Henri Czarniak

A writer of pulpy book series in which he's the hero and his beautiful English roommate is the love interest attempts to finish his new book in time at the publisher's demand.

Vincent and his friend Antoine are convinced to find fortune by following precisely their horoscope. But as they go along the zodiac forecasts, they accumulate absurd misunderstandings.

During the prohibition era, Cornelius, a bootlegger, is on the run from the American coastguards. He comes across a silent film actress, Linda, on the set of a movie and falls in love with her.

Antoine Saint-Just, comrade of Robespierre and youngest member of the Committee of Public Safety, is drawn into the tempestuous political & military conflicts of France under the Terror.

Emmanuelle returns to her husband in Hong Kong and proceeds to have several extramarital affairs -- with his knowledge, of course. Her husband's lover and American guest are both very puzzled by their openness.

A tale of sexual encounters of one woman and several friends, family members and acquaintances, as seen (and told) from the perspective of a pair of satin blue panties.

Sophie, viscountess of Valrude, believes herself being a widow since her husband disappeared in the Amazon.

Outlaw sisters in the old West inherit a ranch and try to settle down and develop relationships with neighboring family of lots of brothers.

Treated as an outcast and exploited by the villagers of a small town, a young woman liberates herself through sex, which she uses as a tool of economic gain and an instrument of revenge against those who have wronged her.

Dany Longo is red-haired, beautiful, disturbed, passionate--and nearsighted. As she speeds through the south of France in a purloined Thunderbird on an errand for her employer and his wife, no one, including Dany herself, knows where she is headed--or why she is going there.

Hector Valentin returns to France from Canada when he inherits a small sawmill. He has difficulties restarting the run-down operation which has inefficient workers and is hampered by the dirty tactics of its bigger...

When Lise's car bumps Antoine's bike, they recognize each other from a brief fling 20 years before while at the Sorbonne. He's now a professor of Greek; she's loathe to tell him she's a police inspector. A call interrupts their first dinner date: a Deputy of the National Assembly has been murdered. She has a suspect, another Deputy, and must track him while deflecting Antoine's eye from her vocation. All roads in the inquiry lead to Christine Vallier, the dead Deputy's mistress, a beguiling 22-year-old whose mother ran the Assembly's snack bar. When more deputies die and Antoine learns Lise's identity, she must act quickly solve the crime and save her future.

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The New Avengers is a British secret agent fantasy adventure television series broadcast during 1976 and 1977. It is a sequel to the 1960s series The Avengers and was developed by Albert Fennell and Brian Clemens. A joint United Kingdom-France-Canada production, the show picks up the adventures of John Steed and his team of Avengers fighting evil plots and world domination. Whereas in the original series Steed had almost always been partnered with a woman, in the new series he had two partners: Mike Gambit, a top agent, crack marksman and trained martial artist, and Purdey, a former trainee with The Royal Ballet who was an amalgam of many of the best talents from Steed's previous female partners.

Molière pour rire et pour pleurer recounts the life of Jean‑Baptiste Poquelin, from his childhood in an artisan family to his rise as Molière, a central figure of French theatre. The series shows his difficult decision to abandon the family trade and join Madeleine Béjart to found L’Illustre Théâtre, marked by debts and repeated setbacks. While touring the provinces, he shapes his style and discovers the power of comedy. Back in Paris, he makes a name for himself with Les Précieuses ridicules, but his sharp satires provoke fierce opposition, especially during the Tartuffe scandal. Supported by Louis XIV, he continues despite attacks, literary rivalries, and tensions within his troupe, particularly with Armande Béjart. The miniseries also follows his growing exhaustion, his determination to perform at any cost, and his final breath after Le Malade imaginaire, the ultimate symbol of an artist who lived — and died — for the stage.