Inge Ketti

It all happens over two days and—naturally—and in particular—two nights. A perfectly ordinary girl gets herself into a lot of trouble because of her slightly too big heart, which exposes her to trials and temptations she cannot overcome without the help of little white lies and pretence. She manages to overcome almost all obstacles, but loses her heart.

At Helene Dragstrup's 20th birthday, her grandmother Margrethe decides that it is time that Helene learns something about life outside the protective walls of the estate.

The old doctor, Dr. Bonnesen, is a tired old man. He wants to sell his practice and has been corresponding with the young doctor Jens Winther. Jens arrives in Fjorslev to discuss a possible takeover of Bonnesen's practice and his patients. Bonnesen's beautiful young housekeeper, Anne Mette Krogh, welcomes him. Bonnesen takes a liking to Jens Winther and makes him an offer he cannot refuse.

A train pulls into Copenhagen Central Station, and 16-year-old Dorte gets off. She needs to find some people on a road somewhere near Svanemøllen. Here, in a beautiful villa, lives Asger Haensen, a director who runs a large company in Copenhagen. He lives with his two children, Margot and Steen. Asger Haensen lives a superficial and overly expensive life—among other things, he has an expensive girlfriend. In the evening, the doorbell rings at the director's house. Outside stands Dorte with a letter that must be delivered to him personally. The letter reveals that Dorte is the result of a small youthful mistake on the part of the director. So Dorte stays in the house. Dorte does not quite fit into the elegant home. But she is feisty—and brings life to the house!

Throughout his childhood "The White Castle " stood as something special for Susanne . The towering spiers, the swans in the moat , yes everything she can recall his mind's eye . But Susanne has never seen the castle - she are totally blind! One day she nevertheless castle completely into poå life . Count's two sons , Walter and Albert , discover the beautiful woman hiding behind the dark briller.Det is the start of a drama that will shake to its foundations - and do not let any of the implicedrede be unchanged. Unless they otherwise are alive ...

The Royal privileged ferry inn in Hørby is owned and operated by the two good friends Erik Hansen and Lars Tofte. In addition to the inn they own the small ferry, which keeps them in touch with the mainland.

A different kind of Danish film about Denmark, the Danes, and everyday life in Denmark. An episodic film consisting of different storylines, which are linked together by several smaller scenes.

In the village Karrild, the Countess Sonia Hardenborg and a young unmarried woman, Marta, give birth to a daughter on the same day. Marta dies after birth, so Marta's daughter, Betina, come under the care of the countess. 17 years later, Betina and Countess Sonia's daughter, Maria, meet, as Betina is living in a home for orphaned girls, which is adjacent to the Hardenborg estate. The two girls become friends, and Maria invites Betina to visit her at Hardenborg, to greet her parents Sonia and Otto Hardenborg and her brother Count Flemming. Meanwhile, Betina's father, Frank Jensen, starts working in the estate's woods, and when the two girls come to visit him, he is shocked by the resemblance between the young countess and Betina's mother Marta.

Olaf Ussing is the old chamberlain who lives in the castle with his three unmarried daughters – Malene Schwartz, Lone Hertz and Mimi Heinrich. On the neighbouring estate lives Poul Reichhardt, a wealthy bachelor with a butler – festively played by Ole Monty. A couple of dubious suitors for the lovely young ladies are Preben Neergaard and Preben Mahrt – and a former admirer is Henning Palner.

The film is a sequel to Hold fingrene fra mor (Hands Off Mom). Berthe Quistgaard and Helge Kjærulff-Schmidt play the leading roles in this delightful romantic comedy. Lulu Vänner is about to get married for the fourth time. She is the mother of four children from three different men, but perhaps the fourth time will be the charm. Although the children like Lulu's fiancé, John Carstensen, they are not keen on the idea of marriage.

The young headmaster of a boy's boarding school has decided that due to the virility of his young charges, they are a sort of national treasure. He believes that his school should become co-educational as soon as possible. In order to raise funds for the changeover, the boys stay behind during their summer vacation and temporarily convert the school into a love hotel.

Thomas, a naive young dental student, faces a rather difficult challenge. His millionaire aunt, a bit of a sex nut, will give both him and his dental school millions if he can prove that he is sexually able and skillful. His schoolmates hear rumors of this trial, but understand the challenge to be for him to keep his celibacy.

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No overview available.

Matador is a Danish TV series produced and shown between 1978 and 1982. It is set in the fictional Danish town of Korsbæk between 1929 and 1947. It follows the lives of a range of characters from across the social spectrum, focusing specifically on the rivalry between the families of two businessmen: The banker Hans Christian Varnæs, an established local worthy, and social climber Mads Skjern, who arrives in town as the series opens. The name Matador was taken from the localised edition of the boardgame Monopoly, also the series' tentative English title. In addition, in contemporary Danish a "matador" is often used to describe a business tycoon, in the series referring to the character of Mads Skjern and his craftiness as a self-made entrepreneur. Directed by famed Danish film maker Erik Balling, Matador was the idea of author Lise Nørgaard who wrote the bulk of the episodes alongside Karen Smith, Jens Louis Petersen and Paul Hammerich. The series is one of the most well-known and popular examples of Danish television and represents the peak of longtime development of Danish TV drama by the public service channel Danmarks Radio. The series has become part of the modern self-understanding of Danes, partly because of its successful mix of melodrama and a distinct warm Danish humour in the depiction of characters, which were portrayed by a wide range of the most popular Danish actors at the time; but also not least because of its accurate portrayal of a turbulent Denmark from around the start of the Great Depression and through Nazi Germany's occupation of Denmark in World War II.

No overview available.