
Acting
Oct 20, 1937
Paris, France
Édith Scob
Acting
Biography
Édith Scob (October 21, 1937 – June 26, 2019) was a French film and theatre actress, best known for her role as the daughter with a disfigured face in Eyes Without a Face (1960). Scob was born Édith Helena Vladimirovna Scobeltzine, the granddaughter of a Russian Army general and White Russian émigré. Her father was an architect and her mother a journalist. Her elder brother, Michel Scob (1935–1995), was a French cycling champion and Olympian. At age 14, she underwent treatment for anorexia. Her love of literature inspired an interest in theatre. Scob was studying French at the Sorbonne and taking drama classes when she was cast in her first role. She and her husband, composer Georges Aperghis, have two sons, Alexander (born 1970) and Jerome (born 1972), both writers. Scob died in Paris on June 26th, 2019. No cause of death was given. Scob made her debut in theater in 1958 with the play Don Juan directed by Georges Vitaly but she gained a high profile early in her career when she appeared in Eyes Without a Face (1960). She was twice nominated for the César Award for Best Supporting Actress for Summer Hours (2008) and Holy Motors (2012). Following the civil unrest in France of May 1968, Scob founded an avant-garde theatre in Bagnolet with her husband, composer Georges Aperghis, with the goal of introducing more culture to the most disadvantaged people. Source: Article "Édith Scob" from Wikipedia in English, licensed under CC-BY-SA.
Feature Films (90)

Set against Paris' oldest bridge, the Pont Neuf, while it was closed for repairs, this film is a love story between two young vagrants: Alex, a would be circus performer addicted to alcohol and sedatives and Michele, a painter driven to a life on the streets because of a failed relationship and an affliction which is slowly turning her blind.
The Lovers on the Bridge

A young journalist uncovers an assassination disguised as a suicide, linked to an American multinational seeking to dominate French industries. Determined to expose the truth, he races against time to gather evidence before more lives—and his own—are at stake.
A Thousand Billion Dollars

Muriel is a shy woman who bluffs and blusters around in order to hide her shyness and to protect her loneliness, even though she longs wistfully for a companion of some sort. She has been lonely so long that now she is an old maid and has never been wooed. In this gentle French film, Muriel gets a glimpse of romance when Gabriel walks into the seaside hotel she is vacationing in. His car has broken down, and he has to stay there for a few days while it is repaired. Hers is the only dinner table with room at it, and Gabriel cannot prevent himself from charming women. She is stiff with him at first, but soon they develop a friendship.
The Old Maid

A group of people visit a weird old man who is a student of the black arts. The man lives in an ancient, cursed castle. Soon people in the group start being killed off.
The Burning Court

A man, Milan steps off a train, into a small French village. As he waits for the day when he will rob the town bank, he runs into an old retired poetry teacher named M. Manesquier. The two men strike up a strange friendship and explore the road not taken, each wanting to live the other's life.
Man on the Train
Television & Series (4)

Thanks to science, after five years of coma, Florian has his mind transferred into another's body. Now he has to hide his identity, living as an officer with BATI, the anti-transfers unit.
Transfers

Paris, 1925. Bénédict Masson, bookbinder and poet, is secretly in love with his neighbor, Christine. Christine works at the strange Coulteray mansion where the marquise accuses her husband of being a vampire. But Bénédict has other preoccupations: six of his apprentices have disappeared without a trace.









