Michael Schenk

No overview available.

Based on a true story, Miguel Alexandre's two-part drama focuses on an East German woman and the fight for her children. Spring 1982: Sara Bender, living with her daughters Silvia and Sabine in the East German town of Erfurt, wants to marry her colleague Peter, but shortly before the wedding, her father is killed in a road accident. As the funeral takes place in West Germany, she isn't allowed to got there, so she starts planning to leave her communist home country forever. Trying to flee via Romania, she is caught by the secret service. After years in jail, Sara is ransomed by the West German government, but without her daughters. To draw the world's attention on her desperate situation, she starts demonstrating at the Berlin border crossing Checkpoint Charlie

Berlin at the end of the 19th Century. Alexander Hoffmann is an ambitious PhD student of Ethnology. When a delegation of the Herero and Nama tribes travels to Berlin during a ‘Colonial Exhibition’, he takes a special interest in their young female translator Kezia Kambazembi as subject for his studies.

During the 1972 Olympic Games in Munich, eleven Israeli athletes are taken hostage and murdered by a Palestinian terrorist group known as Black September. In retaliation, the Israeli government recruits a group of Mossad agents to track down and execute those responsible for the attack.

The alleged murderer of a policewoman, Frank Keller, applies for release from preventive detention after 15 years in prison. However, it is rejected. Out of desperation, Keller takes his lawyer hostage and flees the courtroom. His first destination is the house of the edgy and highly respected police instructor Bruno Theweleit. Keller is said to have shot his colleague 15 years ago. After the incident, young policewoman Lena Frey sets off on her own search for clues and comes across more and more contradictions in the version of events that is supposed to have happened 15 years ago. This draws the displeasure of Theweleit and the shady inspector Günther Lehmann, who was also involved in the incident. After a meeting with Keller, Frey begins to doubt the man's guilt.

Little Marie Kerstner has disappeared after a daycare outing in the woods. Chief Inspector Oliver von Bodenstein and his colleague Pia Kirchhoff investigate and unexpectedly come across two bodies. First, senior public prosecutor Hardenbach is found dead, apparently shot with a load of buckshot from his own hunting rifle. Shortly afterwards, a dead young woman is discovered at the foot of a lookout tower. It turns out that the dead woman is Isabel Kerstner, the mother of the missing girl. Isabel had made many enemies in her short life and the suspects for her murder are queuing up. But what did the dead prosecutor have to do with Isabel and where is her daughter? Only gradually do von Bodenstein and Kirchhoff realize the true dimension of the case.

Bodo is standing on the top of a roof and ready to jump, when suddenly his phone is ringing...

Edward Kaminsky, an aging ad man, wants a golden parachute from his agency; he must first land the Opel auto contract. Rosa, a youth with wealthy parents, wants to establish herself as an artist. The clumsy and enthusiastic Viktor, not quite honest, wants work. When he wanders into Kaminsky's meeting with Opel and says something about irony, the Opel director wants him in on the campaign. Then he steals an idea from Rosa that the Opel director loves. Before Rosa discovers he's expropriated her idea, Rosa and Viktor become lovers. Father-son feelings materialize between Kaminsky and Viktor. Can the impulsive Viktor hold it together before Rosa learns the truth and flies away?

In 1942, Friedrich Weimer's boxing skills get him an appointment to a National Political Academy (NaPolA) – high schools that produce Nazi elite. Over his father's objections, Friedrich enrolls. During his year in seventh column, Friedrich encounters hazing, cruelty, death, and the Nazi code. His friendship with Albrecht, the ascetic son of the area's governor, is central to this education.

"Snow White Must Die". Part 1 of 4 Nele Nauhaus Mysteries. A young man returns to his village after serving time for a murder he may or may not have committed. Will old truths be dangerous even now? Pia and Oliver investigate.

Empathy is a two-edged sword, especially for Martin. Tormented by the past, haunted by the present, the chief inspector is a brilliant investigator and, together with his team, solves the most convoluted cases. From kidnapping to hostage situations, to murder. Unable to eat or sleep until a case is solved, they all take their toll.

Leo has been working for the insurance company for 19 years, without a sick day, without being late, without ever being noticed. Now there is panic in the office: Layoffs are imminent. Nevertheless, the Christmas party takes place - for some it's more of a farewell party. Leo plucks up his courage and asks his shy new colleague Marie to the dance. But is he the right man to win Marie's wounded heart?

No overview available.

No overview available.

Ritas Welt is a German television sitcom that premiered on RTL on 17 September 1999 and ended its run after five successful seasons on 19 December 2003. Starring Gaby Köster, the show was about a confident sales assistant, Rita Kruse; her fight with her self-righteous boss, Achim Schuhmann; and her life with her loving husband Horst and their two children, Sandra and Markus. Through it all, Rita is supported by her wacky best friend Gisi Wiemers.

No overview available.

First Police Chief Inspector Vera Lanz, a Munich police detective, attempts to balance her professional and private life.

No overview available.

Siska is a German television series created by Herbert Reinecker and Helmut Ringelmann and broadcast since October 30, 1998 on the network ZDF. In France, the series was broadcast on France 3 and rebroadcast on 13th Street. It is a police drama and follows the adventures of Peter Siska and later Victor Siska. Anyway it wasn't the best surname for a policeman because in some languages word "Siska" has extremely close meaning to "Boob" or "Tit". So you'll never see this series on, for example, Russian television. Croatian Radiotelevision has however shown the series, despite 'Siska' having the same meaning in the Croatian language