Véronique Genest

After a train accident, a woman survives and is mistaken for an other woman she just met on a train before the accident.

No overview available.

This series of sketches introduces doctor Apfelglück and four of his patients... and their rather peculiar and disturbing problems.

A long parade of actors and actresses pop up in an unconnected series of skits, vignettes, and sight gags in this comedy anthology by Jean Curtelin. Among the sketches performed is one with Jean Carmet playing a man from the sticks woefully burdened with the challenge of getting through a dog food commercial on less than one tank of intelligible French. Another skit shows a silent duel between an airport custodian and an automatic door, while another with the renowned Michel Galabru sets up a strange teacher-student exchange.

Camille (Penelop Schallenberg) is the only child of her unmarried journalist mother Marianne (Veronique Genest). She has never known who her father is, and her mother isn't telling. However, in her rush to get to an assignment in the Middle East, her mother left behind three letters addressed to three men Camille has never heard of. When she opens the letters, she discovers that they exhort each of the men to look after Camille, as they may be her father. Naturally, Camille looks them up, letters in hand. Just as naturally, they get to know one another, squabble over who is the real father, and conspire to break her out of the orphanage she is put into when the authorities find out her mother has become a political prisoner.

Francis Lebovic, an ex-voyou turned sex worker, is not lacking in charm or elegance. David, his thirteen-year-old godson, accepts Francis' proposal to record a record without much enthusiasm. His voice, combined with his physique, gives rise to hope. Francis will be able to pay off his debts; Lino and Daisy, David's parents, will be able to do some work in their café. Everything would be just fine if Frédérique Henriot, a young lawyer, hadn't come to live in the house where they all live, in this village in the center of Paris called the Marais.

They were not meant to meet... He (Pierre): a workaholic company manager born with a silver spoon in his mouth. He is a widower who jealously guards the domestic equilibrium he has rebuilt with his three very possessive daughters. She (Florence): a divorcée of modest means who has just lost her job and has three children of her own to feed. Exuberant and candid, she is cheerful by nature. No, they were definitely not cut out to meet. But, this summer on a beach in Southern France, the impossible happens...

A director and a secretary conspire to swindle a banker who is blinded by his dream of becoming an actor.

Algeria, summer 1961. François, 11, believes in the imminence of the end of the world. He tries to ward off fate with a prayer: “Make my parents come back. I am alone. I'm afraid"

By dint of inventing stories, a boy neglected by his mother comes to lead a double life.

In the course of a violent hold-up at Deauville station, several innocent bystanders are shot dead. The victims include a politician, Robert Andréani, and three members of the same family. Devastated by the death of his wife, daughter and mother, Martin Modot resolves that their killers will be brought to justice. When the police fail to make any progress in their investigation, he decides to take matters into his own hands, with the support of a neo-fascist vigilante organization.

55 years ago, on October 1 1968, the first brand advertising spot appeared on the French television screen. Over the next three decades, thousands of creative little films would seduce and build our collective memory. Kitschy or cult spots, humor, slogans, music, stars, gimmicks, grand spectacle or sex appeal: during its golden age, how did advertising convince? Thierry Ardisson has brought together almost 400 advertising clips to relive the era of the conquest of minds and wallets.

No overview available.

A game show set and filmed on the real Fort Boyard in France. The contestants have to complete in physical and endurance challenges to win prize money.

A prostitute named Nana Coupeau rises from the very bottom of the social ladder to become one of the most sought-after courtesans.

The program combines comedy, celebrity, musical guests, and human-interest stories.

Salut les Terriens! is a French talk show hosted by Thierry Ardisson, launched on Canal+ on November 4, 2006, and then moved to C8 on September 10, 2016. The show subsequently changed its name and format in 2018 to become Les Terriens du Samedi! (The Earthlings of Saturday!). Initially conceived as a humorous take on current events with several guests and various games and segments, it later evolved into a more structured format with panel discussions and regular segments. In 2018, Thierry Ardisson sought to revamp the concept, believing the previous version had run its course, hence the transition to Les Terriens du samedi! with a new set and new segments, and a 360-degree turn in the ideology of the guests.

In each episode, 3 celebrities who have never met go on a 24-hour break in the countryside. A moment out of time to meet and talk about love, friendship, life with its obstacles and surprises.