Acting
Jan 27, 1977
Taiyuan, Shanxi, China
Zhao Tao
Acting
Biography
From Wikipedia, the free encyclopedia. Zhao Tao (Chinese: 赵涛, born 28 January 1977) is a famous Chinese actress, work in China and Europe, she has over 10 films to her credit since starting her career in 1999, muse of director Jia Zhangke. Zhao first came into international prominence through close collaboration with Chinese director Jia Zhangke and is credited with helping to bring Chinese cinema to Europe, especially Italy. As Shun Li in Io sono Li, her best starring role to date, she became the first Asian actress to win a prize at David di Donatello. Zhao's native language is Jinese, but she is multilingual, having learned to speak Italian, Mandarin and Szechuanese. Biography She was born January 28, 1977, in Taiyuan, Shanxi, which is also the hometown of the heroine in Still Life. As a child, she studied classical Chinese dance. In 1996, she enrolled in the folk dance department at Beijing Dance Academy. After graduation, she became a dance teacher in Taiyuan Normal College, where she was spotted by Jia during casting for Platform. Since then they work frequently together. In 2011 she starred in the Italian movie Shun Li and the Poet by Andrea Segre, the movie was screened in the Venice Days section of the 68th Venice International Film Festival. Zhao won the David di Donatello Award, the Italian Oscar, for Best Actress for her bilingual role.
Feature Films (24)
Focuses on the people, their stories and architecture spanning from the mid-1800s, when Shanghai was opened as a trading port, to the present day.
I Wish I Knew
A town in Fengjie county is gradually being demolished and flooded to make way for the Three Gorges Dam. A man and woman visit the town to locate their estranged spouses, and become witness to the societal changes.
Still Life
At Beijing World Park, a bizarre cross-pollination of Las Vegas and Epcot Center where visitors can interact with famous international monuments without ever leaving the city’s suburbs, a security guard betrays his dancer girlfriend by pursuing another woman.
The World
As a decades-old state-run aeronautics munitions factory in downtown Chengdu, China is being torn down for the construction of the titular luxury apartment complex, director Jia Zhangke interviews various people affiliated with it about their experiences.
24 City
Han Jie’s feature debut draws on his own experiences growing up in a desolate mining district in northern China’s Shanxi province. A Chinese road movie, Walking on the Wild Side charts a young gang’s continuous flights from one kind of trouble to the next. Mirroring the stark and barren landscape, the film relays the grim story of these delinquents’ dreams of liberty and easy money. Played by nonprofessional actors who are real life troublemakers, the film offers a realism that is at once oppressive, cruel, and sympathetic.
Walking on the Wild Side
Two disaffected, unemployed Chinese youth drift through life on the streets of their industrial town, their paths crossing with that of a local young singer and dancer working for a liquor company as a spokesmodel.
Unknown Pleasures
China’s rapid changes from the late 1970s to the early 1990s, as seen through the lives of four performers in a theater troupe.
Platform
Years after her boyfriend left her for the big city and promised to bring her there after he’s settled down, a Chinese woman sets out on a journey to be reunited with him.
Caught by the Tides
Four people in different provinces are driven to violent ends: An angry miner is enraged by corruption in his village. A migrant discovers the possibilities of owning a firearm. A receptionist is pushed beyond her limits by an abusive client. A young factory worker goes from one job to the next.
A Touch of Sin
An ancestral city; through its delicious botanical garden and its branched canals, we observe the clues and traces of its ancient culture. Two couples of men and women, former lovers, meet again one year later. The yesterday's breath of youth is still perceptible in their conversations. Is it still possible for us to love? Does youth really have an end? Like the networks linking the old city, what type of ecological existence does their culture require?
Cry Me a River
Throughout ten years of a key era in Chinese and Hong Kong history, a girl becomes fixated on a fellow commuter who she observes regularly. While the two never speak to one another, the girl captures her appearance and life changes during the years through various means such as photos and drawings.
