María José Cabrera

Nina is a young woman of 20 years old who lives in Asunción in 1947 in the middle of the Paraguayan Civil War. She longs to be a singer, but is forced to work as a maid in a conservative environment after her family escapes. Although, she puts herself at the service of the revolution and frees various political prisoners, including Raúl with whom she will have an affair. However, she must flee the country after becoming pregnant and her lover having abandoned her.

The legend of the life of Antonio 'Gauchito' Gil and the construction of the myth are axes of this story. 40 years after his death, an old man goes through the towns telling the legend of the pagan saint. He tells the story of his miracles and the exploits of the Gaucho, who knew how to do justice in times of war.

Set in the Misiones region, the story follows Maxi, a young man whose quiet life is disrupted by the arrival of the soccer business. The film explores deep themes such as identity, homophobia, and toxic masculinity within the world of soccer.

Braulio, an influencer in decline, finds himself in the midst of a personal and professional crisis when he discovers an unexpected digital power: the ability to trigger a “mass unfollow” and destroy reputations with a single gesture. What begins as an act of revenge against a system that cast him aside soon spirals into an obsession, pitting him against his greatest rival, his own daughter, and the ghosts of his past.

Laura, an Audiovisual Communication student, is researching the enduring presence of the "lord of the night" for her university thesis. Accompanied by a professor, she explores the forests of Piribebuy, but a series of inexplicable events transforms her academic project into a disturbing experience.

An iconic bon vivant, who barely has enough resources to maintain his affluent lifestyle, hires a young woman from Paraguay to replace the recently deceased maid who took care of him for more than 40 years.