Martim Pedroso

A woman gets into a fight with her boyfriend, concerning her lack of humanism. Leaving him abruptly at the Santa Apolónia Station, she strikes a conversation with an interesting homeless man whom she decides to take home to just to show her boyfriend that she cares.

Laura doesn't know what to do with her loneliness. She gets involved in multiple games of seduction, unable to go home alone, without someone to share her affections with. She confides in her sister, Sara, they share dinners, they confide their fears. Laura feels she has to change, to escape the chaos that her life has become, especially when her children surprise her with a stranger in her bed. She then seeks out her mother, as if trying to reconcile with her.

Thirty-five Portuguese dancers undress in front of the camera. They become the object of desire with a sensual provocative performance. Eclectic dance disciplines help this film to explore an exhibitionist view of the male nude. This is a statement about the current financial situation in Portugal and the lack of fundings to support artistic initiatives.

After breaking up with her boyfriend, a woman named Odete descends into madness and claims to be pregnant with the child of her neighbour Pedro, who died in a car crash and is mourned by his boyfriend Rui.

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Zeca was jailed for a crime he didn't participate, now he's free and while trying to make a new life he encounters a kid, surprisingly the boy is Ema's son, his long time lover.

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Mar Salgado is a story of a woman who had 2 twins and thought they died after the were born, but it couldn't be more far from truth, and now 16 years later she'll try to find them.

What side is love on? Vera and Rodrigo are absolutely passionate about each other and get married, having João as the product of their love. But, like any other marriage, their relationship has its ups and downs between intense passion and their differing life views. Vera is a up and coming lawyer and Rodrigo an agronomy engineer. She's an urban woman who doesn’t do well in a rural environment while he loves the country and bulls, not too keen on city life. To make things worse, along comes Eduardo, Vera's boss and a brilliant but vicious lawyer. He hopes to prevent any possibility of reconciliation between Vera and Rodrigo and ensure that Vera keeps full custody of their son João. He wants this because, when he was deployed in Angola as a military, Eduardo swore to Rodrigo’s father João Maria, that he’d have his revenge.