Acting
Dec 20, 1919
Odense, Danmark
Ove Sprogøe
Acting
Biography
Ove Wendelboe Sprogøe Petersen (21 December 1919 – 14 September 2004) was a Danish actor. Born in Odense, his parents were Arthur and Inger Sprogøe. He married Eva Rasmussen in 1945, with whom he had three children. One of these is actor Henning Sprogøe. He made his debut in the film Hans Store Aften (His Big Night). His characteristic prominent chin that had been feared an obstacle of his career did not prevent him from being one of the most versatile and used Danish actors. His strength laid in the almost diabolic, michievous and brash but he effortlessly played meek and shy types as well as elegantiers. Among his many roles on stage in classic plays might be mentioned Mephisto in Faust, the title figure of Strindberg’s The Father and some Molière and Bertolt Brecht characters. An extremely popular actor in Denmark, he played many diverse roles, including several recurring television parts. He appeared in 157 films, making him one of the hardest-working actors in the history of Danish film. In his early years he often was the part of a duo working together with his friend and colleague Dirch Passer. He is probably best known for playing one of the lead roles in the Olsen Gang movies, along with Morten Grunwald and Poul Bundgaard, playing the gang leader Egon Olsen, known for his short temper, striped suit, and cigar. By this role he earned an international fame though mostly in Eastern Europe, in the GDR he together with his colleagues became almost a cult figure. Among his TV roles must be mentioned his elegant and humorous ex-burglar Larsen in the series Huset på Christianshavn (“The House at Christianshavn” - the first Danish sitcom) and his role as the wise and courageous doctor Louis Hansen in the epic, historical drama-series Matador, both also shown outside Denmark. He was an able singer especially in shows or revues and his interpretation of Tim Spencer’s Cigarettes, whiskey and wild wild women (in Danish re-creation: Fandens Oldemor – “The Devil’s Great-Grandmother”) almost became his signature tune. He was an actor who combined great public sympathy with the ability to remain a private person with a modest lifestyle. After his death it was revealed that he had been a passionate art enthusiast and had amassed a valuable collection of modern paintings. Shortly after his death in 2004, Nordisk Film (the company that made the Olsen Gang movies) established a scholarship for actors in his name. The state-owned road to Vridsløselille Statsfængsel (the prison where his Egon Olsen character was a frequent "guest"), was renamed by the city of Albertslund to Egon Olsens Vej (Egon Olsen Road). On 24 October 2005, his native city of Odense named a square Ove Sprogøes Plads (Ove Sprogøe Square) in his honour. And the bar 'Cafe Halvvejen', named a shot in his honor. Description above from the Wikipedia article Ove Sprogøe, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Feature Films (170)
Charles and Peter have passed their law degree and are looking forward to wooing a few girls in the country. For that, they need a chaperone and persuade their fellow student Ditlev to play Charles's aunt from Brazil. Ditlev has a talent for acting and takes the role very seriously, but when Charles's real aunt turns up, things get complicated.
Charley's Aunt
Egon and his two cronies managed to sneak a fortune with them to Spain. Here they live a life in a whirl of pleasures, but they are not truly happy. While Egon always has the money chained to him, Bøffen still manages to steal them. Egon ends up in jail once again, and when he comes out, he has a brilliant plan.
The Olsen Gang on the Track
The first of 14 Olsen Gang films presents us with Egon Olsen, head of the gang, and his friends Benny and Kjeld, who want to become the best known gang in Denmark and eventually Europe by stealing a famous Bavarian work of art currently displayed in a Copenhagen museum. Although Egon's plan works out fine, there is only trouble ahead for the little gang.
The Olsen Gang
The Olsen gang in Jutland. Ones again Egon Olsen has a plan when he gets out of Vridslose State Prison. He has found out that the Germans left a large sum of money (in American dollars and gold bars) in one of their commando bunkers, when they were defeated in 1945; the only problem it's in Jutland. Egon, Benny and Kjeld "appropriate" a car and drives to Jutland along with Kjelds wife and child Yvonne and Borge. They look forward to fooling the the people in Jutland, but of course, things don't go quite as planed. It ends with Benny, Kjeld, Borge and Yvonne sitting in the train back to Copenhagen, were they are overtaken by Egon in his car on the road next to the track. This is the last time the Olsen gang goes to Jutland.
The Olsen Gang in Jutland
Television & Series (17)
The series follows the residents of an apartment building on Copenhagen's Christianshavn, as they go about their daily lives and challenges. There is Olsen, a mover with an old fashion view of the world, Clausen who runs the local pet shop, Egon the career focused assistant, their wives who work hard to keep their spouses lives together, the young couple Tue and Rikke who recently moved in, the hard working caretaker Meyer, who never puts in to much effort, and of course Emma, the innkeeper of Rottehullet, where all the important decisions are made while running up the bar tab. The series was produced by Nordisk Film for Danmarks Radio TV station between the years 1970-77. The series' first director was Ebbe Langberg, then Erik Balling and Tom Hedegaard respectively. The series was conceived by an author team of well-known Danish authors such Leif Panduro, Benny Andersen, and Lise Nørgaard.
The House at Christianshavn
A road movie that tells the story of two very different young women, Charlot and Charlotte, who meet by chance and end up driving together across Denmark from Copenhagen to Skagen. Along the way, they meet a wide range of very different people, from the senile Birksted to the psychopathic mass murderer Poul-Teddy, to a theater troupe and the elderly residents of a nursing home run by a headstrong matron. The naive and provincial Charlotte learns spontaneity from the smart city girl Charlot, while Charlot, in turn, learns from Charlotte to appreciate the experiences close to home.
