Zura Tsintsqiladze

The shooting of "Mevludi", one of the cult movies of the Georgian Cinema, was started in 1984 by "Kartuli Film". The film is dedicated to the local "Adjara" people, who cannot get used to the Russian management style and the arbitrary practices of the Russian rulers, after the Russian-Ottoman war in 1878. The Russian propaganda edition 'Acar' people, en masse, leaving the country are forced to emigrate to Turkey. Some of those who remained, on the other hand, found the last resort to go up the mountain and become bandits against the Russian rule, due to the injustice and unbearable conditions they faced. In the film, the life of the local hero Mevludi Disamidze, which coincides with his immigration period, is about.

In pre-revolutionary Moscow, an underground printing house was established and operated, producing leaflets, proclamations, as well as the illegal newspaper Rabochy. The printing house was organized by Georgian revolutionaries under the cover of a fruit store located on Lesnaya Street.

Alexi leaves the house of his father and stepmother and rents an apartment. He wants to be independent and find his place in the world. But no basic changes ensue – he has the same friends, with the same trivial conversations and the same inactivity. Only the death of his favorite teacher, to whom the young man felt very close, really changes his habitual way of life. Alexi makes a decision: he refuses a place at a research institute and leaves for a teaching job at a village school, the same school his mentor used to work at.

In a mountainous village in Adjara, a large family lives under constant threat of being swept away by a landslide. Each member finds their own way to survive and solve their personal problems.

In Svaneti, the mountainous region of Georgia, there is the Jachvliani clan tower known to have shown an angel figure of white smoke. At these times the tower inhabitants always prayed as the angel was believed to protect them. One day a man from another clan was killed in the tower and the angel has never made its appearance since.

Otar Nizharadze is an unrelenting fighter against the corruption, fraud, and crookedness reigning in the society.

A film about the life and work of 19th-century Georgian writer Egnate Ninoshvili. Biographical moments from the writer's life are closely intertwined with the plots and characters of his own works.

An American journalist and his cameraman are caught in the combat zone during the first Russian airstrikes against Georgia. Rescuing Tatia, a young Georgian schoolteacher separated from her family during the attack, the two reporters agree to help reunite her with her family in exchange for serving as their interpreter. As the three attempt to escape to safety, they witness--and document--the devastation from the full-scale crossfire and cold-blooded murder of innocent civilians.

Eighteenth century. Georgia weakened by external and internal wars. The main characters of the film sacrifice their lives to establish peace between separate corners, to fight for spirituality. They die, but their legacy - songs, wall paintings, cultural monuments - survive the ravages of time.

Architect David Mikeladze is wanted by the Soviet Security Committee for arrest. He manages to move to Turkey and starts a new life there, creating a second family. After Georgia gains independence, David Mikeladze returns to his homeland and dies there, as his family was told, of a heart attack. Years later, his son arrives in Georgia, finds his half-brother, and learns the true cause of his father's death.

Suburban Girl: MedER is a Georgian medical drama series, which was shot by Night Show Studio in 2012. The series is a continuation of a soap opera of the same name Suburban Girl. Producers had decided to didn't continue the storyline and the end of the season 5 series is over, but the show's success prompted them to continue. The series is not the original, it's based on the popular American medical drama Grey's Anatomy.

A self-proclaimed "knight" and his hapless squire travel the Spanish countryside, attacking "giants" that are really windmills in his attempt to win the love of the fair Dulcinea. The film's title is taken from the book of the same name by Miguel Unamuno.

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