Alicia Montoya

No overview available.

Two young adults, brother and sister, discover that both were adopted, and they start to develop grown-up feelings toward each other. Is this the worst, most perverse thing to ever happen? Opinions differ.

Drug-trade kingpin tries to coerce a woman into marriage, but her former boyfriend turns up and she finds new reasons to resist being pressured.

A mute fisherman helps another whose boat capsizes, he dies and leaves behind a girl whom he raises as his own daughter.

María Antonia, Beatriz and Leonor are three classmates who are anxiously awaiting the celebration of their 15th birthday. However, each of them will have to cope with their complicated personal situation.

In this Mexican sci-fi fantasy, big beefy Martians invade the earth. Ostensibly, they have come to warn people about the dangers of nuclear testing and exploring space, but their real mission becomes manifest when they begin using their special powers and gadgets to exploit weak earthlings.

Damiana, a girl who has grown up with her grandfather and a friend, is discovered by photographer and launched as supermodel.

A pretty young Mexican girl returns to her hometown to make funeral arrangements for her beloved aunt, who has just died. Soon she begins to hear disturbing stories about the town being infested by vampires, and she eventually begins to suspect that her remaining aunt and the mysterious next-door neighbor may be involved.

In Sierra Negra, graverobbers Barraza and Mendoza steal the coffin of Count Karol de Lavud, before heading to a hospital. Barraza sees a medallion upon the coffin's opening and demands more money from Mendoza. Meanwhile, Marta González, recovering from traumatic events, works as a nurse with Dr. Saldívar. When Barraza removes the wooden stake in order to steal Lavud's medallion, the vampire returns to life and begins a crime spree, hunting down Marta to marry her.

Clotilde dies, and her god-daughter has promised to carry out a final wish for her. Two gangs of thieves and the cops interfere with her fulfilling the promise.

No overview available.

A town confused by religion persecutes a woman who stole the braid from the statue of the Virgin.

La Culpa is a Mexican telenovela produced by Yuri Breña and Pinkye Morris for Televisa and originally broadcast on Canal de las Estrellas from August 12 to October 11, 1996. Created by Nora Alemán, with literary editing by Marco García, the telenovela stars Tiaré Scanda and Raúl Araiza. Due to low ratings, it was shortened to 45 episodes. The story follows Isabel Lagarde, the adopted daughter of a wealthy family, who falls in love with Miguel Nava, the son of a former boxing champion. Their lives are torn apart after Miguel becomes involved in the accident that kills Isabel's sister, Juana Inés. As grief, suspicion, and revenge threaten to destroy their relationship, Isabel and Miguel must uncover the truth behind the tragedy and identify the real person responsible.

Pueblo chico, infierno grande is a Mexican historical telenovela produced by José Alberto Castro for Televisa and originally broadcast on Canal de las Estrellas from January 6 to August 1, 1997. Created by Javier Ruán and adapted by Javier Ruán, Mario Hernández, and Sergio Schmucler, the telenovela is based on a true story about Leonarda Ruán. It stars Verónica Castro, Juan Soler, and Guillermo Capetillo. The story is set in the late 19th century and follows Leonarda Ruán, a wealthy widow from the town of Nahuatzen who falls in love with Genaro Onchi, a young man from a humble background. Their relationship faces strong opposition from society, family conflicts, jealousy, and the return of people from Leonarda's past who try to separate them. As secrets and rivalries emerge, Leonarda and Genaro fight to protect their love against the judgment and traditions of their small town.

Bendita Mentira is a Mexican telenovela produced by Jorge Lozano Soriano for Televisa and originally broadcast on Canal de las Estrellas from August 5 to December 6, 1996. It is based on the radio serial La madrastra, created by Inés Rodena, and was adapted for television by Celia Alonso and Andrea Ordóñez. The story follows Esperanza, a humble housekeeper who works for the wealthy de la Mora family. Unknown to everyone, Diego—the young man who despises her—is actually her biological son, having been raised to believe the de la Mora family are his true parents. As long-hidden secrets begin to surface, Esperanza must confront prejudice, betrayal, and painful truths while fighting to reunite her family and find happiness.