Anton Weil

Red carpet, spotlights, screaming fans, photo- graphers chasing for the best photo, camera teams waiting for interviews - a premiere is about to take place and everyone’s eagerly awaiting to see Germany‘s biggest film star, Marvin Bosch. But Marvin’s nowhere to be seen after his interview with the bitchy tabloid journalist Bettina Bamberger ended in disaster. On the run from the media, the star lands in a small, independent feminist LGBT+ theater called “3000” of all places, which is on the verge of going out of business.

While driving on a highway, Lena sees a burning car and hears a scream. Compelled to find out who the deceased woman was, she slowly loses herself in the unravelling mystery. Trapped between an unresolved past and a future that’s not her own, Lena must rediscover who she is before she disappears completely.

Ex-championship diver Victoras whiles away his days on the Greek coast, toiling away at a factory with only his dreams, medals and grandmother for company. When a phone call summons him to Germany, a simple road trip is the answer - that is until he crosses paths with the handsome Mathias - a free-spirited hitchhiker who tempts Victoras to take the road not taken.

Two retirees obsessed with their desire to know everything put their knowledge into practice in a constantly awkward way.

Springtime in Berlin occasions new beginnings, but has its darknesses too. When Sam is accused of rape, his sister Rose is asked to testify in the police investigation against him. Faced with uncomfortable questions and moral quandaries, Rose’s feelings toward her older brother are tested.

Sonia breaks the perhaps most exciting time of her life, because the 20-year-old moves to Berlin for a mathematics study. Once there, she soon began to build up a new circle of friends, and then she fell in love with the kind, but irresponsible Ladja. There is only one big catch: the dear money is a bit scarce and therefore Sonia one day, financially, but also from curiosity, the path to prostitution. From now on, it leads a brisk double flight, which can fly at any time. Her experiences are ambivalent, as part-time she often gets into difficult situations, but also gets to know nice people, while she enjoys life just as a student. But how long can it maintain the double game?

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

Luna Kunath (Caroline Erikson) and Tamara Meurer (Anjua Pahl) work together in the Potsdam murder commission. Luna is single, strong, assertive, funny, empathic, sporty and fast in the head. It is an excellent policewoman whose carefree always accompanies with a little naivety and brings you again and again in brenzy situations. Tamara, however, has more mature, adult. The two of the boss Bernhard Henschel (Michael Lott) and the colleagues David Grünbaum (Omar El-Saeidi), Christoph Westermann (Hendrik von Bültzingslöwen), lail-sure Thomas Brandner (Yung No) and legal physician Werner Vense (Bernd Stegemann). Potsdam, Berlin's pretty little sister, confronts the commissars again and again with a wide variety of life effects. However, the team not only determines in Potsdam, but must always be out of the surrounding area. Because the crime does not stop at the city limit.

The spin-off to the original series 'In aller Freundschaft' focuses on the young doctors in a fictional clinic in Erfurt. In this emotional drama series, hospital staffers and patients navigate life's challenges.

A politically sensitive murder forces two disparate detectives into a battle with the Berlin underworld and a confrontation with their own corruption.