Elsa Grube-Deister

A young couple from the present day is transported by magic to a distant fairy-tale world. There they encounter clever objects such as the table that sets itself, the flying carpet, and the invisibility cloak. All of these objects can be used for useful purposes. However, since they can also be used to play pranks and cause a lot of mischief, Vera and Peter and their allies are urged to be brave and cautious...

Two young and attractive social workers/nuns bring fresh air into a city missionary station, but are also challenged by lust and money, offered by a millionaire.

Berlin in the 60s. The construction of the Berlin Wall not only divides the city, but also separates the Rechlin family. While mother Ingelore lives with husband Hannes and the youngest son in the eastern part of the city, the young, married daughter Beate lives in West Berlin. Even when she gives birth to the first grandson, the newly baked grandma Ingelore cannot visit her. Travel permits are only issued one year later. But the formerly so tight family bond is burdened by the long separation. Son Bernd also avoids the rest of the family, as his new girlfriend has just been released from prison because of attempted "republic escape". And so Mother Ingelore almost has to watch her family shatter.

Normal everyday life in an apartment building on Plantagenstraße in East Berlin is disrupted when a truck pulls up with the new tenants' furniture. And they include two small children - now, of all times, when old Matuschke's wife has just died and consideration should actually be shown for the widower. Even worse for Mrs. Tillack, however, is the fact that the entire male world seems to be after her 16-year-old daughter Katrin.

A Saxon village in 1792: While the Prussians go against France, the haymaking takes place in the village and the resolute Marthe catches her daughter Ev with the village blacksmith Ruprecht in the hay.

The story of Ulzana, an Apache chief who has reached a rapprochement with the local Mexican population and generously extends it to whites who travel through the territory. His people have become inured to the treacherous ways of the white man, however, and are now reliant on them for booze, 'relief flour' and beef steak.

Kemmel, a sculptor with a troubled nature, wonders, as he approaches his fortieth birthday, whether he has created any truly significant work.

Eight-year-old Christian lives with his grandparents after the death of his mother. When his grandmother falls ill, grandfather Meschka wants to take the boy to live with his aunt at the Baltic Sea. But Christian is against it. On the trip, the two develop a new relationship that changes everything.

Paul Stojahn spent many years abroad as a fitter. Now he returns to Berlin, no longer very young, and meets his grandson Markus. The news of Paul's return causes some confusion in the family. Grandma Renate in particular cannot forgive Paul for neglecting his family. Only Markus likes Paul very much because he can tell wonderful stories about Siberia and Africa. But as the family has a different opinion of their grandfather, a row breaks out and one day Markus receives a farewell letter.

Berlin in the golden 20s. Like no other, the singer and cabaret artist Claire Waldoff found the right words for what the so-called “little people“ thought and felt. Her heartfelt songs with heart and snout triggered storms of enthusiasm and made Claire Waldoff famous. Kurt Tucholsky gave her the nickname "Sparrow of Berlin". With the beginning of the 1930s and the Nazi regime in Germany, the popularity of the Berlin original declined.

With an open mind and the meticulousness of a scientist, Professor Tarantoga meets his strange guest, who has made contact with him from a psychiatric institution. The eccentric introduces himself as Novak on one occasion and Hippekorn on another. Hippekorn comes from the future, more precisely from the second half of the 35th century. Professor Tarantoga patiently tries to find out whether the man is simply crazy or actually an alien from another time and world.

Protected from the intrigues of con-men by the overwhelming blanket of the former regime in East Germany, at first it seems that Ada Fenske, the elderly widow living on a farm near a soon-to-be abandoned Russian island military base is fair game. The (West) German military intelligence services want to acquire her farm. At first, their agent attempts to buy the property openly, but her refusal to sell motivates him to try far shadier techniques. He comes up with a relative she never knew about who is entitled to a share in the property and tries to blackmail the township's mayor to get his cooperation. However, the hard-working and honest old lady has an ally in the person of her more sophisticated border, a woman who works in the mayor's office and has been to the West. She takes great delight in foiling the underhanded agent.

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

East German TV miniseries about the young maid Gertrud Habersaat, who marries, moves from Mecklenburg to Poland in the early 1940s, has to come back to Mecklenburg as a refugee during World War II and finally finds her place during the 1950s.

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

Liebling Kreuzberg was a television series on ARD, which was sent in five seasons with a total of 58 episodes the first time from 1986 to 1998. The scripts of seasons one through three and five were from Jurek, of his friend Manfred Krug wrote the role of idiosyncratic Berlin attorney Robert favorite on the body, the fourth season was written by Ulrich Plenzdorf. Director Heinz Schirk, Werner Masten led and Vera Loebner. Producing Series transmitters were the SFB, the NDR and WDR. The music of the first season was. Hans-Martin Majewski, in the later seasons of Klaus Doldinger.