
Acting
Jul 27, 1910
San Francisco, California, USA
Bill Goodwin
Acting
Biography
No biography has been added for this individual yet.
Feature Films (32)

Dagwood brings home a pedigreed Great Dane which an important company client wants and which Blondie enters in the big dog show.
Blondie in Society

When Dr. Anthony Edwardes arrives at a Vermont mental hospital to replace the outgoing hospital director, Dr. Constance Peterson, a psychoanalyst, discovers Edwardes is actually an impostor. The man confesses that the real Dr. Edwardes is dead and fears he may have killed him, but cannot recall anything. Dr. Peterson, however is convinced his impostor is innocent of the man's murder, and joins him on a quest to unravel his amnesia through psychoanalysis.
Spellbound

At the turn of the 20th century, young Asa Yoelson decides to go against the wishes of his cantor father and pursue a career in show business. Gradually working his way up through the vaudeville ranks, Asa — now calling himself Al Jolson — joins a blackface minstrel troupe and soon builds a reputation as a consummate performer. But as his career grows in size, so does his ego, resulting in battles in business as well as in his personal life.
The Jolson Story

A waitress at the Warner Brothers commissary is anxious to break into pictures. She thinks her big break may have arrived when actors Jack Carson and Dennis Morgan agree to help her.
It's a Great Feeling

In this reworking of "No, No, Nanette," wealthy heiress Nanette Carter bets her uncle $25,000 that she can say "no" to everything for 48 hours. If she wins, she can invest the money in a Broadway show featuring songs written by her beau, and of course, in which she will star. Trouble is, she doesn't realize her uncle's been wiped out by the Stock Market crash.
Tea for Two

Three struggling theatrical performers meet a famous songwriter who is trying to convince a wealthy oilman to finance a musical he is scripting, promising them stardom if it comes to fruition.
Lucky Me

Kitschy musical remake of "Bachelor Mother". Debbie Reynolds plays an over-eager clerk in a large department store and Eddie Fisher plays the boss' son. After getting fired from her job, she finds an adorable baby on the steps of the foundling home and the folks inside mistake her for the mother. Fisher, well-meaning, but obtuse, tries to help her out with the baby, and the buds of romance begin to appear. Meanwhile old Merlin, the owner of the store, thinks he just might be a grandfather...
Bundle of Joy

In this sequel to The Jolson Story, we pick up the singer's career just as he has returned to the stage after a premature retirement. But his wife has left him and the appeal of the spotlight isn't what it used to be. This time Jolson trades in the stage for life in the fast lane: women, horses, travel. It takes the death of Moma Yoelson and World War II to bring Jolson back to earth - and to the stage. Once again teamed with manager Steve Martin, Jolson travels the world entertaining troops everywhere from Alaska to Africa. When he finally collapses from exhaustion it takes young, pretty nurse Ellen Clark to show him there's more to life than "just rushing around".
Jolson Sings Again

After breaking up with her fiancé, a gym teacher returns to work at a women's college, but a legal loophole allows him to enroll as one of her students.
Bathing Beauty

During World War I, small-town girl Josephine Norris has an illegitimate son by an itinerant pilot. After a scheme to adopt him ends up giving him to another family, she devotes her life to loving him from afar.
To Each His Own

An unsuccessful sculptor saves a madman named "The Creeper" from drowning. Seeing an opportunity for revenge, he tricks the psycho into murdering his critics.
House of Horrors

A small town man inherits a significant fortune and takes his family to New York City whereupon they are continually shocked at the alien culture of the Big Apple.
So This Is New York
Television & Series (8)

General Electric Theater is an American anthology series hosted by Ronald Reagan that was broadcast on CBS radio and television. The series was sponsored by General Electric's Department of Public Relations.
General Electric Theater

Lux Video Theatre is an American anthology series that was produced from 1950 until 1959. The series presented both comedy and drama in original teleplays, as well as abridged adaptations of films and plays.
Lux Video Theatre

Your Show of Shows was a live 90-minute variety show that was broadcast weekly in the United States on NBC, from February 25, 1950, until June 5, 1954, featuring Sid Caesar and Imogene Coca. Other featured performers were Carl Reiner, Howard Morris, Bill Hayes, Judy Johnson, The Hamilton Trio and the soprano Marguerite Piazza. José Ferrer made several guest appearances on the series. The series was telecast from the now-demolished International Theatre at 5 Columbus Circle and the Century Theater, now demolished, in New York. During 2002, Your Show of Shows was ranked #30 on TV Guide's 50 Greatest TV Shows of All Time.
Your Show of Shows

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.



