Simon Rattle

RHYTHM IS IT! records the first big educational project of the Berlin Philharmonic Orchestra under Sir Simon Rattle. The orchestra ventured out of the ivory tower of high culture into boroughs of low life for the sake of 250 youngsters. They had been strangers to classical music, but after arduous but thrilling preparation they danced to Stravinsky's 'Le Sacre du Printemps' ('The Rite of Spring'). Recorded with a breathtaking fidelity of sound, this film from Thomas Grube and Enrique Sánchez Lansch documents the stages of the Sacre project and offers deep insights into the rehearsals of the Berlin Philharmonic Orchestra.

Journey with the musicians of the Berlin Philharmonic and their conductor Sir Simon Rattle on a breakneck concert tour of six metropolises across Asia: Beijing, Seoul, Shanghai, Hong Kong, Taipei and Tokyo. Their artistic triumph onstage belies a dynamic and dramatic life backstage. The orchestra is a closed society that observes its own laws and traditions, and in the words of one of its musicians is, “an island, a democratic microcosm – almost without precedent in the music world - whose social structure and cohesion is not only founded on a common love for music but also informed by competition, compulsion and the pressure to perform to a high pitch of excellence... .” Never before has the Berlin Philharmonic allowed such intimate and exclusive access into its private world.

Krystian Zimerman joined forces with Sir Simon Rattle and the London Symphony Orchestra last December in Beethoven’s five piano concertos. Their spellbinding performances, streamed on DG Stage from LSO St Luke’s and recorded live by Deutsche Grammophon, harvested a bumper crop of critical superlatives.

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This film captures Rattle's very first performance as Music Director; a programme in which British composers took centre-stage. The world-premiere of Helen Grime's Fanfares, which became the first movement of the work Woven Space, opened the concert before violinist Christian Tetzlaff took to the stage to perform the concerto written for him in 2010 by Harrison Birtwistle. Two more works close to Rattle's heart followed: Thomas Adès' Asyla and the pocket-sized Symphony No 3 by the late Oliver Knussen. Finally, Rattle's stunning interpretation of the Enigma Variations brought the concert to a close and then the audience to its feet, filling the Barbican Hall with rapturous applause.

Sir Simon Rattle and the LSO are joined by revered French pianist Pierre-Laurent Aimard in a concert film that brings together music by Anton Bruckner and Olivier Messiaen: two composers as united in their devotion to the Catholic faith as they are divergent in their approaches to writing music.

Recorded in January 2016, this beautiful programme of French music was chosen by Music Director Designate Sir Simon Rattle and features world class soloists Leonidas Kavakos and Julia Bullock.

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The performance of all of Beethoven’s symphonies in the autumn of 2015 was a high point in the collaboration of the Berliner Philharmoniker and its chief conductor, Sir Simon Rattle. The film Living with Beethoven accompanies the ascent of this “Mount Everest” (Rattle) with many views behind the scenes. The conductor and orchestra musicians all contribute, clearly inspired by the desire to make the often performed works sound again as if they were just written.

Sir Simon Rattle was chief conductor of the Berliner Philharmoniker for 16 years, and the length of this time alone gives his tenure the feeling of an “era”. But also in a qualitative sense, this was a special chapter in the history of the orchestra. This is shown in Eric Schulz’s documentary, which traces the many highlights and achievements of Sir Simon’s Berlin years in interviews, concert excerpts and archive material. The relationship between upholding tradition and innovation is just as much a theme of this documentary as the collaboration between the conductor with his creative powers and his self-assured orchestra. And this much is certain: the fact that the British conductor quickly became one of the most recognizable faces of the Berliner Philharmoniker and the city of Berlin itself means that for them, the Rattle era will remain in the memory for many years to come.

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Sir Simon Rattle is joined by virtuosic soprano Barbara Hannigan for a modernist programme that showcases the immense capabilities of the London Symphony Orchestra. At the heart of this concert is The Rite of Spring. Once decried, it is now a cornerstone of orchestral repertoire and considered by many to be the greatest work of the 20th century. Its elemental nature is best summed up by Stravinsky, who, in an unaccustomed moment of humilty, said that he didn’t feel he was the composer of the piece, but simply the vessel through which it passsed. Sir Simon Rattle says: ‘I’ve been conduting it since I was 19...it’s one of those pieces that reminds you what the shock of the new is about and it’s still one of the great challenges and one of the great thrills to perform.’

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The biggest names from the world of art, film, music, literature and dance. Alan Yentob gets close up with those shaping today's cultural world.

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Arthaus Musik, distributed by Naxos, has released an in­triguing series of seven DVDs titled Leaving Home: Orchestral Music in the 20th Century. Created for a TV con­sortium in 1996, Leaving Home features conductor Sir Simon Rattle and the City of Birmingham Symphony Or­chestra on a tour through some of the significant musical landmarks of the past century. Most ambitiously, the series tries to provide a context within which to approach—if not complete­ly understand-20th-century music. During the nearly five hours of pro­gramming (roughly 50 minutes per DVD), Rattle lays the case for what happened and why.

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The South Bank Show is a television arts magazine show produced by ITV between 1978 and 2010. A new series began on Sky Arts from 27 May 2012. Presented by Melvyn Bragg, the show aims to bring both high art and popular culture to a mass audience.