María Botto

A mismatched couple discovers that whatever can go wrong will go wrong during a family visit.

Due to a rental mistake, three families are forced to share a house in the Canary Islands, leading to chaotic and humorous situations as they try to live together.

A Greek tour guide named Georgia attempts to recapture her kefi (Greek for mojo) by guiding a ragtag group of tourists around Greece and showing them the beauty of her native land. Along the way, she manages to open their eyes to the wonders of an exotic foreign land while beginning to see the world through a new set of eyes in the process.

What would happen if, one year, Santa Claus was forced to cancel his Christmas Eve appointment with the world’s children?A few days before Christmas, the famously cheerful and magical giver of gifts has an accident on his sleigh, right in the middle of Madrid. He ends up in hospital, which is where he’ll have to stay until after Christmas. Fortunately, the guy he’s sharing a room with at the hospital, Salva, is willing to step in and take on his all-important Christmas work. But it won’t be easy… the Christmas countdown clock is ticking and Salva has to find the reindeer, learn to fly the sleigh and, the most difficult part of all… learn to be a good person.

Professor Lola Sánchez investigates the truth behind the events experienced by Rafael Sánchez Mazas, one of the founders of the Falange Española party, during the Spanish Civil War.

Six characters, contemporary archetypes of urban solitude, meet in an old apartment located in the city centre of Barcelona. An elderly married couple, her brother and three tenants: a blonde woman who gives French classes, a young security guard, an ex-football player and a young, pregnant South American girl. The old man, who was formerly a doorman at the opera and who likes to dress up in women's clothes, gets them all together and asks them to leave as he is going to die and wants to be alone for the last stage of his life. In this flat, incest, homosexuality and adultery are intertwined in the life of these characters whilst we simultaneously witness the passing of time in this Mediterranean city.

Pedro, Kiko and David, three friends in their late thirties, travel to Rio de Janeiro to pick up the lifeless body of Mateo, their best friend from high school, who has died under mysterious circumstances. But when you arrive in Brazil, nothing is what it seems. Mateo, "the dead man", has fled, his house is upside down and one of his ex-girlfriends is desperately looking for him...

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Juan, a secret service agent, approaches Wendy, a young Filipina who works as a maid for a suspicious couple.

In the post Spanish civil war years, Catalan kids would sit in circles among the ruins and tell stories, known as "aventis" (the film's original title in Catalan, its original language). These tales mix war stories, local gossip, comic book characters, fantasy and real events. The "aventis" told in this film are told in flashback. In the mid 80s, 45 or so years after the age of the "aventis," a doctor and a nurse-nun (who grew up together, and now are co-workers in a hospital) identify the corpse of one of the main characters of the "aventis" of their childhood and adolescence. Besides the interesting flashbacks - a chronical of the Civil War in a "typical" Barcelona microcosm itself, the discovery of this body (belonging to someone long presumed dead) leads to other surprises and unresolved doubts, several decades later

Winter, 1944. Lucía at 21 returns to her small village in the mountains. She again meets Manuel, a young iron-smith who helps "those in the mountain", the "maquis", the anti-Franco resistance. Lucía is attracted to Manual, because of his smile and the bravery of those men who continue fighting for their ideas, even at the cost of their own lives. When Manuel is pursued (by Franco's Civil Guard) he flees to the mountain and Lucía discovers the reality of political repression, the silence, the horror and fear.

The first actor of a theater company on tour in Spain dies in a car accident. A new actor, Jorge Ruiz, is to relieve you. He's handsome, young and revolutionary. His arrival creates tension, jealousy and distrust in the rest of the cast, is-especially in Mario Soto, which is responsible to lead in the absence of the author of the assembly, busy with an opera for the Teatro Real in Madrid . Already in the first trial of the work concerned the "Play Without a Title" by Federico Garcia Lorca, their personalities collide head. Morante Carmen, leading actress of the company, and Laura G. Reyna, which was secret lover of the deceased, witness the struggle between the two. As if that were not enough, the newcomer brings added conflict: reading at the end of the function of a manifesto for peace. Mario questioned that decision and the company is divided.

It follows Lucía an executive of a high-tech company who has fought to get as far away from her humble origins as possible. On the day of her promotion, she is accused of espionage and fired.

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Nacho Nieto, a journalist specialising in paranormal activity, is at a professional and personal low. After a failed suicide attempt he comes back to life accompanied by the ghost of his mentor, doctor Estrada, iconic communicator of mystery, who died more than 20 years ago.

Letty Dobesh is a thief and con artist fresh out of prison whose life is always one wrong turn and bad decision from implosions — just how she likes it. But when she overhears a hitman being hired to kill a man’s wife, she sets out to derail the job, launching her on a collision course with the killer, entangling them in a dangerous and seductive relationship.

No overview available.