to a seedy establishment. There he meets the main dancer Sveta and falls in love with her. But the guy does not suspect that Svetlana has been his father's mistress for several years.

Experienced Moscow police officer Maksim Pokrovskiy is sent to Northern Russia to investigate the murder of the local Oligarch's daughter.