Momoko Kôchi

Japan is thrown into a panic after several ships are sunk near Odo Island. An expedition to the island led by Dr. Kyohei Yamane soon discover something far more devastating than imagined in the form of a 50 meter tall monster whom the natives call Gojira. Now the monster begins a rampage that threatens to destroy not only Japan, but the rest of the world as well.

In Japan, scientifically advanced invaders from the war-destroyed planet Mysteroid cause an entire village to vanish, then send a giant robot out to storm the city by night, after which they request a small patch of land on Earth and the right to marry earthling women, claiming to be pacifists. Mankind must decide whether to capitulate or to resist.

During an assignment, foreign correspondent Steve Martin spends a layover in Tokyo and is caught amid the rampage of an unstoppable prehistoric monster the Japanese call 'Godzilla'. The only hope for both Japan and the world lies on a secret weapon, which may prove more destructive than the monster itself.

Obscure French version of the original Godzilla. The film combines elements of the original Toho version and the American King of the Monsters! in a unique assemblage exclusive to the Francophone market. Released by Les Films du Verseau.

Iori, taken from an orphanage by a family for domestic work, runs away and is adopted and raised by two young men. Ten years later, she crosses paths with her former step-sister, who is soon poisoned to death, Iori being the prime suspect.

An American scientist tells two colleagues about the finding of an abominable snowman living in the Japanese alps, where it is worshipped by a remote tribe as a god, and how it was discovered by modern man after it raided a skiers shelter following an avalanche, killing all inside. This is an adaptation of the Japanese film "Jūjin Yuki Otoko" (1955) with added American-made footage, narration, and music.

Three competing parties all race against time to track down an elusive creature known only as the Snowman.

Tetsuaki's struggling to write a novel while his mother fades; Mitsuko's engagement has been forced upon her unwillingly; the two individuals run away to share their grief.

A re-edited Italian-language dubbed version of the original Godzilla, using as a basis the U.S. version, "Godzilla, King of the Monsters!" (1956), plus WWII newsreel footage and clips from other science fiction films. The re-edited film was then colorized via a process called "Spectrorama 70" consisting of applying various colored gels to the black and white footage. The film's opening and ending also features new music composed by musicians Fabio Frizzi, Franco Bixio, and Vince Tempera (under the pseudonym Magnetic System).

A burning Godzilla, on the verge of meltdown, emerges to lay siege to Hong Kong. At the same time horrifying new organisms are discovered in Japan. These crustacean-like beings are seemingly born of the Oxygen Destroyer, the weapon that killed the original Godzilla.

Tradition and modernity clash when a young woman inherits a sweet-making firm in Kyoto.

Sakura and Kenzo are married. Both think they can live a happy marriage, despite the fact that she cannot have children and he does not want to give up her relationship with her lover Yoko.

No overview available.

An epic of love and death that depicts how soldiers and ordinary people lived and fought during the Russo-Japanese War, when Japan's very existence was at stake in the face of the great power of Russia.

On approaching her 20th birthday, Yuki happily returns to Japan to see her penpal, Junpei. However, Junpei doesn't want to see her as he is the one who had caused her brother's death three years ago. Though the truth reveals one day, Yuki still loves him. The couple finally decides to get married despite the strong objection from Yuki's father and aunt. And just two days before their wedding bells ring, Junpei gets stabbed by his ex-accomplice. To keep his promise, Junpei bears the pain and completes the wedding ceremony with Yuki

Two couples are confronted with the fact that their children have dropped out of high school and started living together. This drama questions the meaning of “life” as they overcome a series of incidents.

At the end of Edo period, Shoji Rui hands over her birthright to her relatives with the death of her father and begins running an inn "Kawasemi" in Ōkawabata. And she settles the matters in their daily lives with her lover Kamibayashi Tōgo, doshin (a sort of constable) Une Genzaburō, physician Amanō Sotarō, and O-Kichi.