
Acting
Mar 27, 1900
Sesto Fiorentino - Tuscany - Italy
Fosco Giachetti
Acting
Biography
Fosco Giachetti (28 March 1900, in Sesto Fiorentino – 22 December 1974, in Rome) was an Italian actor. Fosco Giachetti was the protagonist of Lo squadrone bianco (1936), directed by Augusto Genina. He became the leading man in Fascist propaganda films such as Tredici uomini e un cannone (1936), Sentinelle di bronzo (1937), Scipione l'Africano, Edgar Neville's Italian Carmen fra i rossi (1939), L'assedio dell'Alcazar (1940) and Bengasi (1942). In 1942, he also co-starred in Goffredo Alessandrini's two part Noi Vivi and Addio Kira!. Un colpo di pistola (1942) by Renato Castellani and Fari nella nebbia (1942) by Gianni Franciolini were not as successful as his earlier films. After the war, he returned to the stage. He worked in Spain with Edgar Neville in Nada and in Carne de horca. He had a supporting role in 1959 Dino Risi's successful comedy Il mattatore. In 1964, he appeared in an adaptation of A. J. Cronin's novel, The Citadel. In 2003, the Galleria Fosco Giachetti in Sesto Fiorentino was opened in his honor.
Feature Films (68)

The film covers a hundred years in the lives of the Ricordi family, the Milan publishing house of the title, and the various composers and other historic personalities, whose careers intersected with the growth of the Ricordi house. It beautifully draws the parallel between the great music of the composers, the historic and social upheavals of their times, as well as the "smaller stories" of the successive generations of Ricordi.
House of Ricordi

A weak-willed Italian man becomes a fascist flunky who goes abroad to arrange the assassination of his old teacher, now a political dissident.
The Conformist

When she is in jail to defend her colleague, the secretary Anna Alessandri finds out that her man got engaged to another woman.
Ridi pagliaccio

When young Andrea arrives in Barcelona to begin her university studies, she stays at her aunt Angustias' house, where she lives with several relatives with whom she has constant arguments.
Nothing

Gerardo, an aspiring actor, trying unsuccessfully to cross over from comedy to tragedy, is involved, due to his ability to mimic dialects of Italy, in a scam concocted by Lallo against a rich cloth-merchant.
Love and Larceny

The Provence, somewhere in the 1950's. Paul Verdier, traveling salesman, leaves his home and his quarrelsome wife for his weekly round. On the train he meets a young woman, Marie, who looks a little lost. No wonder. Marie is pregnant but lacks the customary husband. She's returning to her village but is not exactly looking forward to the confrontation with her parents and the villagers, all pretty conservative people. After getting to know Paul a little better (for which there is ample time during the trip by train and bus) Marie decides to ask Paul to act as her husband, just to allay the suspicions of her family. After some hesitating Paul accepts, charmed by the girl and unaware of the complications such is bound to cause to his own life.
The Virtuous Bigamist

After his father is killed in a plane crash, Bart Cordell returns back home to France to claim his inheritance: to lead the industrial empire his father built. But when a prostitute tries to set him up for a drug smuggling charge, he is forced to accept that his father may have been assassinated and that the killers are out to get him as well...
The Inheritor

In April 1945, a group of Nazis and collaborators gather in Oslo to board a submarine headed for South America, aiming to avoid justice. Kidnapped Doctor Guilbert is forced to accompany them.
The Damned
Television & Series (5)

Imprisoned on a trumped-up charge by enemies he cannot identify, Edmond Dantès vows revenge - which takes him twenty-five years to achieve.
The Count of Monte Cristo

A young man journeys from a difficult childhood to maturity, exploring social injustice, personal development, and the complexities of human relationships.
David Copperfield

The story tells of Mr. Rowe, who was involved in Nazi espionage plots in the 1940s. In an attempt to shed light on his story and the role he is supposed to play, the man ends up at the center of a complicated story that, starting with a premonition announced to him by a gypsy, ends up seeing him as the protagonist of a poignant love story, a loss of memory, and a consequent hospitalization in a psychiatric hospital. Only at the end of the story does the protagonist arrive at a partial clarification of his position.




