Wayne Wang

Tells the history and importance of The National Film Registry, a roll call of American cinema treasures that reflects the diversity of film, and indeed the American experience itself.

Hollywood Chinese is a captivating look at cinema history through the lens of the Chinese American experience. Directed by triple Sundance award-winning filmmaker, Arthur Dong, this documentary is a voyage through a century of cinematic delights, intrigues, and treasures. It weaves together a wondrous portrait of actors, directors, writers, and movie icons who have defined American feature films, from the silent era to the current new wave of Asian American cinema. At once entertaining and enlightening, Hollywood Chinese reveals long-untold stories behind the Asian faces that have graced the silver screen, and weaves a rich and complicated tapestry, one marked by unforgettable performances and groundbreaking films, but also by a tangled history of race and representation.

A highly-critical documentary about the history of Asian-American actresses in Hollywood. Features interviews with pioneering Asian-American actresses and clips from classic films, such as "The Thief of Bagdad," "The Good Earth" and "The World of Suzie Wong," interspersed with Asian/feminist sociological commentary.

It Came from Kuchar is the definitive, feature documentary about the legendary, underground filmmaking twins, the Kuchar brothers. George and Mike Kuchar have inspired two generations of filmmakers, actors, musicians, and artists with their zany, "no budget" films and with their uniquely enchanting spirits.

A chance encounter with a sober student reveals the mystery of a woodland wonder that has left a mark on his youthful psyche just as it leaves huge footprints on the forest floor. A short meditation on a tall terror in the trees that shade shadowy giants from the glare of sanity.

In 2015, Dagny Carlsson quickly garnered the attention of millions of Swedes when she started blogging for the first time at age 102. Now at age 106, wanting to experience as much as she can, she accepts an invitation from a Finnish film director who wants her to star in a short film. So, off to Åland she goes!

Mainland CID Officer JIANG ZIDAN (Wang Yang), nicknamed “BULLET”, infiltrates a Hong Kong triad group in an attempt to investigate a cross-border drug trafficking case and encounters Hong Kong narcotics inspector WAI CHUN-HIN (Him Law) and female officer CHAN YUET-KI (Cecilia So). The swift and smart BULLET is favoured by the triad leader WU KOON-YAU (Damian Lau), but he is not aware that CHUN-HIN is the trusted one of the triad’s deputy leader HON LONG (Gallen Lo). The kidnapping of WU’s daughter WU KA-LAM (Jolie Zhu) quickly stirs up long-standing conflicts between HON LONG and KOON-YAU and further fuels their antagonism. CHUN-HIN employs police resources to rescue KA-LAM without authorisation and is dismissed, but in secret he still keeps in touch with narcotics officer SO CHING (Toby Leung). HON LONG, trying to arrogate all the power, does all he can, even in collaboration with outsiders, to get rid of any opposition or possible threat. On the surface, he works closely with BULLET and CHUN-HIN, but what lies underneath is indeed immeasurable power struggle, causing endless rivalry between the good and the evil, among these “frenemies”…