Donizeti Mazonas

A film about the reunion of a family broken by the pain and because of the pain can be reunited. An intense story, told in a soft and sensitive way, showing the search and dedication of a man rediscovering family and the love that unites the brothers, finally forming a real family.

Every day is the same thing: Zeca's mother wakes him up, putting his shoes on. It is the reason why he has never learned to tie them. All was well. Mainly because the most beautiful girl in school has a crush on him. But taking a big tumble in front of her was such a shame. Zeca needs to take a radical attitude.

A mother struggles trying to avoid her son of becoming insane like his deceased father, but maybe it's already too late.

Theo is living the good life in an upscale Brazilian neighborhood. He’s a hardworking doctor, husband, and father. However, Theo has chosen his career over his family, and little by little he discovers that his world is crumbling around him. His beloved mentor and surrogate father is dying, and his wife announces that she wants a divorce. Yet nothing prepares him for the day when he comes home to discover that his 15-year-old son, Pedro, has disappeared. Theo takes to the road in search of his son. In a journey that leads him throughout Brazil, Theo discovers what really matters to him. Searching for his missing son, Theo finds himself.

A portrait of the writer Hilda Hilst through accounts by artists, filmmakers, playwrights and intellectuals who lived with or studied the author's work.

No overview available.

A multi-dimensional interface between a comic book artist, a novelist, and a film director. Each lives in a separate reality but authors a story about one of the others.

Close to turning forty and away from his job as a librarian due to depression, Marcos needs to take care of Baby, his sister's pet dog. Isolated in an apartment in the city center, Marcos relies on the support of analyst Dr. Juliana R., who sees him in therapy sessions. Together, they look for ways to deal with the grief over the death of his ex-boyfriend, Pedro, and the arrival of a new love, Gabriel. Baby, a special hairless dog of Aztec origin, will redefine his relationship with the world of the dead and the living as well.

Small-town trickster Pedro Malasartes has to face two great enemies: Próspero, who will do anything to impede such a lazy, cowardly person like Malasartes from dating his sister, Áurea; and Death incarnated, who wants to take a vacation after two thousand years collecting lives and intends on tricking Malasartes into assuming his tedious job.

Diogo and Emília have been together for 16 years. They have a teenage daughter and undergo a tedious phase. However, everything turns upside down when they find out their best friends, Ricardo and Bettina, have an open marriage. More than that: they are swingers, are super cool about this choice, and try to convince the other couple that it is possible to be quite happy with this liberal lifestyle. This news comes like a bolt from the blue. After reacting badly to the idea, Emília gets excited and convinces Diogo to, at least, go to a party with Ricardo and Betina's "gang". And that is when a series of events that will shake the couple's boring little life starts. Will they set their jealousy aside and become supporters of this practice?

“Nobody Leaves Alive” by André Ristum is shot in beautiful but also distancing black and white. Looking at the Venice line-up, this seems to be a trend this year among the maestros of cinema. The film is inspired by true events that took place in the last century in the “Colonia” hospital in Brazil. Whoever didn’t fit the standards of society, or their family’s perception of it, was locked away, tortured, and killed. There were altogether more than 60,000 victims. Hope dies last, and some of the inmates don’t give up the fight. We’re reminded of film classics such as “One Flew Over the Cookoo’s Nest” or “Alcatraz”.

In an evangelical house on the outskirts of a Brazilian megalopolis, a young trans man revisits his family after years. Gradually, what could be just a Sunday lunch turns into a suffocating plot of abuse and violence.

Siblings Ana, Sofia and Beto try to outrun conventional relationships, like their parents' 30-year-long marriage, which has just come to an abrupt end.

No overview available.