Francesco Grandjacquet

During the Nazi occupation of 1944 Rome, Resistance leader Giorgio Manfredi is pursued by the Nazis as he seeks refuge and a means of escape.

In a post-war Rome of 1946, a cat burglar inadvertently saves the life of a would-be suicide man who has returned from the war to find that he has been betrayed by his fiancée. From that moment the thief takes the ex-soldier under his wing. They leave the house together for a night full of misadventures. In the streets of Rome they meet a struggling typist who can’t pay her rent and opts for streetwalking; and a wandering amnesiac who lost his memory and keeps asking everyone “Do you recognize me?”.

Milan, one winter in the early sixties. Valeria, a free young woman who usually goes from one man to another, falls in love with Giampiero. This time, this is a serious relationship to the point that she contemplates marriage. All the more since she gets pregnant.

An Italian film from 1943.

Suave antiques dealer Alfredo Martelli is picked up by the police with no justification. At the precinct, Martelli realizes what the investigation is all about-- that he is the main suspect in the killing of his wealthy ex-lover. Is he guilty, or is he just a sleaze?

Paola, a Milan call girl, returns home to her village in the Abruzzi mountains in an attempt to go straight. Rejected by her father, blackmailed by a former lover, and lusted after by her brother-in-law, she turns to her beloved sister for support. Denied succor, like so many of Rossellini’s isolated figures, Paola awaits the arrival of her fiancé, who has offered her a new start, but instead decides that life is untenable.

Mark Shiel is the author of “Italian Neorealism: Rebuilding the Cinematic City.” In this 2009 video essay, he discusses Roberto Rossellini’s depiction of the urban settings in Rome Open City, Paisan and Germany Year Zero.