Helena Law Lan

Hong Kong was quickly becoming industrialised in the 1960s. The market was hungry for female labourers with a grasp of crafting skills. In addition to being wives and mothers, many women entered the labour market at that time. This ‘streamlined comedy' (as it was advertised) is called Three Love Affairs, but the main action is centred on the lovers played by Ting Ying and Cheung Yee. In order to make themselves more appealing, the factory girl pretends to be the daughter of a successful businessman, while the chauffeur pretends to be from a wealthy family. Their relationship is fraught with worry and anxiety, because they are confused about their own identities, and have not yet come to terms with themselves and their lives. With the support of the Manufacturers' Association, the film was shot on location at an actual factory, evidencing a prosperous period in Hong Kong's industrial history.

Madam Kum is a well-known dance hall girl. She gave birth to her daughter Yin-fan. Kum gave her to some relatives. Nineteen years go by, and Kum accidentally runs into Fan's husband, Man-fai, in Singapore. She tells him everything. Fai is surprised but accepts the truth. They have a talk and agree not to reveal the truth to Fan. However, Fai promises Kum that he will arrange for her to see Fan. Gum starts to see Fan on public occasions. Bing-chiu, who has been chasing after Fan since college, runs into Fai and Kum. He tells Fan about it. Fan goes to Kum to ask her not to destroy her family. Kum is hurt but still does tell her the truth. She decides to returns to Singapore. She goes to Fan's house to see her once more. Fan is having her birthday party. She insults Kum and throws a glass of wine in her face. Fai cannot stand it anymore and tells his wife who Kum really is. Fan feels guilty. All the others are moved by what Kum has suffered and they start to accept her.

Sau-chen goes out with the tenant Wong Chun-ching over the protests of her class-conscious parents Eighth Uncle and his wife. To foot the medical bills of his mother, Sau-chen works as a promoter at the Products Expo for Lung Wah Pharmacy and attracts the unwanted attention of the boss Chin Hoi-ngan. Chin desires the woman as a concubine. Acting on the advice of his subordinate Chiu Chik, the boss invents a phantom son and proposes marriage with the offer of a handsome dowry. The employee Wong, short of cash and needs money fast, is drafted as his saviour to meet the parents when the plot is duly exposed. Teaming up with his tenants, Eighth Uncle invites the henpecked husband's termagant wife along and causes a scene. In gratitude of their efforts, the landlord and his wife give blessings to their daughter and her lover.

Adapted from a popular 'three dime novel' the story revolves around two down-and-out buddies, one streetwise and quick-witted the other naïve and kind-hearted. This oddball duo go through up and downs and eventually get their break in life.

Lai-ying (Cheng Bik-ying) is a wealthy socialite who travels globally. Tired of her lifestyle, she sends her secretary Kiu (Tam Lan-hing) to stand in for her in a social function in Hong Kong. Local rich playboy Chung (Sun Ma Si-tsang) is forced by his father (Lee Hoi-chuen) to court the fake Lai-ying in order to save the family from financial distress. But Chung is in love with the real Lai-ying, who pretends to be a poor girl from a working class background. Naturally, the father is unhappy about this mismatch. Typically cast for feisty roles, Tam Lan-hing here plays a marriage-hungry woman, eager to be seduced who knows flirtatiousness can be so hilarious!

The Diary of a Husband serves as an illustration for the arrival of the white-collar economy, in which the extended family is replaced by the smaller nuclear family. It is a story about four pals who work at the same office, which, like other white-collar workplaces, has become the men's primary site of life, where livings are made and friendships fostered. Meanwhile, their wives have fostered something of their own—a brigade to catch cheating husbands. Much comedy is then generated by the cat-and-mouse game between the men and the women...The battle line drawn here between the sexes remains for years, to the extent that this very same story has been retold many times in Hong Kong films, including Men Suddenly in Black, the 2003 Pang Ho-cheung film with a similar Chinese title.

The Yau's brothers are a trio of scammers who make punishing baddies their mission. A misunderstanding leads them to fellow con artists the Lui's sisters, and they join hands to scam a notorious mob boss. Through a myriad of ingenious tricks and disguises, they bring the mobster to justice as romance blossoms swiftly—all's well that ends well.

A vigilante serial killer in Hong Kong leaves ominous death notices, prompting the police to launch a special task force to uncover a hidden conspiracy.

Hong Kong police officer Mina Kao marries Huang Tsung-Pao, who is a member of a law enforcement dynasty. His father and his many sisters are also officers, and the eldest sister Chia-Ling is one of the highest ranking women in the police department. When a Vietnamese gang begins a rampage through the city, the women must overcome their suspicion of one another to bring the criminals to justice.

A photographer, Chi-Shing is entangled with a "woman in red", leading to the deaths of his relatives one by one. When the girl he likes, Sze Tung, also died mysteriously, Chi Shing vows to find out the truth but ends up revealing the secret of a "ghost marriage".

When a tough policewoman learns about a group of violent terrorists, she, along with her partner and a Japanese detective, does everything it takes to take them down.

Tina Ti leads a star-studded cast in this hilarious farce as a pickpocket who, while fleeing the police, stumbles into an apartment occupied by seven single men. All hungry for a woman's affection, the men agree to take her in. However, what she doesn't know is that each of the men is coming up with ridiculous ways to have their way with her. A surreal comedy about sexual repression and sexual fantasies, the film mocks the desperate measures people take in the name of sexual gratification. Even though it is an erotic comedy at heart, it is never lewd or exploitative. In fact, like other Cantonese films at the time, the story even ends on a moralistic note as Tam Bing-man's character convinces the pickpocket to turn herself in and mend her ways.

The story mainly surrounds the main character waking from a 16-year coma after a car accident and how she deals with the changed world, and her husband's infidelity.

A generation of ghost-hunting master Zhang Ke came to Hong Kong from Beijing with two apprentices Zhang Beiping and Zhang Nanjing because of avoiding the war .

At the end of the Shang Dynasty, King Zhou's tyranny made life unbearable for the people. Li Jing, one of the dynasty's most renowned generals, and his wife Yin Shiniang, faced a strange event when their child was born as a ball of flesh. Believing it to be a demon, Li Jing split it open, revealing a two-year-old boy named Nezha. To protect her child, Shiniang sent Nezha to the Nuwa Temple to be raised. Nezha befriended Yang Jian and Lei Zhenzi, and the trio delved into the world of kung fu. Yang Jian's sister, Yang Lian Hua, fell in love with Nezha at first sight. Meanwhile, King Zhou's indulgence in beauty and favouritism towards Su Daji led to widespread destruction. Jiang Ziya then led Nezha, Lei Zhenzi, and Yang Jian to persuade King Wen and assist King Wu in leading an army against Zhou. Together, they fought against the injustice.

After the death of his fiancee (Pauline Yeung), triad legend Ming Tin (Alex Man) washes his hands of the underworld, retreating to a quiet life running a small mahjong parlor. He originally disavowed himself of romance as well, but two very different women (Tanny Tien and Teresa Mo) wander into his life. Ming Tin lives with his mother (Lee Heung Kam), uncle (Ng Man Tat), and cousin Gam Sui (Stephen Chow). Ming Tin and Gam Sui are as close as brothers, but Gam Sui's father has a grudge against Ming Tin, leading to many barbs and bickers in this odd family. When Gam Sui and his father unwittingly stumble onto the wrong sides of the track, it's up to Ming Tin to pull them back with his old connections.