Caroline Chaniolleau

Tomas and Martin are a gay couple living in Paris whose marriage is thrown into crisis when Tomas impulsively begins a passionate affair with young schoolteacher Agathe. But when Martin begins an affair of his own, Tomas must confront life decisions he may be unprepared—or unwilling—to deal with.

The crimes and tragedies that tear apart one family seem overblown in the telling, yet this psychological drama about the miseries of one French policeman is compelling throughout. Jean (Pierre Arditi) is a cop and also a failed novelist who was abandoned by his father, brother, and sister after his mother died. The trio move to Paris where they set up an art scam that nets them considerable cash -- something Jean begins to figure out when he joins them for a family reunion. Little by little, he learns that his father is an expert forger, his stepmother's art gallery seems to be involved in the scam, his brother is a derelict and into drugs, his stepmother is a hooker in addition to all of this, and his sister runs an exercise gym for keeping prostitutes in shape. Things get worse -- just when everything seems bad enough, the stepmother is murdered and it is up to Jean to find the killer.

October 2015. French customs seize seven tonnes of cannabis in the heart of the capital. The same day, Hubert Antoine, a former mole with a shady past, contacts Stéphane Vilner, a journalist at Libération. He claims to be able to demonstrate the existence of State drug trafficking led by Jacques Billard, prominent media figure and high-ranking French police officer. Suspicious at first, the young journalist finally dives into an investigation that will lead him to the darkest corners of the Republic.

The life of Jeanne Bécu, who was born as the illegitimate daughter of an impoverished seamstress in 1743 and went on to rise through the Court of Louis XV to become his last official mistress.

A group of people meet on board an ambulance aircraft. They are all looking for a mysterious young man for different reasons. A "psychological-poetic" film that explores why people are puzzles to one another in the form of a game.

When a neo-Nazi group of terrorists is set to blow a pop concert off the face of the earth because it is an anti-racist benefit, they are faced with the intrepid Jean-Pierre Mougin, a macho sports reporter with zero tolerance for Nazi hate crimes. Going along with Mougin to stop the bombing is Lyza, whose brother was killed by this group of fascists, and so she is ardently seeking revenge. After Mougin gets his hands on a videotape that reveals the plot to blow up the concert and its audience, he and Lyza join forces. As the fuse gets shorter and shorter, Mougin is also joined by sympathetic street gangs. Thus reinforced, he faces his opposition (including crooked cops) in increasingly more desperate attempts to stop Murmeau, the leader of the Nazi gang, from carrying out his terrorist objective.

Nine fictitious documentaries and films reflect the mood of late 1970s Germany, particularly the two-month period in 1977 when a businessman was kidnapped by the RAF (Red Army Faction). The kidnap had been made to orchestrate the release of the original leaders of the RAF, aka the Baader-Meinhof.

This 1991 production by the Lyon National Opera presents a welcome opportunity to revel in a uniquely Gallic confection rarely seen outside France. It's also a chance to enjoy one of Offenbach's most inventive, melodic scores in which the starring musical role and many of the best tunes go to the orchestra, here conducted by Jean-Yves Ossonce. This is no accident: the operetta was originally created for a company of actors who relied on pastiche and the composer's help to get them through their "numbers". Not so these singers, of course. As Metella, the languorous courtesan who is responsible for the unravelling debacle, Helene Delavault is in meltingly good voice for her show-stopping rondeau, "A minuit sonnant commence la fete". Her sparring suitors Gardefeu (Jean-Francois Sivadier) and, particularly, Bobinet (Jacques Verzier) combine marvellous visual comedy with fluid singing and there is some dazzling vocal work from the supporting cast. It's a long piece, but hugely enjoyable.

Joa (Bulle Ogier), an archaeologist from Mexico, comes to Paris in search of her sister Anna (Mireille Perrier), of whom she is suddenly without news. Anna, a theater actress, was in the title role in Sade's "Justine" when she disappeared. The investigation leading Joa to the people who have known her sister, turns into an initiatory quest. Her journey, her stroll through a subterranean marginal Paris, leads also to the emergence of a new woman.

This visually striking drama is taken from the classic Japanese novel Tales Of Genji by Marasaki Shikibu. Set in modern Portugal, Joao (Luis Miguel Cintra) is a left-wing political leader and ladies man with a bright future. His ex-wife Isabel (Manuela de Freitas) both loves and hates him as Joao plays on her wavering emotional state. He is sent to Italy to retrieve wayward family member Antonia (Caroline Chaniolleau), the beautiful young woman with a terrorist boyfriend. Joao is forced to recognize his feelings as the political and amorous climate changes around him.

Loïc, a chestnut seller, has a mistress who wants a baby. Not daring to admit to her that he had the mumps late in life, he finds other excuses. Until the day he meets Claire, an old girlfriend, who has a little boy. Loïc finds the resemblance between the little boy and himself enormous and is convinced that he is his father...

A self-centered engineer tries to win back his wife after she takes a new lover.

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TV Show Details

A 1990 horror anthology series, with host Anthony Perkins presenting and screening tales based on Patricia Highsmith's short stories that display a sinister atmosphere, and delve into the darkest depths of human nature.

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