André Thorent

No overview available.

Three little criminals get a tip for a great coup with lots of money in it. Unfortunately they lack the starting funds to buy the required welding torch. So they persuade their successful colleague Alphonse to join their team. But the well thought-out coup fails, and Alphonse is the only one of them who ends up in jail for several years. When he's released, he's out for revenge.

A Paris real estate developer feels compelled to withdraw from his seemingly perfect life into a world of his own. Is the man going insane? By conventional standards, maybe, but it's clear that the life he's fleeing is madder still from his point of view, and since that point of view is unfailingly witty and astute, we even come to accept his delusions as more "real" than reality.

Doctor Valois has invented the "flashage", a cure for depressed people. After having tested it on monkeys, he tries with a first human patient, Alain Durieux. This is great success, everybody's happy except may be Alain's wife, Jeanne, who's worrying about the changes in Alain's personality. Other patients use the treatment with similar successes, and Valois's happy about it. But the monkeys are changing: non-cured ones are made mad by the over-stability and stereotyped behaviour of the cured ones. So are the humans. When Valois realises he can't stop the process, he decides to "flash" himself.

She is Florence Vannier-Buchet. Married to Protestant banker Jean-Marc Buchet. Florence leads a major sporting goods company with happiness and firmness. He is Antoine Lombard, Professor, son of a teacher, he is Secretary of State at the Universities. He divides his time between his ministerial activity and his riding in the working class suburb of Chartres. An elected member of the "pink wave". They met during a stormy assembly of the CNPF. The action takes place in 1983. Florence is engaged in a daring industrial and financial operation, while Antoine is putting the finishing touches to a bill for the renovation of Higher Education. Everything separates them and yet they do not manage to live separated from each other ...

Normandy 1850. A stagecoach drives along a road in the middle of the countryside. Inside, the passengers are all asleep except two men who are talking. Suddenly the coach stops: an axle has just broken. When one of the two men leans out of the window to see what is going on, his gaze lingers on the front a provincial abode, which seems to upset him. He soon starts remembering facts that took place forty years earlier...

In 19th-century France, doctor's wife Emma Bovary seeks to escape her dull provincial life through various extramarital affairs and extravagant spending, leading to tragic consequences.

Four generations of Oppenheim men gather in Paris for Isaac's 90th birthday. He's "Romeo," still a lady's man, waiting to hear from a woman to whom he has proposed, threatening suicide if she says no. They gather at Isaac's grandson's, Ben, who lives with Peggy and their son Mathias who's 10. Joining them, from Israel, is Isaac's son Elie. Against a backdrop of Elie's attempts to call his ex-wife, Ben and Peggy's marital difficulties, Mathias's budding sexuality, everyone's love of chess and practical jokes, Ben's house (shifting dangerously on its foundation), and the twentieth-century struggles of the Jews, the film explores their relationships and Isaac's aging.

The Beresfords investigate mysterious deaths at an old people's home.

Igor, who manages a fancy hotel and is on the take, has to juggle several problems at once. He has a two-hour window to get his ill-got gain out of the hotel, he must misdirect and obstruct the inquiries of a Party auditor who suspects that all is not above board, and he must keep out of sight and out of trouble his interloping and troublesome young brother-in-law, who arrives unannounced with barrels of rotten herring.

Legendary "devil violinist" Niccolo Paganini sets all of 19th century Europe into frenzy.

An aimless young man is committed to a psychiatric hospital by his father in an attempt to cure him of his delinquent tendencies.

No overview available.

No overview available.

No overview available.

No overview available.

"The king, the squirrel and the grass snake" is a two‑part French historical drama set in 17th‑century Paris, following the intense rivalry between Nicolas Fouquet, the brilliant and flamboyant Superintendent of Finances, and Jean‑Baptiste Colbert, the calculating administrator determined to bring him down. As Fouquet rises in power, wealth, and prestige—building the magnificent château of Vaux‑le‑Vicomte and securing Mazarin’s favor—his influence begins to alarm the young Louis XIV. Colbert seizes the opportunity to undermine his rival, weaving a political trap that will reshape the future of the kingdom. Through court intrigues, shifting alliances, and the growing authority of the Sun King, the film portrays the fall of a man who shone too brightly and the birth of absolute monarchy in France.