Niels Weyde

A position opens up at the Institute of Psychology. Manfred, a faculty psychologist, jumps at the career opportunity of a lifetime, spurred on by his girlfriend, Therese, who is also a co-worker. Then a new psychologist joins the staff, jeopardising his plans. It pains Manfred, who bends over backwards to curry favour, no end to see his new colleague, Poul, win over the institute chairman with his smooth, easy-going style. It is time, Manfred figures, to tip the scales of justice.

The story of August who loses his beloved sister Christina, a former porn star known as The Princess. He adopts Christina's five-year-old daughter Mia. Weighed down by grief and guilt, August breaks down and with Mia in tow, he embarks on a mission of vengeance to erase Christina's pornographic legacy.

A satirical drama revealing the consequences of the Danish government's "New Copenhagen Criteria", a new policy aiming at securing the nation's survival. Citizens who fail to meet the criteria – those who have received more from society than what they have contributed – are eliminated.

Actor Nicolas Bro reigns supreme in the role of Nicolas Bro – a man intent on making a film about himself. After his director friend Christoffer Boe lends him a camera, his selfmonitoring is so hair-raisingly private that it becomes impossible to separate fact from fiction.

Torben is a shiny young apple with a dream: making it to the bright lights of the supermarket fruit section. But his dream is shattered one sunny morning when a worm pokes her head out of his perfect skin. Sylvia is her name, and she is really very nice.

Frank is left with the responsibility for his nephew Bo on an already planned canoe trip. Frank's mate Casper is also coming along. Weighed down a with their obligation, Frank and Casper nevertheless look forward to ending the trip at Skanderborg Festival where there's plenty there for the guys, a spree of drinking and women. Not the best example to set for young Bo. And how do their partners see it all?

The city is gasping for air in the scorching summer heat; everyone is under suspicion; a persistent detective superintendent is burrowing for the truth. A fiercely penetrating drama about a mother's love for her autistic adult son, who is suspected of murdering a local girl. The mother knows her son could have committed the murder, but she conceals her knowledge, and gradually becomes entangled in a thicket of lies. How far is she prepared to go to protect her son who is helpless in so many ways? Does she have it within her to give up the only person she loves?

Mikkel is given the opportunity to advance to deputy director of the company, and now the director has invited Mikkel and his wife to dinner at his home. Mikkel relies on certain unwritten rules and on himself. The latter is the most problematic.

An older man begins dancing in a public square, oblivious to the laughing gawkers who pass by. He seems to want to engage the attention of a young man sitting on a bench who begins weeping. A group of youngsters mimics and mocks the dancer. He's oblivious to them. The music is a sprightly tune that Fred Astaire might have used as he enticed Ginger Rogers into his arms. And didn't he do a lot of dancing in the streets in his movies? Nobody laughed at him. But, of course, he was only on a pretend street in a Hollywood soundstage. We know this is also a setup. Still, it's embarrassing. They're making public displays of themselves. The man, expressionless, continues to dance. The other man continues to weep. One kid starts taking the performance seriously and joins in the dance as a sort of pas de deux. Both men ignore him. And then it's over. We don't know why it began or ended. Courting ritual or celebration of self, it's unclear. (UbuWeb)

PUK SCHARBAU plays Lise Nørgaard in the epic film adaptation of her fascinating life story. In a chronicle of both love and war, masterfully directed by Peter Schroeder, we follow the woman who would later give us 'Matador', from her early childhood to her controversial career as a journalist with a Denmark of yesterday, and a Europe in flames as convincing backdrop.

Filmmaker Johannes and his wife, schoolteacher Signe, experience the biggest sorrow and misfortune one can ever imagine. Nevertheless, in all the hopelessness they must try to reach for mutual and mature love in order to continue life after death.

Frank and Casper's friendship is put to a test, when Casper decides to leave Denmark to pursue a solo career in Los Angeles. Determined to win his best friend back Frank chooses to follow Casper insuring an eventful trip.

The Killing is a Danish police procedural set in the Copenhagen main police department and revolves around Detective Inspector Sarah Lund and her team, with each season series following a different murder case day-by-day and a one-hour episode covering twenty-four hours of the investigation. The series is noted for its plot twists, season-long storylines, dark tone and for giving equal emphasis to the story of the murdered victim's family alongside the police investigation. It has also been singled out for the photography of its Danish setting, and for the acting ability of its cast.

The lives of two fictional families during the historical development of Danmarks Radio television network from the 1950s to the 1970s.

The Danish national police branch PET is in charge of personal protection, mainly of politicians and royal family. That also involves preventive work concerning terrorism, stalking etcetera. Meanwhile several team members must keep op top of personal concerns, such as ethnic background-related concerns and relational troubles at home.

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