Acting
Dec 23, 1949
Vlădești, Argeș, Romania
Mircea Diaconu
Acting
Biography
Born in Vlădești, Argeș County, he graduated high school in Câmpulung in 1967 and Bucharest's Caragiale Academy of Theatrical Arts and Cinematography in 1971. He made his theatrical debut a year before graduating, at the Bulandra Theater, in Truman Capote's The Grass Harp. His screen debut came in Dan Pița's Nunta de piatră (1972); he would later appear in the same director's Filip cel Bun (1975). Other directors with whom he has worked include Alexandru Tatos (Mere roșii, 1975; Secvențe, 1982; and Secretul armei secrete, 1988), Virgil Calotescu (Buletin de București, 1982; and Căsătorie cu repetiție, 1985), Nae Caranfil (Asfalt Tango, 1996; and Filantropica, 2002) and Cătălin Mitulescu (The Way I Spent the End of the World, 2006). In all, he has appeared in more than sixty films. Diaconu worked with Lucian Pintilie both in film (the 1981 De ce trag clopotele, Mitică?) and in theater: Gogol's The Government Inspector at Bulandra, and Shakespeare's As You Like It at the Nottara Theater. Liviu Ciulei hired him at Bulandra in 1972, and he remained there for a decade, before moving on to Nottara. At Bulandra, he appeared in Twelfth Night and The Tempest, both under Ciulei's direction; and in Marin Sorescu's Răceala, directed by Dan Micu. At Nottara, he appeared in Alexander Ostrovsky's The Forest; Ultimul bal, after Liviu Rebreanu's Forest of the Hanged; and Mihai Ispirescu's Într-o dimineață. He became the director of Nottara Theater in 2004, working as such until his resignation in 2011.
Feature Films (61)
A provincial young girl, a farming engineer, does not want to return to the countryside on graduating, but stay in the capital. But she needs a Bucharest identity card to do this. Her solution is to "buy" a husband...
Bucharest Identity Card
Love. It just happens. No rules. It may look sick, but it's deep and it hurts. For everyone, Alex and Kiki are just good friends. They happen to be two girls experiencing another kind of love. For their family, Kiki and Sandu are sister and brother who sometimes fight. They happen to be lovers. Love Sick is about their stories.
Love Sick
In 21st century Bucharest, to go out in the city on Saturday evening on the arm of a beautiful woman is a risky financial investment. Ovidiu, an unassuming high school teacher, never could afford it. Looking for a source of income more substantial than a teacher's salary, Ovidiu plunges into a fabulous world – the beggar mob.
Philanthropy
The adventures of the three Brad brothers continues when Traian falls in love with Anabelle, a singer. He wants to marry her, not knowing that she is helping someone to rob a bank.
The Actress, the Dollars and the Transylvanians
Three sequences which could have formed separate stories are linked together to give a larger perspective on the nature of reality and film. The three episodes are joined together by one film crew at work. In the beginning, the crew is introduced as they juggle their dual roles as State-supported propagandists who laud their government and society, and as private movie makers working on their own film. Next, they are in a restaurant looking for suitable locations to film when the eatery’s owner is induced to wax long and lugubriously on his miserable life. In the last segment, two extras are in the background of a scene, sitting at a table in a restaurant. It slowly becomes apparent to one of them that the man he’s sitting with tortured him more than 40 years ago at a Nazi concentration camp during World War II.
Sequences...
Television & Series (1)
The events of August 1944, when King Michael I of Romania overthrew the fascist regime.
