Acting
Oct 12, 1901
Harrogate, Yorkshire, England, UK
Edward Chapman
Acting
Biography
From Wikipedia, the free encyclopedia. Edward Chapman (13 October 1901 - 9 August 1977) was an English actor who starred in many films and television programmes, but is chiefly remembered as "Mr. Wilfred Grimsdale", the officious superior and comic foil to Norman Wisdom's character of Pitkin in many of his films from the late 1950s and 1960s. Chapman was born in Harrogate, Yorkshire, England. On leaving school he became a bank clerk but later began his stage career with Ben Greet's Company in June 1924 at the Repertory Theatre, Nottingham, playing Gecko in George du Maurier's Trilby. He made his first London stage appearance at the Court Theatre in August 1925 playing the Rev Septimus Tudor in The Farmer's Wife. Among dozens of stage roles that followed, he played Bonaparte to Margaret Rawlings's Josephine in Napoleon at the Embassy Theatre in September 1934. In 1928 he attracted the attention of Alfred Hitchcock, who gave him the role of "The Paycock" in the 1930 film, Juno and the Paycock. In the same year he also made an appearance in Caste (of which no prints are known to exist). He had a role in The Citadel in 1938 and appeared alongside George Formby in the Ealing Studios comedy Turned Out Nice Again in 1941. During the Second World War he took a break from acting and joined the Royal Air Force. After training he was posted to 129 (Mysore) Squadron as an intelligence officer. This Spitfire squadron was based at Westhampnett and Debden. The squadron was heavily engaged in combat during this period and many of Chapman's fellow squadron mates were killed in action. Chapman first starred alongside Wisdom in 1957's Just My Luck in the role of Mr. Stoneway, but the next year in The Square Peg he appeared as Mr. Grimsdale for the first time opposite Wisdom's character of Norman Pitkin. In 1960 he and Wisdom acted together again in The Bulldog Breed, playing the roles of Mr. Philpots and Norman Puckle - Mr. Grimsdale and Pitkin in all but name. Wisdom appeared alone as Norman Pitkin in On the Beat in 1962, while Chapman branched out, starring in the Danish folktale Venus fra Vestø, but Grimsdale and Pitkin were reunited for 1963's A Stitch in Time. Their final performance together was in The Early Bird in 1965, Wisdom's first film in colour. In all, he appeared alongside Norman Wisdom in five films. After Sir John Gielgud was arrested for "persistently importuning male persons for immoral purposes", Chapman started a petition to force him to resign from Equity. Sir Laurence Olivier reportedly threw Chapman out of his dressing room when he solicited his signature for the petition. From 1965 Chapman played mostly characters roles on television. His final role was as Mr. Callon for nine episodes of the BBC's seafaring melodrama The Onedin Line between 1971 and 1972. Chapman died of a heart attack in Brighton, East Sussex, England at the age of 75. Description above from the Wikipedia article Edward Chapman, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Feature Films (77)
The story of a century: a decades-long second World War leaves plague and anarchy, then a rational state rebuilds civilization and attempts space travel.
Things to Come
Poor New York shop girl Nadina receives the unexpected news that she is next in line to be queen of an Eastern European country. On her arrival in Ruritania, a revolution is in progress, and only minutes before her coronation, Nadina is forced into exile. She flees to Paris with her nurse, and then travels on to Switzerland. There Nadina encounters the Ruritanian revolutionary leader Carl, recuperating from the trials of revolution, and the couple unexpectedly fall in love. When the revolution collapses in Ruritania, they return and marry, thus forming a constitutional monarchy supported by all the people.
The Queen's Affair
When actress Diana Baring is found in a daze beside her colleague’s murdered body, all evidence points to her guilt. During the trial, juror Sir John Menier doubts the verdict, but yields to pressure. Haunted by remorse, he launches his own investigation.
Murder!
Army radiation experiments awaken a subterranean monster from a fissure that feeds on energy and proceeds to terrorise a remote Scottish village. An American research scientist at a nearby nuclear plant joins with a British investigator to discover why the victims were radioactively burned and why, shortly thereafter, a series of radiation-related incidents are occurring in an ever-growing straight line away from the fissure.
X: The Unknown
During a rainy Sunday afternoon, an escaped prisoner tries to hide out at the home of his ex-fiance.
It Always Rains on Sunday
Television & Series (8)
The Yorkshire-based Champion family and the dramas surrounding the family textiles firm, Champion Mills.
Champion House
No Hiding Place is a British television series that was produced at Wembley Studios by Associated-Rediffusion for the ITV network between 16 September 1959 and 22 June 1967. It was the sequel to the series Murder Bag and Crime Sheet, all starring Raymond Francis as Detective Superintendent, later Detective Chief Superintendent Tom Lockhart.
No Hiding Place
BBC series based on the novels by Georges Simenon which starred Rupert Davies as Inspector Maigret, a French police detective who preferred to watch and listen in order to solve crimes. The series ran from 1960-63 on British television.
Maigret
The Man in Room 17 is a British television series which ran for two seasons in the mid-1960s, produced by the Northern ITV franchise, Granada Television. Key to the series' success was the involvement of writer/producer Robin Chapman. The show was set in Room 17 of the Department of Social Research, where former wartime agent-turned-criminologist Edwin Oldenshaw solved difficult police cases through theory and discussions with his assistants. The novelty of the series was that Oldenshaw and his colleagues never needed to leave their office in order to resolve cases, preferring to spend their time playing the Japanese board game of Go. They simply provided their prognosis and left the police to do the cleaning up. Different directors were often appointed to film the Room 17 and outside-world scenes independently, to maintain a sense of distance between the two worlds.
