Živko Anočić

Nikola is a man who knows how to really enjoy life; he's even able to rouse sympathy for his sinful ways. His brother turns a blind eye to his philandering although, with a broken marriage behind him, he doesn't have a clear conscience, either. Is there anything positive to be said about infidelity, or does it simply deserve the utmost contempt, particularly when it's more premeditated than spontaneous?

Lana (17) is a girl from an average Zagreb family. She‘s getting ready to spend the night with her boyfriend Igor (25). On their way to the concert they decide to make love in a taxi owned by Igor‘s friend. This should‘ve been Lana‘s first time. Things went wrong when their intimate encounter got interrupted by the noises from another taxi. There was a robbery and attempted murder going on. Lana wanted to stop their love game, but Igor has forced her to continue. Lana ran away from him and met Irena (17) in a nightclub, a troubled girl who‘s been spending the night in search for drugs. A series of circumstances join Lana and Irena together while they wander the city.

Sitting in a restaurant representing the waiting room to the other world, a tired old man watches the patrons who represent him and his immediate family during the important moments of his life. Moments that have impacted him and the family, and have turned him into a man he was at the end of his life. The old man is forced to look these events in an objective way, observe them from the sidelines, as the judge and jury of a tragic life filled with regret, bitterness, and bad decisions. At a certain point, it becomes clear that the old man has actually died and is watching his own life.

Six men, one woman (and her brother) come together with one goal - to make the play. It would be probably another common story that this theater group is composed of anti-heroes who float lost in time and space, in a town where it seems that the sun sets in the east. Led by Sasha, a director who has recently returned to his hometown, this group of socially neadaptiranih amateurs starting the fight to their demons and the prejudices that surround them in the society. For dramaturgical template selection western and riding on stereotypes of the genre of the struggle between good and evil, the conflict between civilization and wilderness, the protagonists develop their life stories inevitably influencing and changing each other. Although, as time passes, the show looks increasingly like a mission impossible, almost all of its stakeholders is increasingly seen as a metaphor for their fate and get caught for it as the opportunity of a lifetime .

Iva and Saif are a young married couple who, despite constant attempts, fail to have a child. Zorica and Draka are a drug-addicted couple who always lack money for drugs, but that’s why they have a surplus baby. Bećir and Dudo are petty criminals whose entrepreneurial ventures go through transition.

For the first time in his life, Miro (40) spends the night with a prostitute someone sent to him in a hotel after a business.

An early summer evening begins with a game, while one kid counts to three thousand, the others hide in a row of suburban gardens. During that time, a young father spends the rest of his day with someone else’s child, an old man awaits a call that will change his life and the future of a year-long friendship becomes uncertain. The game ends when mosquitoes start rising from the grass.

The religious Karla marries the love of her life, Nikola. As the celebrations advance and the first wedding night approaches, Karla becomes more and more anxious. Then she gets a very unusual idea.

This comedy of the absurd is set in the Nazi puppet Independent State of Croatia (NDH) during World War II. The hero, Ljiljan is a young peasant poet who joins the Partisan movement just before it falls apart, abandoned by its leader Tito. The last remaining hope for resisting Nazism is to assassinate Hitler. Ljiljan’s task is to write a song that will allow his Partisan band to infiltrate the inner sanctum of the SS – by entering an SS talent show. If they win the competition, they will be invited to perform before Hitler and the NDH’s high command. This is a satirical coming-of-age tale with a difference, capturing the craziness, comedy and horror of war in the Balkans.

A young couple, Robi and Ines have a 7-day deadline to pay off Robi's debt to the loan shark, or they will both be killed. When they meet a well-off banker, Marko, who could save them by lending them money, Ines and Marko become close. The crazy race against time results in a love triangle of bizarre emotions, lies and passion.

Maks is a brilliant lawyer who has been serving for years one of Croatia’s most powerful and ruthless businessmen, who made his fortune in the aftermath of the Balkan War. Maks’ latest service has been to have his client declared innocent of the murder of two of his workers for acting in self-defense. But the sudden appearance of a former girlfriend triggers a crisis of conscience in Maks, leading him to confront his employer and risk his life by uncovering a dense network of corruption at the highest level involving all branches of the State.

Can the thread of bad luck, violence and suffering which is braided deeply into the generations of one family be broken? Beba's mother is a woman of poor health and weak character. Beba's father is sullen and violent. Beba's brother is possessive and problematic. Beba's boyfriend is from a correctional institution. Has Beba's daughter any chance to break this vicious circle, has she got any chance to become a beloved, happy person?

Procedural drama television series that follows a mountain rescue team. Episodes feature rescue missions ranging from illegal activities, natural disasters, and reckless conduct - to lighter fares such as eternally unprepared tourists.

A sequel to One Song a Day Takes Mischief Away (1970) set in 1964.

No overview available.