Elizabeth Tang

An umbrella standing alone in the rain by the road. Is it a magical umbrella that protects its owner, or a curse? Sum-yu, a reserved young woman, suffers daily sexual harassment in the office by her male colleagues and superior. All this changes when she comes across a blood-red umbrella on a rainy night, unleashing a malevolent spirit and transforming her into a merciless avenger against the men who have wronged her. Can wrongs of the past life be righted in the current one? A modern ghost story incorporating body horror motifs, the short relates a bloody and thrilling tale of contemporary gender relations.

Yumi works at a record store, dreams about Kurt Cobain could take her away from the boring life she lives. As she is approaching 27 years old, she begins to think about what can she do to resist the social norms.

Two girls from two different worlds - they meet in the underground and try to heal their wounds, both physically and mentally, via their fantasies towards one another.

Ah Choi has a complicated relationship—she is attached to her boyfriend, Ah Wood, yet weary of their daily interactions, and is drawn to new and fresh ideas. Though she feels lonely, she also cherishes solitude, caring for her own solitary shadow, drifting between two extremes. Wah Chi teaches at an international school and enjoys writing poetry. After her family emmigrated abroad, she lives alone in her old home, accompanied only by a cat. Dreams, daily life, and poetic sensibility gradually blur together, turning into a series of images. The diversity and fleeting nature of modern society have caused them to lose their sense of time and connection.

Lok, a 34-year-old filmmaker from Macau, has been drifting through Hong Kong’s film industry. Although she has already directed a feature film, her life remains unstable, her next project has stalled, and her girlfriend Bei Bei is pushing for them to get married, buy a house, and settle down. Facing multiple pressures, Lok revisits different moments in her past: when she was studying in Taiwan aged 22, and when she was growing up in Macau aged 17.

A time and space that get mixed up, A brother and a sister, One who loves starting fire, Whereas the other loves extinguishing it, An unusual relationship.

Berlin, known for its freedom and inclusiveness of diverse subcultures, is a safe haven for many displaced people. But urban life may not provide the best living conditions. Idealistic traveller Moon struggles to find accommodation in Berlin but receives a helping hand from Anna, who is also a Hong Konger anxious about her unstable life. They temporarily stay at the 15-person co-living facility named Hausprojekt ‘K28’. However, this group of migrants—some have experienced social unrest back home and others just want to experience life in a foreign country—are facing eviction. Two women with very different personalities share what they have and face the hardships of life together. The Berlin-based director uses her perspective as an Asian woman to explore the clash between humanism and gentrification. Featuring Golden Horse nominee Elizabeth TANG and artist Sammi MAK in leading roles, the film deromanticises the situation of Hong Kongers living in a foreign land.

Two girls fantasize about making a declaration to the world. Youth is overrated. Depression, cynicism, rebellion. Poetic, and beautiful. How caricatured. Like how everything sounds better in French, even if it’s merely Google Translated. So we are here, to destroy the camouflage. Back to our reckless but satisfied souls and bodies. Ephwaipi, a homophone of ‘FYP’ (Final Year Project) is the debut short of Kitty Yeung and Candice Ng. The film, which also acted as their graduate thesis film, is the manifesto of two teenage girls about gender, romance and labour exploitation. Together, they seek to declare freedom from their teachers, lovers, bosses, and the most notorious villain of all — social norms.

During a casting session, an actress auditions to play a shrimp. As her performance unravels, so does her certainty. Watching from behind the glass, the shrimp begin to question not only her, but also what it means to be represented — and whether something truly real can ever be performed.

In Taipei’s dreamscape, Tao’s incomprehensible love for Shin drives her to create painful memories. Meanwhile, Melih, burdened with self-blame, longs to connect with the perpetually drunk Ping.

No overview available.

It follows Jin and May as memory, friendship, and time intertwine, revealing how fading recollections reshape identity, deepen bonds, and transform the meaning of loss.

Aspiring filmmakers Michelle, Jacky, and Gthan launch their own online channel with rising KOLs Yannis and Sugar. When Yannis gains fame and considers leaving for a rival platform, they scramble to find a new star, leading them to Anna. As they navigate the challenges of online success and failure, they confront the harsh reality that while success is rare, the journey—and the digital footprints they leave—lasts forever.