Acting
Mar 2, 1886
Madrid, Madrid, Spain
José Isbert
Acting
Biography
José Isbert (real name: José Ysbert Alvarruiz), also known as Pepe Isbert (3 March 1886 in Madrid – 28 November 1966 in Madrid), was a Spanish actor. In 1912 he debuted in the short film Asesinato y entierro de Don José Canalejas (playing Pardiñas, the anarchist who killed José Canalejas). During the silent era he worked in theatre with supporting roles in cinema, but with the advent of sound, he made a big screen comeback in the comedy directed by Florián Rey, La pura verdad in (1931). In the 1930s he acted in half a dozen films including: ¿Cuándo te suicidas? (1931) directed by Manuel Romero, La bien pagada (1935) by Eusebio Fernández Ardavín orEl bailarín y el trabajador (1935), directed by Luis Marquina and based on a play by Jacinto Benavente. In the 1940s he gained great popularity in films such as Te quiero para mí (1944) and El testamento del virrey (1944), both directed by Ladislao Vajda; Ella, él y sus millones (1944) by Juan de Orduña; El fantasma y doña Juanita (1945) by Rafael Gil and Pacto de silencio (1949), by Antonio Román. The films he is most remembered for are from the 1950s and 1960s, in classics directed by Luis García Berlanga: Welcome Mr. Marshall! (1953), Los jueves, milagro(1957) and El verdugo (1963); and the dark comedy masterpiece El cochecito by Marco Ferreri, all written by Rafael Azcona. He was the grandfather in the Spanish classic La gran familia (1962), and its sequel La gran familia... y uno más (1965), these films earning him still greater popularity. Pepe Isbert died in Madrid due to a heart condition when he was 80 years old. He was buried at Tarazona de la Mancha cemetery in the province of Albacete.
Feature Films (104)
Carmen is a Spanish emigrant in Stockholm who does not have the money to run her business or buy a ticket back to Spain. Thanks to a misunderstanding she meets Dr. Petersen who has an invitation to a medical congress in Seville and does not plan to attend. Carmen uses the ticket and impersonates the doctor just enough time to get to the city, but then she will be forced to keep the lie.
Congress in Seville
An undertaker gets married to an old executioner's daughter and, although he doesn't like it, must continue the profession of his father-in-law after his retirement.
The Executioner
A small Spanish town, Villar del Río, is alerted to the upcoming visit of American diplomats and its ruling townsmen begin preparations to impress the American visitors, in the hopes of benefiting under the Marshall Plan. Hoping to demonstrate the side of Spanish culture with which the visiting foreign officials would be more familiarized, the Castilian citizens don unfamiliar Andalusian costumes, hire a renowned flamenco performer, and re-decorate their town in Andalusian style, meantime waiting for their uncertain arrival.
Welcome Mr. Marshall!
Mr Antonio is undergoing a bad economic situation that shares with his daugther Leonor, a lovely teenager who makes him happy and helps him sewing to make end meet. But its not enough and Mr Antonio has no other choice than working as a thug of a night club. A job that brings unexpected changes tto his life.
Lo que cuesta vivir
A couple of friends, "Carmen" (Silvia Solar) and "Miguel"(Germán Cobos), fail to raise the money needed to marry. These difficulties encouraged the illusion of the boy, who wants a shot leaving for another country. The dreams of "Miguel" are approved and encouraged by "Don Pablo", (Pepe Isbert) musician of the Municipal Band and uncle of Carmen, in his years young was unable to reach them. On the other hand, Carmen lives with his aunt "Antonia" (Matilde Muñoz Sanpedro), which does not speak with his brother "Don Pablo", and whose sole ambition is to see married her niece, because in order to "maid" in the family there is enough with her. But with the arrival in Cádiz of the president of a south American country, everything is going to change course.
