Margarida Carpinteiro

No overview available.

A small village in Portugal, Águas-Altas, is being sued by a Spanish multinational corporation because the village hosts a website that uses the same name as an international brand of mineral water. A judicial battle for website begins, that quickly turned in to a media circus. Thus the residents of this small village, who are not even sure what the internet is, are forced defend their website and their villages honour.

Dina (Maria Santiago) is a teenager brought up by her grandmother, employed as a housekeeper for a fairly well-off family. Since Dina only has her grandmother, she spends her time fantasizing about her life and reading comic-book love stories -- activities that do nothing to improve her dim perspective of reality. Due to these handicaps and her own inexperience, she gets involved with Django (Luis Lucas), a shady character who decides to use her as bait to attract men and then rob them. One day when both are in a taxi with robbery in mind, the driver gets suspicious so Django shoots him, and so does Dina. She escapes and runs away -- though it seems like she has learned too little too late. This story unfolds against a time of upheaval in Portugal (mid-1970s) when the military government is formulating a constitution and social changes are happening everywhere.

Vera, a single mother with two small children, is forced to have two jobs to survive after her children's father has disappeared. She works as a cashier at a supermarket by day and at night works in a strip club, trying not only to raise her children but also to pay off the debts that her ex-partner left her. Harassed in both jobs, one day she reacts violently when a nightclub client is more daring, being sentenced in court to perform community service in a nursing home, where her irreverence and youth will clash with the authoritarianism and inhumanity of the director. For the elderly who live in the nursing home, Vera is a breath of fresh air that little by little will change their lives, becoming the true home fairy…

After a lifetime apart, two childhood friends reunite, now widowed and elderly, in the village where they grew up. As they try to resolve past disagreements, they deal with their families' decision to place them in a nursing home. Knowing that they are nearing the end of their lives, the two friends strive to fulfill their old promise to stay together forever.

Scheherazade narrates three more tales, supposedly selected from the 470th, 484th and 497th nights of her ordeal: “It hath reached me, O auspicious King, that a Judge will cry instead of giving out her sentence. A runaway murderer will wander through the land for over forty days and will teletransport himself to escape the Guard while dreaming of prostitutes and partridges. A wounded cow will reminisce about a thousand-year-old olive tree while saying what she must say, which will sound none less than sad!

Antonio decides to break free of his mundane existence and rents a silver convertible to take his wife on a dream vacation. Everything seems perfect. Except he doesn't know the way.

In an imaginary future, Portugal consists of an association of states - North and South - with zones of specific influence. City under vigilance, Lisbon is inhabited by a repressed and militarized population. Maria and António stand out in this city and surrender themselves to a submersive love. 1978

Pedro and Laura are a modern couple and, for all friends, exemplary. Pedro is a young and successful manager who runs a parent company and has succeeded in a more successful case. Your wife, Laura, is also an architect. He has fun friends with whom he usually dines, goes out at night and goes on vacation together. Married five years ago, it's time to have a child. Modern and practical as they are, they have everything very well planned: they already know to whom daycare or child, in which private school the primary studies are shown, until the course is used when they grow up. In addition, there are some who have a child who is not prevented from living as always independent, but they do not just want to become "the parents of ...".

Set during the Estado Novo dictatorship, in the night of April 24, Pedro hears that the political police, PIDE, assaulted his house. Fearing of what his fate may be, Pedro runs, looking for a place to hide.

Hipólito is a self-made man, who went up in life in devious ways, and used for profit the social turmoil when Portugal changed from a monarchy into a republic, and then to a military regime. Finally, he is forced into exile. Back in 1935 to family, friends, and lovers, he is in a mix-mesh of lies, and scheming, again.

The film documents two phases of an incident occurred in Portugal, during the 1974 revolution. In September 30, 1974, José Diogo, a tractor driver, kills his boss, Columbano Líbano Monteiro, after being dismissed from his job, when he claimed his right to work. He is imprisoned in Beja, Alentejo, and he is freed until prossecution. The courts are reluctant to judge him, because of the social unrest and the political aid Diogo is receiving from trade unions and political parties. A crowd will disrupt the court, in Tomar, and conduct a popular judgement in the hall of the tribunal, deciding to free Diogo, and condemning the boss, posthumously, for dismissing his employee and attacking him. The case became a law case study since then.

The soap opera tells the story of two families: Cardoso and Guimarães whose bosses are, one of them, bank manager and the other owner of a textile factory, linked to the world of fashion.

No overview available.

No overview available.

A snobbish housewife is determined to climb the social ladder, in spite of her family's working class connections and the constant chagrin of her long suffering husband. Portuguese remake of the British classic Keeping Up Appearances.

Ten books, ten municipalities, ten women directors, ten TV-movies. The same universe: Told by Women. Comedy, romance, adventure, historical dramas, narrative content by great Portuguese-speaking writers and the vision of ten women directors from different generations and different creative backgrounds who portray a country that, in the last 100 years, finds itself towards freedom.

In Alta Definição, Daniel Oliveira interviews one guest every week with an intimate approach.