Louise Marleau

A woman's marriage is in crisis as a result of her difficult and complex relationship with her mother.

The story of two characters that we hear but never see. The film begins with a young student filming the London Markets in 1969. 25 years later, she invites a man to watch the film about his youth. The couple converse over the footage from that time, a budding love develops as the film ends.

A former astronaut helps a government agent and a police detective track the source of mysterious alien pod spores, filled with lethal flesh-dissolving acid, to a South American coffee plantation controlled by alien pod clones.

Crazy Los Angeles. Work is an hour away, down a crammed six-lane freeway. It is always sunny, but the sun looks like a sickly blemish on the smog. Everyone's out to look beautiful and make money. And a kid named Rick fits right in. The Gaspé coast. Work is five minutes away on a tractor seat. When the sun shines, the ocean is set ablaze, and the scent of pine fills the crisp country air. People here just try to make ends meet, but they know how to laugh from the gut and to show each other they care. This is were Rick's father James grew up, but Rick has never been here. When Rick learns that he has inherited the ancestral farm, and that his father wants him to go to Gaspé to bury the uncle who left Rick this legacy, an extraordinary odyssey begins. Father and son start out as different from each other as Gaspé and Los Angeles, but in the process, Rick discovers manhood and James discovers fatherhood.

A rich American woman and her French husband start a Parisian salon.

A woman is overwhelmed with having to deal with her emotionally unstable daughter, mentally-challenged brother and two suitors while simultaneously trying to run her small firewood business.

A priest and nun, haunted by physical longings, leave their respective callings. Even after their desires are fulfilled they experience crisis of faith.

A film in four episodes presenting teenage girls chosen as representative of their country and our time, in Italy, France, Japan and Canada. In spite of the stylistic peculiarities of the filmmakers, we find in each of them the same desire not to affirm anything, not to judge, but to quite simply show.

An engineer from Paris flies to Montreal, partly on business, partly in search of parents displaced by World War II, and partly because of the prevailing restlessness of the age.

An old woman who is unaware that she is near death, falls in love with her son’s young American tutor.

In a style evocative of Fellini at his most surreal, this bizarre French Canadian fantasy follows the romance between a young filmmaker and a bearded lady from a local circus during the 1960s. The story begins in a contemporary theater where a projectionist describes, to movie director Rex Prince, the ghostly spirit that seems to be haunting his film. The story then races backward to the 1960s when a half-mad, idealistic Rex was busily making his first film, a Marxist tract depicting poverty in Montreal. Edouard Dore, a well-connected editor works with him and it is he who takes Rex to a carnival late one night to meet the performers in a freakshow. The first person Rex meets is Le Grand Zenon, a hulking one-eyed fellow with the amazing ability to use his eye to project movie images on a screen with neither a projector nor film.

In this tragicomedy, Toni is the director of a staged rendition of Othello in Montreal. It is a pet project of his, financed by his loving mafia uncle. Unbeknownst to him, the audiences are also rounded up (and paid) by the same uncle. Some of them have seen every performance of this tragic play, and are understandably bored, so when the backstage romantic shenanigans of the actors result in absurd situations onstage, the audience is delighted. There are a huge number of romantic situations going on in this film at the same time. One of them involves Gaston a somewhat world-weary jazz musician, and Florence, a glamorous middle-aged woman who has been pining for him for years. Another involves to members of the musician's jazz trio. Yet another involves the play's Desdemona, Soledad, the girlfriend of the man playing Othello, who can't keep his hands off his (female) dresser.

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No overview available.

L’Agence O is a famous Parisian private detective firm. Its premises are located in the Passage Choiseul. In front, Torrence leads the shop. In fact, the agency's team is complemented by Émilie le Roux, Mademoiselle Berthe and Barbet, who scrutinize clients through a one-way mirror located behind the desk. Getting hold of a man disguised as an old lady, solving the mystery of the Prisoner of Lagny or discovering who is blackmailing the painter Tigrane Alban does not worry the experts at the O Agency. Les Dossiers de l’Agence O is a French-Canadian television series in thirteen episodes of approximately 55 minutes created by Marc Simenon and broadcast first in Quebec from December 14, 1967 to March 13, 1968 on Télévision de Radio-Canada, then in France from March 11 to June 3, 1968 on the first channel of the ORTF.

Balsamo, a scoundrel with the gift of mesmerism, seeks to gain power in the French court in the days before the Revolution.

A young woman searches for her biologist lover who disappeared after an Indian scientist made a discovery that could endanger humanity.