Alma Prica

Karlovac, Central Croatian Front, 1991. Three Croatian soldiers try to detonate a Serb civilian's home, but are stopped in their efforts by the homeowner, whom they kill in retaliation. The only witness to the murder is the man's daughter, whom they decide to kidnap to prevent the truth from spreading out and causing political unrest. Nevertheless, the case gets out and, unebenknownst to each other, five different people: a homicide investigator, a medical examiner, a local politician, a reporter and the brother of one of the perpetrators, decide to track the perpetrators down to stop the truth from getting out.

Sitting in a restaurant representing the waiting room to the other world, a tired old man watches the patrons who represent him and his immediate family during the important moments of his life. Moments that have impacted him and the family, and have turned him into a man he was at the end of his life. The old man is forced to look these events in an objective way, observe them from the sidelines, as the judge and jury of a tragic life filled with regret, bitterness, and bad decisions. At a certain point, it becomes clear that the old man has actually died and is watching his own life.

A young man finds a way to spend his last few days of freedom before joining the army. Set in eastern Bosnia in summer of 1968.

Based on the memoirs of Irena Vrkljan. Through reminiscences of Mala and her sisters, we meet her family and her contemporary intellectual elite.

In the early 1920s, filmmaker and cabaret director Karlo Armano meets a mysterious woman who only calls herself Dora. After a night of passionate romance, he wakes up to find her missing and goes on a quest to find her, soon realizing that the woman he had fallen in love with is none other than famed composer and autonomist Dora Pejačević.

In order to recover the body of her son lost during the war in Bosnia, a grieving, but strong-willed Muslim woman, Halima, must track down her estranged niece, who we find carries a mysterious connection to him.

A community nurse Ema comes to work in a small village in the lowlands as a replacement, where she discovers the diary that her antecedent left behind, thus finding out more about the ill children she cured and the secrets of this sleepy settlement.

A razor sharp comedy all about relationships and red tape. Kreso is at a loose end. A fully qualified biologist, he's about to hit middle age, disillusioned, out of work and stuck in a marriage that should probably never have started. At least his son still looks up to him. Meanwhile, the country's cash-strapped government is busily looking for unique ways to save money, and now, over 20 years after the 1990's war, sets its sights on the widows of fallen soldiers. Anyone unmarried but in a new relationship will no longer be allowed a military pension. Enforcing such an unpopular measure requires a new department: The Ministry of Love, whose purpose will be to gather information on any widows breaking the new law. With nothing to lose, Kreso agrees to be put forward by his pushy father in law. The only problem is, together with his eccentric partner, Sikic, he's completely the wrong man for the job.

In this politically charged drama, the turbulent times just following Marshal Tito's rejection of ties to Moscow comes to life. Interestingly, even in the first few years after the Yugoslavian leader's death, the subject matter of this film was considered too hot to handle, and the director had to appeal to the courts for permission to shoot it. In the story, Martin is a schoolboy with a sense of the absurd and a willingness to use ridicule to amuse himself and his classmates. He has an uncle who is high up in the nation's bureaucracy who protects him and his grandfather now that his father has died. His grandfather is too stubborn to give his farm to the local farming collective, and Martin himself is in hot water with the principal for making fun of his girlfriend, one of the students at the high school. However, as long as the uncle is able to protect them, they remain out of hot water.

Thirteen European directors explore the theme of Sarajevo; what this city has represented in European history over the past hundred years, and what Sarajevo stands for today in Europe. These eminent filmmakers of different generations and origins offer exceptional singular styles and visions.

After her husband's death in Germany, an attractive young widow leaves his native village in Herzegovina to work abroad. There she starts an affair with an Italian worker that proves to be unsuccessful, yet she gets pregnant. She does an abortion, which is followed by another blow - her godfather Luka steals her hard-earned money.

The painful challenges experienced in the life of a farmer from Zadar, Croatia, in the years from World War I to World War II.

The extended version of the eponymous film served as a TV mini-series. The plot is centered in the city of Karlovac in 1992, during the Croatian War of Independence. The front lines, where Croatian and Serbian forces fight each other, lie near the city. Meanwhile, in the city of Karlovac, a Serbian civilian Vasić is murdered. The story follows the local police officer Barbir (Dražen Kühn), who tries to solve the murder in spite of ethnic hatred and war revolving nearby.

The four private episodes connect several people who keep appearing, such as Inspector Danilo and his assistants. The first case begins when the conductor of a night tram at dawn discovers the body of an unknown man under the underpass ...

Dracula: The Series is a short-lived syndicated children's horror television series developed by Glenn Davis and William Laurin, about Count Dracula (aka Alexander Lucard; A. Lucard, if you will) and his struggles with Gustav Helsing, Gustav's young nephews Max and Chris Townsend, and schoolgirl Sophie Metternich, with whom Chris develops romantic feelings. The series formula is relatively straightforward, with the four heroes learning of some nefarious plot by Dracula and setting out to foil it, with some success. In keeping with the novel, but not most media lore, vampires can travel in sunlight but lack their abilities. Anyone bitten just once by a vampire transform into a zombie-like servant; this process is preventable by applying holy water to the bite.