Cristina Alcázar

With humor, prolific director Víctor Matellano tells the story of one of the most iconic and problematic cult films of Spain's "fantaterror": Los resucitados by Arturo de Bobadilla. A story of ambition, frustration and the everlasting will of the most passionate cinephiles.

No overview available.

No overview available.

The story is set during the early 1980s in a small town in rural Spain. El Chiqui is a talented young man about to debut in the local bullring, expected to continue the legacy of his family name. But that is not what he truly wants. His secret relationship with a young man from the town, Nicolás, offers an escape from the village, leaving the family pressures behind.

8:19' is a smart gallery of characters living, unknowingly, their last 8 minutes and 19 seconds in absolutely rutinary situations, letting time go by, delaying decisions, postponing meetings and pleasures. Characters who think there is a future to be reached. Like everyone.

No overview available.

No overview available.

Nacho, a young man in his mid-thirties, is losing control of his life. In order to finance his various addictions, he has accumulated large debts with dangerous moneylenders. Fearing he no longer has control over himself, he flees to the city, leaving everything behind. There, he meets a woman who is older than him and falls in love with her. Lucia is very supportive of his development into a better and more adult Nacho. As Nacho’s mother is lying on her deathbed, he is forced to return home and face everything he had left behind.

The life of Jorge, 12, eldest son of a modest Spanish family of the 90s, turns upside down when the emotional turmoil caused by his sexual awakening is mixed with an accusation against his father, an art teacher, of an alleged sexual harassment of a 16-year-old girl, which disintegrates his family nucleus. His attempts to try to understand and overcome events lead Jorge to a new vision of his father, his family and his own nature.

Fernando (Fernando Tejero) is a loser. A gray type, without ambition, that works like bookcases distributor in a supermarket of the quarter. In his free short whiles, he is a substitute keeper of a football team, a third regional one. In all the season he has not played a single minute. But the last Sunday of the league the referee indicates penalty and the regular keeper injures itself. Fernando must occupy the goal for the first time. If penalty scores, the team of the district will proclaim champion. If no, all the effort of a year will not have been worth for anything. When the penalty is just about to be kicked, a group of indignant fans with the referee invades the field and prevents the kick. The competition committee decides that the penalty must play the following Sunday, in the same goal, with same players and the field closed to the public. El Penalti más largo del mundo, (The Longest Penalty Shot in the World) is exactly the history of that week of delay.

A photographer and a journalist who despise each other must pretend that they are a couple when they are sent to cover the story of a guru, and encounter a number of off-the-wall situations en route through Galicia.

Candela, the headmistress of an elite school, after a traumatic divorce, returns to her old high school to lead a group of rebellious students through chess. There she will learn that in chess, and in life, it doesn't matter if you are a king or a pawn, because everyone ends up in the same box.

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.

It tells the stories of a group of teachers and students from a central fictional school in Madrid. Under the gaze of some new teachers, newcomers to the center, we will know the passions, interests, aspirations and dreams of a group of rebellious teenagers who are in their last years of high school.

No overview available.

No overview available.

No overview available.

Tell the history of a married couple (María Pujalte and Javier Cámara) that at the beginning of the 80s they become the first divorced family in the democratic Spain.