
Acting
Aug 20, 1918
Casablanca, Morocco
Jacques Monod
Acting
Biography
Jacques Monod (21 August 1918 – 25 December 1985) was a French actor. He appeared in more than one hundred films from 1947 to 1985. Source: Article "Jacques Monod (actor)" from Wikipedia in english, licensed under CC-BY-SA 3.0.
Feature Films (65)

The students of a local school unite in mutiny against their headmaster and two teachers.
Le bahut va craquer

A former bank robber is released after 10 years in prison. He gets help from a social-worker, but gets harassed by an old cop from his past.
Two Men in Town

Juliette, a young woman of twenty-five, works unsuccessfully as a sales representative. Discouraged, on the point of giving up, Juliette meets Christian, a brilliant and seductive salesman, who offers her to play Pygmalion: he will be the master, she will be the pupil. But the master falls in love with Juliette.
Maître Pygmalion

Charles-Edmond, the eldest of the Larmentiel brothers, decides to return to La Rochelle, his hometown to die there. Forty years earlier he had been driven out by his father. Before passing away, the old eccentric announces that he has a hidden son, Émile, a fisherman to whom he wishes to bequeath his property. François, the younger brother, whom Charles-Edmond hates, is eyeing the inheritance to bail out the powerful family business, a veritable fishing trust, and will try to appropriate the affection and property of this inopportune heir. Émile, meanwhile, is too busy arguing with Fernande, a beugland singer, to suspect what awaits him...
Emile's Boat

A sexually repressed school teacher releases her pent up passions in a series of shocking crimes.
Mademoiselle

Noël Schoudler, founder of an empire built on three foundations - sugar, banking and the press - reigns like an absolute sovereign over his business and his family. But someone is about to challenge this authority: his son François...
The Possessors

Meursault is a man who feels utterly isolated from everyone and everything around him. This alienation results in sudden, inexplicable bursts of violence, culminating in murder.
The Stranger

Lucky Luciano is one of the bosses of the Mafia. He orders the slaughter of 40 other responsibles, therefore becoming the only boss. But a few years later he is put into jail. In 1946, he got a pardon and is sent back to Sicilia. There, he begins becoming one of the chief of the Mafia. The US Army seems to refrain from interfering.
Lucky Luciano

Thérèse is living in a provincial town, unhappily married to Bernard, a dull, pompous man whose only interest is preserving his family name and property. They live in an isolated country mansion surrounded by servants. Early in her marriage her only comforts are her fondness for Bernard's pine-tree forest, which was her primary reason for marrying him, and her love for her sister-in-law and Bernard's half-sister, Anne. The movie recounts in flashback the circumstances that led to her being charged with poisoning her husband.
Therese

At 73, a former President of the French Council reflects on his political career while writing his memoirs, delving into his relationships with key figures, including the one set to become the next President.
The President

Renee Saccard is a pampered, selfish young wife of a middle-aged Parisian businessman who falls in love with her stepson but is driven to the point of madness when her husband tricks the stepson into betraying her.
The Game Is Over

While Henri was a POW during the war, his wife passed away, and he returned to face the challenges of bringing up three children alone. Henri may get drunk and angry at times, but he also has a better side that will not stay buried.
Rue de Paris
Television & Series (16)

Quentin Durward is a French-German swashbuckler TV series. It was produced in 1970, directed by Gilles Grangier and broadcast in 1971. The series starred the German actor Amadeus August as the protagonist and the French actress Marie-France Boyer as Isabelle de Croye. The series was based on Sir Walter Scott's in 1823 published novel Quentin Durward. It concerns a Scottish soldier who serves French King Louis XI while the King has to overcome the schemes of his rival Charles the Bold and Jean Balue. The TV series kept close to the classic novel and was often shot at historic French locations. The French version consists of 7 instalments of 52 minutes each, while the dubbed German version had 13 episodes of about 25 minutes apiece. Both versions have been made available on DVD.
Quentin Durward

Arsène Lupin is a French TV show which was co-produced with German, Canadian, Belgian, Dutch, Swiss, Italian and Austrian TV stations. It was only loosely based on Maurice Leblancs novels. Georges Descrières' portrayal of Arsène Lupin showed more similarity to Graf Yoster than to Maurice Leblanc's original. He behaved in the first place as a perfect gentleman who never got angry. He was always relaxed, because whatever could possibly had bothered him in daily life was taken care of by his butler. It wasn't questioned how he had come to his financial independence although the series sometimes discreetly implied that he was a professional criminal. Besides rescuing damsels in distress Lupin took on criminals, competing with their wit and intelligence. Either he stole paintings from rich people who had to be considered white-collar criminals or he acted as a detective who derailed criminal schemes. However, when he was attacked, he could defend himself effortlessly by using elegant jujutsu methods. Among the guest stars were German actors such as Günter Strack and Sky du Mont. Jean-Paul Salomé said in his commentary on the DVD version of his film Arsène Lupin he had like this series as a child. German TV, one the investors, would broadcast the show eventually between 18:00-20:00 o'clock because it was only allowed to show commercials within that very timeslot. For them to get a financial return on investment the show had to be appropriate for families and also for children who would watch it alone. Subsequently it was nearby to ask to defuse and flatten some of Leblanc's plots in order to avoid possible complaints that could force the station to broadcast the show beyond the "Vorabendprogramm".










