Leila Hatami

A married couple are faced with a difficult decision – to improve the life of their child by moving to another country or to stay in Iran and look after a deteriorating parent who has Alzheimer's disease.

On a pilgrimage to Mashad from Tehran, a couple's transportation breaks down, far from any major town. The husband, a photographer, seeks help at a nearby village and encounters a teacher who offers to help. Whilst the husband and teacher go off to find a spare part, the wife, who used to be a teacher, takes over the teaching lessons in the village. It is clear that the children live there, in this strange deserted place, without any men, save the teacher and an old signal guard. As the day draws on, the children help to bring a new hope and life into the wife's heart.

This film tells the story of a semi modern Iranian couple, who are trying to fight the old beliefs and old generation. This is a failing battle because the man is not strong enough.

Ziba is getting ready for her daughter's wedding when she's abducted by a feared gang. She tries to escape but does not have much time, as her daughter is on her way to the location, unaware of what awaits.

Actress Leila bursts into laughter on camera during the filming of a dramatic scene. Her improper behavior is a reaction to the recent death of her husband Koshrow, who accidentally fell down a flight of stairs. And it is Koshrow who serves as the film’s somewhat unreliable narrator, appearing in the movie even after his death. The couple’s complicated yet loving relationship unfolds as a delicately ironic detective story inside the elusive and, at the same time, obsessively arranged space- time of memory. Nevertheless, it reveals Koshrow’s secret life crisis and delves deep into the past, to an ancient house in the mountains.

Night in Tehran. A daydreaming cab driver falls in love with a woman he can’t have, leaving to a series of encounters, filled with mystery and playful moments.

The story is about a lonely and weary girl whose mood is lifted by the help of her friend but the girl is not courageous enough to introduce her friend to others

Mehrjui: The Forty-Year Report dives into the artistic world of Iranian director Dariush Mehrjui. The film offers critical interpretations of his works from cinema experts, enriched with personal anecdotes from his peers.

A haughty acclaimed newly married fashion designer named Iraj is shown the door by his boss after the boss's son arrives at Iran to take over his father's company. Iraj reluctant to promulgate the loss of his job, starts using his savings, trying to conceal the truth from his naive wife. Having squandered all the money he had on trivial matters, he tells his wife about being axed & that's when the tables turn on him.

Rouzbeh arrives in Prague, far from his troubled family life in Tehran, to research his father’s past. Visiting the flat where his father, a communist expatriate, lived 50 years ago, in the times of Czechoslovakia, he is stopped by a policewoman investigating a recent accident. The current resident of the flat, Vladimir, who turns out to be Rouzbeh’s half-brother, has fallen out the window. Discovering hidden corners of Vladimir’s life and getting closer to his soul, Rouzbeh learns a shocking truth about his father, totally contradicting the image of a hero he had about him. This puts him on the path which led to Vladimir's fall from the window.

A woman comes back from Paris to her country after a long time. She meets a man that she hardly knows, but he knows a lot about her life.

In March 2012, Iranian movie "A Separation" by Asghar Farhadi, won the Oscar Award for the Best Foreign Language Film. For the Iranian people this was more than a cinematic award. When sanctions and threats of war with Iran covered the world headlines, Farhadi talked about Iran's love for peace and the rich culture of the Iranians on the stage when receiving his award. This time the Iranians voice was heard through someone other than the government officials. This documentary shows the reaction of the Iranians to this Oscar award and has a general view on Iran's society of today.

Hezar-Dastan was an Iranian epic historical drama television series from 1987, developed and directed by Ali Hatami. Hezar Dastan is considered one of the most important and most influential works of art in the history of Islamic Republic of Iran Broadcasting. The production of the show took almost 8 years, starting in 1979 and ending in 1987, during which Hatami established a large set to represent Tehran in both Qajar dynasty and World War II, retroactively creating Iran's first movie studio and backlot (named Ghazali Cinema Town). The show tells the story of Reza Khoshnevis (also known as Reza Tofangchi), and his life and entanglement with corruption in government, and trying to correct it using not conventional means. The story is split into two section and it features Iran during the turbulent times of the latter days of Qajar Dynasty and during the events of World War II and Anglo-Soviet invasion of Iran.

Armin is a gifted and introspective student of network security that spends most of his time on his newly established book publishing site.

A period drama set during the "Golden Era of Freedoms" after the end of WW2 in Iran which revolves around the of an intellectual politician by the name of Mansour Adiban.