Sarah Adler

Meduzot (the Hebrew word for Jellyfish) tells the story of three very different Israeli women living in Tel Aviv whose intersecting stories weave an unlikely portrait of modern Israeli life. Batya, a catering waitress, takes in a young child apparently abandoned at a local beach. Batya is one of the servers at the wedding reception of Keren, a young bride who breaks her leg in trying to escape from a locked toilet stall, which ruins her chance at a romantic honeymoon in the Caribbean. One of the guests is Joy, a Philippine chore woman attending the event with her employer, and who doesn't speak any Hebrew (she communicates mainly in English), and who is guilt-ridden after having left her young son behind in the Philippines.

A three-chapter (Hell, Purgatory and Paradise) meditation on the city of Sarajevo in the wake of the Bosnian war, on Palestine and Israel, and on war itself.

Max is preparing an architecture and landscape competition for the city of Marseille. He is confident, his project is daring but pioneering. The oral is going well. The garden on this square is finally emerging and with it radical changes for the inhabitants as well as for Max whose career is stalling dangerously.

Nervous about his upcoming wedding, a man faces temptation from another woman.

Starting in 1944 in the wake of the Liberation and continuing into the '60s, 'houses of hope' were established to lend a semblance of continuity to youngsters orpahaned by the war. Nina's Home takes place between September 1944 and January 1946 in an orphanage housed in a chateau outside Paris. At the outset, the country residence is run by Nina who has a core population of French Jewish children whose parents are probably dead. Food is scarce. News of the Concentration Camps hasn't hit yet, but some months later, a contingent of youths arrive form the liberated camps. The children are a disparate, wild, damaged group and conflicts ensue. Nina's challenge is to help them make their first delicate moves toward the future and in the process restore all of them, including herself, to life.

Set in 1889 France, Dodin Bouffant is a chef living with his personal cook and lover Eugénie. They share a long history of gastronomy and love but Eugénie refuses to marry Dodin, so the food lover decides to do something he has never done before: cook for her.

When Thomas Overby mistakenly believes Aya is his assigned driver, she spontaneously decides to go along with the charade and drives him to Jerusalem. A stiff and guarded pianist, Overby is intrigued by the impulsive though melancholy Aya. As they slowly begin to connect, the film takes us on a journey we hope will never end.

Filmed in one sequence-shot of 1 hour and 25 minutes, Ana Arabia is a moment in the life of a small community of outcasts, Jews and Arabs, who live together in a forgotten enclave at the “border” between Jaffa and Bat Yam, in Israel. One day, Yael, a young journalist, visits them. In these dilapidated shacks, in the orchard filled with lemon trees and surrounded by mass public houses, she discovers a range of characters far removed from the usual clichés offered by the region. Yael has the feeling of having discovered a human goldmine. She no longer thinks of her job. Faces and words of Youssef and Miriam, Sarah and Walid, of their neighbors, their friends tell her about life, its dreams and its hopes, its love affairs, desires and disillusions. Their relation to time is different than that of the city around them. In this tinkered and fragile place, there is a possibility of coexistence. A universal metaphor.

Tsili is a young girl caught in the middle of World War II. After her family is taken to a concentration camp, Tsili hides in the forest, free from hatred and men, until the arrival of Marek, a stranger who speaks to her in Yiddish.

In 2000, as the Hezbollah organization takes over Lebanon, Yossi, a Lebanese soldier, helps his friend Fouad to flee the country in order to avoid punishment, as he’s been working against them for 16 years. Fouad takes refuge in Israel with his daughter, Tanya. A few years later, a new war breaks out in Lebanon, causing tensions at the Israeli border. Yossi’s wife, Myriam, decides to go there and asks for Tanya’s help to look for their soldier son, who hasn’t given sign of life since then. This journey will allow the two women to share their sorrows and heal together.

Anne is partly handicapped following a car accident and in the year of her rehabilitation she has rarely left her apartment in America. She lives with her husband Donny, an architect, and spends all day reorganising her apartment and with other futilities. While the couple are very fond of each other, the agoraphobia and the physical discomfort are not without their consequences for the marriage. Yet neither of them takes the plunge and talks about the frustrations and the lack of sexual contact. Change comes to this tense, silent existence cut off from the world when Anne's half-sister Iris comes to visit from Israel. A teenager filled with energy and fun, who is however attracted to the withdrawn and secure lifestyle of Anne and Donny. She nestles into the house like a wasp in a bottle of beer, but her presence brings the couple's suppressed fears and desires at the surface.

A dozen masked individuals ransack a pharmaceutical laboratory and release the animals used as test subjects. The operation is claimed by the Animal Liberation Front. Cédric, a police officer, sets out to track down the mysterious group. That same evening, he seduces Estelle, a young veterinarian who, a few hours later, participates in an animal rights demonstration. She then comes face to face with Cédric, who has come to arrest the activists. Meanwhile, Ghislain, an employee at an industrial pig farm, acts as an informant for the commando's next operation at his company.

No overview available.

A homeless real estate agent who gets legal consulting from his Goldfish discovers that he can travel in time.

A director of human resources conducts job interviews. As the episodes unfold, the candidates introduce themselves. Annoying, too sure of themselves or frankly confusing, they trigger internal thoughts that distract him and disrupt his exchanges with the candidates.

No overview available.